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Bobby

  • 20062006
  • K-11K-11
  • 1h 57m
IMDb RATING
7.0/10
42K
YOUR RATING
  • Cast & crew
  • User reviews
  • Trivia
  • IMDbPro
Bobby (2006)
Theatrical Trailer from Weinstein Co.
Play trailer2:22
3 Videos
99+ Photos
BiographyDramaHistory

The story of the assassination of U.S. Senator Robert F. Kennedy, who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, California, and twenty-two p... Read allThe story of the assassination of U.S. Senator Robert F. Kennedy, who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, California, and twenty-two people in the hotel, whose lives were never the same.The story of the assassination of U.S. Senator Robert F. Kennedy, who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, California, and twenty-two people in the hotel, whose lives were never the same.

IMDb RATING
7.0/10
42K
YOUR RATING
  • Director
    • Emilio Estevez
  • Writer
    • Emilio Estevez
  • Stars
    • Anthony Hopkins
    • Demi Moore
    • Sharon Stone
Top credits
  • Director
    • Emilio Estevez
  • Writer
    • Emilio Estevez
  • Stars
    • Anthony Hopkins
    • Demi Moore
    • Sharon Stone
  • See production, box office & company info
    • 277User reviews
    • 103Critic reviews
    • 54Metascore
  • See more at IMDbPro
    • Awards
      • 6 wins & 25 nominations

    Videos3

    Bobby (2006)
    Trailer 2:22
    Bobby (2006)
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones
    Trailer 1:03
    Breaking Bobby Bones

    Photos266

    William H. Macy and Joshua Jackson in Bobby (2006)
    Joy Bryant and Nick Cannon in Bobby (2006)
    Elijah Wood and Lindsay Lohan in Bobby (2006)
    Laurence Fishburne and Freddy Rodríguez in Bobby (2006)
    Christian Slater and Emilio Estevez in Bobby (2006)
    Demi Moore and Emilio Estevez in Bobby (2006)
    Shia LaBeouf, Mary Elizabeth Winstead, and Brian Geraghty in Bobby (2006)
    Anthony Hopkins and Harry Belafonte in Bobby (2006)
    Helen Hunt, Sharon Stone, Martin Sheen, Elijah Wood, and Lindsay Lohan in Bobby (2006)
    Actor Kevin McCorkle in "Bobby"
    Sharon Stone and William H. Macy in Bobby (2006)
    Emilio Estevez and Martin Sheen in Bobby (2006)

    Top cast

    Edit
    Anthony Hopkins
    Anthony Hopkins
    • Johnas John
    Demi Moore
    Demi Moore
    • Virginiaas Virginia
    Sharon Stone
    Sharon Stone
    • Miriam Ebbersas Miriam Ebbers
    Harry Belafonte
    Harry Belafonte
    • Nelsonas Nelson
    Joy Bryant
    Joy Bryant
    • Patriciaas Patricia
    Nick Cannon
    Nick Cannon
    • Dwayneas Dwayne
    Emilio Estevez
    Emilio Estevez
    • Timas Tim
    Laurence Fishburne
    Laurence Fishburne
    • Edwardas Edward
    Brian Geraghty
    Brian Geraghty
    • Jimmyas Jimmy
    Heather Graham
    Heather Graham
    • Angelaas Angela
    Helen Hunt
    Helen Hunt
    • Samanthaas Samantha
    Joshua Jackson
    Joshua Jackson
    • Wadeas Wade
    David Krumholtz
    David Krumholtz
    • Agent Philas Agent Phil
    Ashton Kutcher
    Ashton Kutcher
    • Fisheras Fisher
    Shia LaBeouf
    Shia LaBeouf
    • Cooperas Cooper
    Lindsay Lohan
    Lindsay Lohan
    • Dianeas Diane
    William H. Macy
    William H. Macy
    • Paulas Paul
    Svetlana Metkina
    Svetlana Metkina
    • Lenkaas Lenka
    • Director
      • Emilio Estevez
    • Writer
      • Emilio Estevez
    • All cast & crew
    • See more cast details at IMDbPro

    Storyline

    Edit
    Tuesday, June 4, 1968: the California Presidential primary. As day breaks, Robert F. Kennedy arrives at the Ambassador Hotel. He'll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist's wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear R.F.K. calling for a better society and a better nation. —<jhailey@hotmail.com>
    pantyhosefemale stockinged legsfemale stockinged feetfemale stockinged solesrobert f. kennedy character51 more
    • Plot summary
    • Add synopsis
    • Taglines
      • He saw wrong and tried to right it. He saw suffering and tried to heal it. He saw war and tried to stop it.
    • Genres
      • Biography
      • Drama
      • History
    • Certificate
      • K-11
    • Parents guide

