Standing in the Shadows of Motown (2002)

Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.

Director:

Paul Justman

Writers:

Walter Dallas (Narration), Ntozake Shange (Narration)

Stars:

Joe Hunter, Jack Ashford, Uriel Jones

8 wins & 14 nominations.

Cast

Cast overview, first billed only:
Richard 'Pistol' Allen	...	Himself
Jack Ashford	...	Himself
Bob Babbitt	...	Himself
Benny 'Papa Zita' Benjamin	...	Himself (archive footage)
Eddie 'Bongo' Brown	...	Himself (archive footage)
Bootsy Collins	...	Himself
Johnny Griffith	...	Himself
Ben Harper	...	Himself
Joe Hunter	...	Himself
James Jamerson	...	Himself (archive footage)
Uriel Jones	...	Himself
Montell Jordan	...	Himself
Chaka Khan	...	Herself
Gerald Levert	...	Himself
Joe Messina	...	Himself

Storyline

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

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Plot Keywords:

motown | musician | song | reenactment | archive footage | 

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Taglines:

The best kept secret in the history of pop music.

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Genres:

Documentary | Music

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Motion Picture Rating (MPAA)

Rated PG for language and thematic elements

Details

Official Sites:

Elliott Scott Productions - trailers, photos, etc.

Country:

USA

Language:

English

Release Date:

29 November 2002 (USA)

Also Known As:

Standing in the Shadows of Motown: The Story of the Funk Brothers

Filming Locations:

Baker's Keyboard Lounge - 20510 Livernois Avenue, Detroit, Michigan, USA

Box Office

Opening Weekend USA:

$114,442, 17 November 2002, Limited Release

Gross USA:

$1,600,547, 23 February 2003

Company Credits

Production Co:

Artisan Entertainment, Rimshot, Elliott Scott Productions

Technical Specs

Runtime:

108 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Black and White Color

Aspect Ratio:

1.85 : 1

Did You Know?

Quotes

Montell Jordan, Chaka Khan: [singing] Baby, there ain't no mountain high enough / Ain't no valley low enough / Ain't no river wide enough to keep me from getting to you.

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Crazy Credits

After all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.

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Connections

Referenced in Film Geek (2005)

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Soundtracks

Where Did Our Love Go
by Eddie Holland (as Edward Holland Jr.), Lamont Dozier and Brian Holland
Performed by The Supremes
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
Courtesy of Motown Record Company, L.P.
under license from Universal Music Enterprises

User Reviews

Hard to find a better music documentary

I am not a hard core Motown fan, but I have to give this film a 10, because it's the best music documentary I have seen. With just the right mix of interview footage, historical photos, and live performance, STANDING IN THE SHADOWS OF MOTOWN takes its place alongside THE LAST WALTZ as a cinematic cornerstone of music history.

Musicians will especially like some of the technical discussions, such as details about how legendary bassist James Jamerson produced his famous groove.

The live musical performances are inspired, with modern singers covering Motown classics, accompanied by the Funk Brothers themselves. I have watched the DVD of this film, and more recently, the high-definition version on ShowtimeHD. The 5.1 soundtrack is impeccably mixed. You can hear every instrument clearly, but the vocalist is not drowned out. With this type of mix, you want to listen to your favorite numbers over and over, concentrating on a different part each time. And, you can rest assured that there is no lip syncing or studio overdubbing. This is real music for real people.

All of the vocalists are superb, creatively interpreting each song, while at the same time paying respect to the style of the original recording artists. Viewers will have their own favorite performers, but mine is Joan Osborne, whose powerful rendition of "What Becomes of the Brokenhearted" brought tears to my eyes.