Directed by
| Stan Lathan | ||
Writing Credits (in alphabetical order)
| John Allman | ... | (screenplay) |
| Charles Eric Johnson | ... | (screenplay) (as Charles Johnson) |
| Charles Eric Johnson | ... | (story) (as Charles Johnson) |
| Avon Kirkland | ... | (story) |
Cast (in credits order) complete, awaiting verification
Produced by
| Whitney Green | ... | producer |
| Avon Kirkland | ... | executive producer |
Music by
| Webster Lewis | ||
Cinematography by
| Jon Else | ||
| Ashley James | ||
Editing by
| Stephen Stept | ||
Casting By
| Pat Golden | ||
| Eileen Mack Knight | ||
| Dottie O'Brien | ||
| Winston Young | ||
Art Direction by
| Don De Fina | ||
Costume Design by
| Marianna Åström-De Fina | ||
Makeup Department
| Frédéric Blanchard | ... | hair stylist / makeup artist |
Production Management
| Whitney Green | ... | unit production manager |
| Eddie Washington | ... | production supervisor |
Second Unit Director or Assistant Director
| Warren Gray | ... | second assistant director |
| Dwight Williams | ... | first assistant director |
Art Department
| John Lister | ... | carpenter |
| Robert Lister | ... | carpenter |
| Vance Lorenzini | ... | visual consultant |
| Amy Davis Thompson | ... | carpenter |
| Jay Newington | ... | set dresser: Sonora (uncredited) |
Sound Department
| David DeCoteau | ... | assistant sound editor (as Richard Chasen) |
| Anne Evans | ... | boom |
| Will Harvey | ... | re-recording mixer |
| Joan Musante | ... | location mixer |
| Lise Rubinstein | ... | dialogue editor (as Lise Rubenstein) |
| Ralph Wikke | ... | supervising sound editor |
Stunts
| Pat Romano | ... | stunts |
Camera and Electrical Department
| Greg Davies | ... | gaffer |
| Curly Eason | ... | dolly grip |
| Stephanie F. Johnson | ... | electrician |
| Paul Marbury | ... | assistant camera |
| John Peters | ... | grip |
| Charlie Stephens | ... | best boy |
| Peter Thomas | ... | key grip |
Costume and Wardrobe Department
| Helen Gilbert | ... | set dresser |
| Barbara Kassal | ... | wardrobe assistant |
| Kay McArthur | ... | assistant set dresser |
| Odessa McDuffie | ... | seamstress / wardrobe assistant |
| Sue Miller | ... | assistant costume designer / wardrobe |
Location Management
| Jonathan Shedd | ... | location manager |
| Gail Stempler | ... | location manager |
Script and Continuity Department
| Martha Wax | ... | script supervisor |
Transportation Department
| Henry Travers | ... | transportation coordinator |
| Jacqueline Travers | ... | driver |
Additional Crew
| Kris Boxell | ... | production assistant |
| Rick Brown | ... | property master |
| Sam Brown | ... | runner |
| Shannon Coffer | ... | runner |
| Melissa Dietz | ... | production assistant |
| Martha Freeman | ... | welfare worker |
| Louis R. Harlan | ... | historical consultant |
| Nathan Higgins | ... | historical consultant |
| Joe Litteral | ... | wrangler |
| Leon Litwack | ... | historical consultant (as Leon F. Litwack) |
| Brian McPartlon | ... | key props assistant |
| Bruce Mink | ... | key props assistant |
| John O'Brien | ... | runner |
| Bob Phillips | ... | production assistant |
| Deloris Roach | ... | production coordinator |
| Raymond W. Smock | ... | historical consultant |
| Chuck Stedwell | ... | construction coordinator |
| Bruce Taylor | ... | production assistant |
| Cynthia Wood | ... | production auditor |
Thanks
| Reuben Cannon | ... | special thanks |
| C. Diane Howell | ... | special thanks |
| Carol Evan McKeand | ... | special thanks |
| Jean Newman | ... | special thanks |
| Jim Oller | ... | special thanks |
