Directed by
| Lab Ky Mo | ||
Writing Credits (in alphabetical order)
| Lab Ky Mo | ||
Cast (in credits order)
Produced by
| Simon Barnes | ... | associate producer |
| Amit Barooah | ... | executive producer |
| Robert Bevan | ... | executive producer |
| Amanda Coombes | ... | executive producer |
| Peter Errington | ... | associate producer |
| Keith Hayley | ... | executive producer |
| Neil Howarth | ... | assistant producer |
| Helena Mackenzie | ... | associate producer |
| Colin McKeown | ... | co-producer |
| Andrew Melmore | ... | executive producer: 9 Films |
| Lamia Nayeb-St. Hilaire | ... | producer |
| Charlie Savill | ... | executive producer |
Music by
| Stephen W. Parsons | ||
Cinematography by
| Damien Elliott | ... | director of photography |
Editing by
| Chris Blunden | ... | (as Christopher Blunden) |
| Jonathan Braman | ... | (as Jonathon Braman) |
Casting By
| Patrick Duncan | ||
Production Design by
| Nik Callan | ||
Art Direction by
| Gareth Underwood | ||
Costume Design by
| Jane Spicer | ||
Makeup Department
| Amanda Bernadout | ... | make-up trainee |
| Rebecca Burge | ... | hair designer / makeup designer |
| Anita Keeling | ... | additional hair / additional make-up |
| Lara Last | ... | additional hair / additional make-up |
| Leda Shawyer | ... | additional hair / additional make-up |
Production Management
| Sacha Carter | ... | additional production manager |
| Karen Everett | ... | post-production supervisor |
| Anthony Fernandez | ... | additional production manager |
| Paul Melton | ... | production manager |
| Nupu Press | ... | additional production manager (as Nupu Chaudhuri) |
Second Unit Director or Assistant Director
| Peter Errington | ... | first assistant director |
| Nikki Hanbury | ... | second second assistant director |
| Mark C. Wong | ... | third assistant director (as Mark Wong) |
| Wendy Wright | ... | second assistant director |
Art Department
| Louise Corcoran | ... | props mistress |
| Martyn Doust | ... | coordinating art director |
| Jasey Ó Dálaigh | ... | stand-by props (as Jason Daly) |
| Rachael Jones | ... | assistant art director |
| Skye Maunsell | ... | stand-by props |
| Jerry St. Hilaire | ... | scenic operative (as Jerry St.Hilaire) |
Sound Department
| Kai Aulich | ... | foley editor: Reelsound London |
| Peter Baldock | ... | sound effects editor: Reelsounds London |
| Colin Cooper | ... | mixer: Reelsound London (footsteps) |
| Peter Drexler | ... | foley editor: Reelsound London |
| Natasha Ely | ... | boom operator |
| Nigel Galt | ... | additional sound editor |
| Max Hoskins | ... | supervising sound editor: Reelsound London |
| Martin Kelly | ... | additional sound recordist |
| Richard Lewis | ... | assistant sound re-recording mixer: Reelsounds London |
| Peter Maxwell | ... | re-recording mixer |
| Alexandra Raveane | ... | assistant editor: Reelsound London (as Alexandra Raveané) |
| Nikki Ruck | ... | additional sound editor |
| Harry Schnitzler | ... | supervising foley editor |
| James Seddon | ... | dolby consultant |
| Robin Todd | ... | sound recordist |
Visual Effects by
| Giles Livesey | ... | digital film colorist |
Camera and Electrical Department
| Catherine Brown | ... | clapper loader |
| Ferdi Burger | ... | grip |
| Ben Casson | ... | best boy |
| Lisa Cottington | ... | clapper loader |
| Francesco Ferrari | ... | clapper loader |
| David Garbett | ... | clapper loader (as Dave Garbett) |
| Tom Guy | ... | trainee spark |
| Tony Hockey | ... | grip |
| Chip Mead | ... | grip |
| Karim Merie | ... | still photographer |
| Angus Mitchell | ... | focus puller |
| Andy Morris | ... | grip |
| Ian Mussell | ... | grip |
| Darren Sleebush | ... | still photographer |
| Susie Watson | ... | third assistant camera |
| Mary Jane Webb | ... | genny operator (as Mary-Jane Harradine) |
| Winstan Whitter | ... | grip |
| Clive Williams-Jones | ... | gaffer |
| Matt Wilson | ... | spark |
Casting Department
| Marc Sinclair | ... | casting advice |
Costume and Wardrobe Department
| Liz Cooper | ... | costume trainee |
| Yvonne Duckett | ... | costume supervisor |
| Rebecca Stott | ... | costume assistant |
Editorial Department
| Vicci Allen | ... | digital intermediate: DFL |
| Whetham Allpress | ... | additional picture editor |
| Hattie Bowering | ... | post-production coordinator |
| Nick Emerson | ... | additional assistant editor |
| John Hinchliffe | ... | digital intermediate: DFL |
| Kris Kolodzieski | ... | digital intermediate: DFL |
| Giles Livesey | ... | colorist |
| Ulrike Münch | ... | assistant editor (as Ulrike Muench) |
| Steve Pang | ... | first assistant editor |
