John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
A seemingly indestructible Android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all cost
When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues. Written by
The first sequel in the series where no character mentions John McClane's encounter at the Nakatomi Plaza in Los Angeles, in Die Hard (1988). However, visual references to Nakatomi Plaza are seen while Thomas Gabriel is looking at John McClane's dossier. See more »
When John answers Gabriel's phone call for Mai at the gas line facility, Matt secretly captures an image of Gabriel by remote controlling Gabriel's web cam. When he sends the screen capture to Bowman minutes later, the image's cropping has changed: Originally the image doesn't show Gabriel's entire head and hair, later it does. See more »
"Live Free or Die Hard" is quite a refreshing piece of entertainment this summer in the wake of so many effects-driven computer simulated action/fantasy films. With its silly title, smart-alleck lead character (Bruce Willis as Bruce Willis doing John McClane), and loads of old fashioned stunts involving cars, SUV's, elevator shafts, big rigs, helicopters, fighter jets, and collapsing highway bridges, this flick is a great piece of shattered-glass entertainment--a throwback to the late 1980's and early 1990's when movies like the original "Die Hard" changed the face of movie action.
There is some frustration to be had when you start to realize how much they toned down to achieve the friendly PG-13 rating. There's far less profanity flying, and while the body count is astronomically high (the collateral damage in this film in terms of human life and damaged property is tres magnifique), there's little blood and guts to be found. Still, die hard "Die Hard" action fans should rest assured knowing there will be plenty of funny one-liners, hot chicks (a wonderful Maggie Q as the bad-ass female villain and the scorchingly feisty and cute Mary Elizabeth Winstead as Lucy McClane), super smart bad guys (a very good Timothy Olyphant), and jaw-dropping death-defying stunts.
Director Len Wiseman orchestrates the complicated stunts very well like a masterful puppeteer, which is a shock considering how god-awful his "Underworld" films were. The hand-to-hand human match-ups still bear some of his annoying hallmarks, but he's learned how to blow things up really well and has learned a thing or two about scope and editing in big action set-pieces. The excellent pacing and preposterousness of the stunts (especially the climax involving the fighter jet and the big rig) certainly put a smile on my face.
There's a whole lot of computer hacking related mumbo-jumbo involved in the story, and there's a lot of downtime for male bonding and "explanation" of the finer plot points that slows the film down some but is actually nice to see in a world now ruled by Michael Bay-style non-stop action. Plenty dumb, plenty thrilling, and plenty of fun, "Live Free or Die Hard" is a pleasant surprise considering how unnecessary this sequel seemed from conception.
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