John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues.Written by
In the beginning of the film, John McClane and Lucy have an argument that eventually leads to them discussing her use of her mother's last name, "Gennero". A similar argument takes place in Die Hard (1988), when McClane is searching for the location of his wife, Holly, in the Nakatomi building. He does not find her under "McClane," but does find her under her maiden name "Gennaro", which is misspelled. See more »
When the bad guy ("Rand") jumps from the helicopter (as McClain crashes the police care into) his headphones fall off as he hits the ground. But when the scene jumps back to him getting up from lying on the ground, Rand's headphones are magically (and mistakenly) back on. See more »
After the 20th Century Fox opening logo has been on for a while, it suddenly "short circuits", causing flickering as the the searchlights fade, climaxing in a total power outage. See more »
The unrated DVD (also known as the Ultimate Action Edition in some territories) contains frequent use of strong profanity and stronger violence (bullet hits are more graphically seen with blood spraying out). Also, McClane's signature line is now heard in full, as the gunshot does not obscure the latter part of it. See more »
I'm So Sick
Written by Lacey Sturm, James Culpepper, Kirkpatrick Seals, Jared Hartmann and Sameer Bhattacharya
Performed by Flyleaf
Courtesy of OctJay LLC
By Arrangement with Sony BMG Music Entertainment See more »
"Live Free or Die Hard" is quite a refreshing piece of entertainment this summer in the wake of so many effects-driven computer simulated action/fantasy films. With its silly title, smart-alleck lead character (Bruce Willis as Bruce Willis doing John McClane), and loads of old fashioned stunts involving cars, SUV's, elevator shafts, big rigs, helicopters, fighter jets, and collapsing highway bridges, this flick is a great piece of shattered-glass entertainment--a throwback to the late 1980's and early 1990's when movies like the original "Die Hard" changed the face of movie action.
There is some frustration to be had when you start to realize how much they toned down to achieve the friendly PG-13 rating. There's far less profanity flying, and while the body count is astronomically high (the collateral damage in this film in terms of human life and damaged property is tres magnifique), there's little blood and guts to be found. Still, die hard "Die Hard" action fans should rest assured knowing there will be plenty of funny one-liners, hot chicks (a wonderful Maggie Q as the bad-ass female villain and the scorchingly feisty and cute Mary Elizabeth Winstead as Lucy McClane), super smart bad guys (a very good Timothy Olyphant), and jaw-dropping death-defying stunts.
Director Len Wiseman orchestrates the complicated stunts very well like a masterful puppeteer, which is a shock considering how god-awful his "Underworld" films were. The hand-to-hand human match-ups still bear some of his annoying hallmarks, but he's learned how to blow things up really well and has learned a thing or two about scope and editing in big action set-pieces. The excellent pacing and preposterousness of the stunts (especially the climax involving the fighter jet and the big rig) certainly put a smile on my face.
There's a whole lot of computer hacking related mumbo-jumbo involved in the story, and there's a lot of downtime for male bonding and "explanation" of the finer plot points that slows the film down some but is actually nice to see in a world now ruled by Michael Bay-style non-stop action. Plenty dumb, plenty thrilling, and plenty of fun, "Live Free or Die Hard" is a pleasant surprise considering how unnecessary this sequel seemed from conception.
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