Some movies have what I call a 'killer premise' - a core concept that's so intriguing and original that it's fool-proof. Any movie built around it is almost certain to entertain.
Examples would include SPEED (if a bus goes under 50 mph, a bomb on board will detonate), S.W.A.T. (the police have to transport a mega-rich criminal across town - after he's publicly announced he'll give $100 million to whoever frees him) and PHONE BOOTH (man answers ringing public phone, only to be told he's in a sniper's sights and if he hangs up, he's dead).
STEALING CANDY also boasts a killer premise, only in this case it's also dark, twisted, and ever so kinky. Namely, a group of criminals plan to make a fortune by kidnapping a world famous, glamorous, Hollywood movie star. Only they don't intend demanding any ransom - instead they're going to force her to have sex live on the pay-for- view website they've set up. But needless to say, things don't quite go as planned, resulting in some twists and turns that you probably won't see coming.
Directed, produced and co-written by Mark L. Lester, who's best known for helming the Arnie action movie COMMANDO, and the sci-fi flick CLASS OF 1999, for most of it's running time STEALING CANDY is effectively a one set play with only four characters, and all of the principle cast deliver solid performances. Daniel Baldwin excels as the group's computer wizard, estranged from his wife & son and only involved in the scheme because his boy needs costly medical treatment. Rapper turned actor Coolio is surprisingly okay as the thuggish, untrusting and violence-prone member of the gang, while Alex McArthur - playing the mastermind - has proved in the past to be a reliable actor, but isn't too impressive here, perhaps because his role is less showy than his co-stars. As abducted movie goddess Candy Taylor (the Candy of the title) relatively unknown actress Jenya Lano is never less than utterly convincing, her stand-out scenes being those in which the gang want her to broadcast a message to her fans via the internet, and she has to immediately switch from terrified hostage to confident and alluring sex symbol.
I would highly recommend STEALING CANDY to anyone looking for an intelligent adult movie or a dark, non-mainstream thriller. However, if you watch this film expecting a skin-fest you'll be disappointed. There are only three scenes featuring either nudity or partial nudity, and they're all relatively brief. However, the sequence in which Candy finally has sex on camera is very impressive: it's intense, genuinely erotic and sizzlingly hot. Some would say that it's over too quickly, but I'd disagree: sometimes less is more. It's certainly better than many of the sex scenes that appear in the majority of low budget erotic thrillers and vanilla porn flicks that litter the late night cable schedules.
STEALING CANDY went straight to DVD, but considering how fond Hollywood is of recycling tried-and-tested concepts, I won't be surprised if a big budget movie revisits this idea in the next several years, in much the same way that the premise of LIBERTY STANDS STILL was given the studio treatment in PHONE BOOTH. It would be intriguing to see a genuine Hollywood goddess - someone like Nicole Kidman, Scarlet Johannsen or Jessica Alba - in the Candy role. Unlikely? Perhaps. But Meg Ryan shed her clothes a couple of years ago, in an attempt to revive her career with the adult movie IN THE CUT, so anything's possible.
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