On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
Director:
Antoine Fuqua
Stars:
Denzel Washington,
Ethan Hawke,
Scott Glenn
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Director:
Tony Scott
Stars:
Denzel Washington,
Paula Patton,
Jim Caviezel
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
Directors:
Albert Hughes,
Allen Hughes
Stars:
Denzel Washington,
Mila Kunis,
Ray Stevenson
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Denzel Washington,
Nadine Velazquez,
Don Cheadle
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
With an unmanned, half-mile-long freight train barreling toward a city, a veteran engineer and a young conductor race against the clock to prevent a catastrophe.
Director:
Tony Scott
Stars:
Denzel Washington,
Chris Pine,
Rosario Dawson
A young CIA agent is tasked with looking after a fugitive in a safe house. But when the safe house is attacked, he finds himself on the run with his charge.
Director:
Daniel Espinosa
Stars:
Denzel Washington,
Ryan Reynolds,
Robert Patrick
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
A police detective, a bank robber, and a high-power broker enter high-stakes negotiations after the criminal's brilliant heist spirals into a hostage situation.
Hard drinking, burnt out ex CIA operative John Creasy has given up on life until he's hired as a bodyguard to protect nine year old Pita Ramos. Bit by bit, Creasy begins to reclaim some of his soul, but when pita is kidnapped, Creasy's fiery rage is finally released and he will stop at nothing to save her as he sets out on a dangerous, revenge fuelled rescue mission.Written by
Freddie Bidwell
When Creasy chases Aurelio Sanchez into his house, the weather is clear, but just as he opens the door for the first time with the small boy, it's raining outside. In the roof scene a few moments later, it's clear again. See more »
Quotes
Jordan:
[while having dinner at a fancy restaurant]
Look, Sammy, all my clients have, uh, kidnap and ransom insurance.
Samuel:
I have a policy. A.I.G. My dad gave it to me.
Jordan:
Yeah, I know. I got it for your dad. But what are you gonna do in sixty days when you can't renew it? You can't, because you don't have a bodyguard.
Samuel:
I know, I had to let Emilio go.
Jordan:
You gotta please Lisa. I mean, hey, ass like that's hard to find.
See more »
European (PAL) version of the DVD lack the stylized subtitles found through the movie, except for a few in the beginning. Those subtitles are found in the form of regular DVD subtitles. See more »
Tony Scott can make good films and bad, personally I think he can be a bit flashy and trashy and his work obviously suffers in comparison with that of his rather famous brother, but this is quite possibly his best film.
What makes this film so great is that Scott gives Denzel (on scorching form, better than Training Day) and the revelation who is Dakota Fanning time to develop a relationship of real warmth and tenderness. The set up is absolutely NOT boring, although it takes time - it is involving, and takes us on a little journey into the characters - including a superb role for Radha Mitchell as the mother. This all serves to make the action so much more effective, as we are so invested in the characters, for all their all too obvious weaknesses. This film has you on the edge for its entirety, and doesn't cop out at the end either.
The film would of course be nothing without Washington. I often wonder why he seems to get so many duff roles, when he quite clearly is as good as almost any leading man out there (I can only really think of one, Daniel Day Lewis, who has more on-screen power these days). This film should have been huge, given his status and the strength of his performance, and the quality of the film. It just goes to show you that if a studio doesn't back a film to the hilt, it ends up going straight to video. I wish I'd got the chance to see this on the big screen.
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Tony Scott can make good films and bad, personally I think he can be a bit flashy and trashy and his work obviously suffers in comparison with that of his rather famous brother, but this is quite possibly his best film.
What makes this film so great is that Scott gives Denzel (on scorching form, better than Training Day) and the revelation who is Dakota Fanning time to develop a relationship of real warmth and tenderness. The set up is absolutely NOT boring, although it takes time - it is involving, and takes us on a little journey into the characters - including a superb role for Radha Mitchell as the mother. This all serves to make the action so much more effective, as we are so invested in the characters, for all their all too obvious weaknesses. This film has you on the edge for its entirety, and doesn't cop out at the end either.
The film would of course be nothing without Washington. I often wonder why he seems to get so many duff roles, when he quite clearly is as good as almost any leading man out there (I can only really think of one, Daniel Day Lewis, who has more on-screen power these days). This film should have been huge, given his status and the strength of his performance, and the quality of the film. It just goes to show you that if a studio doesn't back a film to the hilt, it ends up going straight to video. I wish I'd got the chance to see this on the big screen.