A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
On April 2nd 2011, LCD Soundsystem played its final show at Madison Square Garden. Documenting this once in a life time performance and an intimate portrait of James Murphy as he navigates the lead-up to the show, the day after, and the personal and professional ramifications of his decision.
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.Written by
Ooo Baby, Baby
by Smokey Robinson (as William Robinson Jr.) and Warren Moore
Performed by The Miracles
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
Courtesy of Motown Record Company, L.P.
under license from Universal Music Enterprises See more »
Forget VH1, forget MTV, this is the real deal. Even if you loathe documentaries, this film is different - it's about the music and the musicians that made it, and there's not a boring moment on film. If you ever liked the Motown sound, if you ever liked music for that matter, you owe it to yourself to learn how so many great recordings really came about. If you like what's on the radio right now, here's a rare chance to find out where it all really came from. A lot of the artists playing and singing today were heavily influenced by the Funk Brothers, whether they realise it entirely or not. So if you want to learn who created those sounds in the first place, you must see STANDING. I can't say enough about this film.
Now I don't want to belittle the talent that stood in front of the Funk Bros., because they deserve a lot of credit. But honestly, after seeing it the first time, I thought about how tragic it is that no one had really done it before. Maybe that's it's only flaw - this is a story we should have heard 30 years ago. I probably knew more than most being a musician myself, but there were many aspects that were revelations. To hear these guys play in a live setting again, is above and beyond what you could expect in this kind of work. But it's here - rent, buy, go see this movie!
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