| Andreas Rostock | ... | digital intermediate: DFL |
| Jane Tubb | ... | additional picture editor |
Location Management
| Bill Hayes | ... | location manager |
| Michael O'Byrne | ... | location assistant |
Music Department
| Ian Habgood | ... | composer: additional music score |
| Georgia Masters | ... | music coordinator |
| Jackie Parsons | ... | music clearances |
| Andrew Wilkinson | ... | music editor: Reelsound London |
Script and Continuity Department
| James Leathers | ... | additional script supervisor |
| Harri Logan | ... | script supervisor |
| Victoria Scott | ... | additional script supervisor |
Additional Crew
| Warren Bacci | ... | p.a.: producer |
| Rickardo Beckles-Burrowes | ... | runner |
| Lizzie Bloom | ... | runner |
| Yvonne Boulos | ... | production assistant |
| Phil Brown | ... | runner |
| Antony Buonomo | ... | website design: Vertigo Productions |
| Colin Butler | ... | production consultant |
| Lizzy Cambell | ... | runner |
| Charles Collicut | ... | runner |
| Darren Daly | ... | runner |
| Karen Everett | ... | head of production: Little Wing Films |
| Marcie Gatsky | ... | production co-ordinator: Little Wing Films |
| Kelly Hardwick | ... | production assistant |
| Elaine Hutton | ... | production assistant |
| Richard Juneman | ... | production accountant: Little Wing Films |
| Gordon Kemp | ... | runner |
| Albert Martinez Martin | ... | production accountant: Little Wing Films (as Albert Martinez) |
| Rachel Martinez | ... | runner |
| Martin McGlone | ... | laboratory liason: Soho Images |
| Sinéad McGoldrick | ... | runner (as Sinead McGoldrick) |
| Claire Morgan | ... | runner |
| Richard Morrison | ... | titles designed & directed by |
| Toby Norways | ... | runner |
| Angel Nunez | ... | runner |
| Carol O'Hanlom | ... | runner |
| Lucy Parker | ... | runner |
| Michael Rodgers | ... | production accountant: 9 Films |
| Lena Sabharwal | ... | production coordinator |
| Olive Segré | ... | titles producer |
| Hannah Sharpe | ... | production assistant |
| John Taylor | ... | rushes contact: Soho Images |
| Piers Tempest | ... | head of development: Little Wing Films |
| Melanie Tesseron | ... | assistant: Richard Morrison |
| Pauline Thompson | ... | runner |
| Jon Thornton | ... | runner |
| Piers Wallace | ... | website design: Vertigo Productions |
Thanks
| Dom Aarons | ... | thanks |
| Thomas Auchincloss | ... | the producers would like to thank |
| Simon Barnes | ... | special thanks |
| Cris Bevir | ... | special thanks |
| Lawrence Bowen | ... | special thanks |
| Lee Burrows | ... | the producers would like to thank |
| Paul Claydon | ... | special thanks |
| Andrew Close | ... | special thanks |
| Adam Cohen | ... | the producers would like to thank |
| Christine Corner | ... | special thanks |
| Geraldine East | ... | special thanks |
| Steve Felton | ... | special thanks |
| Fu | ... | extra special thanks: Without whom, this film couldn't have been made |
| Georgia Gatsky | ... | a special thanks to |
| Jeremy Gawade | ... | special thanks |
| Peter Hermann | ... | the producers would like to thank |
| Harry Hicks | ... | special thanks |
| Mark Hillery | ... | the producers would like to thank |
| John Hodgson | ... | the producers would like to thank |
| Jim Howell | ... | special thanks |
| Ikuo | ... | extra special thanks: Without whom, this film couldn't have been made |
| Screenivas Jayaraman | ... | the producers would like to thank |
| Ashley Kent | ... | the producers would like to thank |
| Lee Lee | ... | extra special thanks: Without whom, this film couldn't have been made |
| Beverley Manson | ... | thanks |
| James McCartan | ... | special thanks |
| Ian McNeil | ... | the producers would like to thank |
| Nicole Mitchell | ... | thanks |
| Mummy & Daddy Mo | ... | extra special thanks: Without whom, this film couldn't have been made |
| Stanley Munson | ... | special thanks |
| Keith Nixon | ... | thanks |
| Josephine Okorefe | ... | a special thanks to |
| Nicki Parfitt | ... | special thanks |
| Mike Pitt | ... | thanks |
| Raju Raymond | ... | special thanks |
| Michael Rodgers | ... | special thanks |
| Charles Rosier | ... | the producers would like to thank |
| Allen Stark | ... | the producers would like to thank (as Talbot Stark) |
| Sharon Steele | ... | thanks |
| Suki | ... | extra special thanks: Without whom, this film couldn't have been made |
| Julian Summer | ... | the producers would like to thank |
| Brendan Terrill | ... | special thanks |
| Declan Walsh | ... | the producers would like to thank |
| Dominic West | ... | thanks |
| Yuk | ... | extra special thanks: Without whom, this film couldn't have been made |