    Did you know

    Edit
    • Trivia
      At one point during the script development, after developing a case of what writer and director Emilio Estevez called "paralyzing writer's block", Estevez set the script aside. Later, he checked into a remote hotel on the Central California Coast, near Pismo Beach, to work on the script. When he checked in, the woman at the desk recognized him, and asked what he was doing there. "I'm writing a script about the night Bobby Kennedy was killed", he told her. Tears instantly welled in her eyes. "I was there", she replied. Estevez interviewed the woman, who had been a volunteer for Robert F. Kennedy in 1968. He turned her personal story, which included marrying a young man to keep him out of Vietnam, into the Diane Howser character. Estevez said, "She really helped me crack the spine of the story and give it a beating heart. After that, it just started to flow."
    • Goofs
      The credits include the closing speech detailing the speech as "Robert F. Kennedy's speech, 'On The Mindless Menace of Violence.' The credits say it was delivered in Indianapolis, Indiana on April 5, 1968. This is incorrect; Robert Kennedy gave a speech on Martin Luther King, Jr.'s death in Indianapolis on the previous day but gave the speech presented on the recording at the City Club of Cleveland in Cleveland, Ohio.
    • Quotes

      Robert F. Kennedy: [voiceover] This is a time of shame and sorrow. It is not a day for politics. I have saved this one opportunity, my only event of today, to speak briefly to you about the mindless menace of violence in America which again stains our land and every one of our lives. It is not the concern of any one race. The victims of the violence are black and white, rich and poor, young and old, famous and unknown. They are, most important of all, human beings whom other human beings loved and needed. No one - no matter where he lives or what he does - can be certain who will suffer from some senseless act of bloodshed. And yet it goes on and on and on in this country of ours. Why? What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled, uncontrollable mob is only the voice of madness, not the voice of reason. Whenever any American's life is taken by another American unnecessarily - whether it is done in the name of the law or in the defiance of the law, by one man or a gang, in cold blood or in passion, in an attack of violence or in response to violence - whenever we tear at the fabric of the life which another man has painfully and clumsily woven for himself and his children, the whole nation is degraded. "Among free men," said Abraham Lincoln, "there can be no successful appeal from the ballot to the bullet; and those who take such appeal are sure to lose their cause and pay the costs." Yet we seemingly tolerate a rising level of violence that ignores our common humanity and our claims to civilization alike. We calmly accept newspaper reports of civilian slaughter in far-off lands. We glorify killing on movie and television screens and call it entertainment. We make it easy for men of all shades of sanity to acquire whatever weapons and ammunition they desire. Too often we honor swagger and bluster and wielders of force; too often we excuse those who are willing to build their own lives on the shattered dreams of others. Some Americans who preach non-violence abroad fail to practice it here at home. Some who accuse others of inciting riots have by their own conduct invited them. Some look for scapegoats, others look for conspiracies, but this much is clear: violence breeds violence, repression brings retaliation, and only a cleansing of our whole society can remove this sickness from our soul. For there is another kind of violence, slower but just as deadly destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is the slow destruction of a child by hunger, and schools without books and homes without heat in the winter. This is the breaking of a man's spirit by denying him the chance to stand as a father and as a man among other men. And this too afflicts us all. I have not come here to propose a set of specific remedies nor is there a single set. For a broad and adequate outline we know what must be done. When you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest; to be subjugated and mastered. We learn, at the last, to look at our brothers as aliens, men with whom we share a city, but not a community; men bound to us in common dwelling, but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other, only a common impulse to meet disagreement with force. For all this, there are no final answers. Yet we know what we must do. It is to achieve true justice among our fellow citizens. The question is not what programs we should seek to enact. The question is whether we can find in our own midst and in our own hearts that leadership of humane purpose that will recognize the terrible truths of our existence. We must admit the vanity of our false distinctions among men and learn to find our own advancement in the search for the advancement of others. We must admit in ourselves that our own children's future cannot be built on the misfortunes of others. We must recognize that this short life can neither be ennobled or enriched by hatred or revenge. Our lives on this planet are too short and the work to be done too great to let this spirit flourish any longer in our land. Of course we cannot vanquish it with a program, nor with a resolution. But we can perhaps remember, if only for a time, that those who live with us are our brothers, that they share with us the same short moment of life; that they seek, as do we, nothing but the chance to live out their lives in purpose and in happiness, winning what satisfaction and fulfillment they can. Surely, this bond of common faith, this bond of common goal, can begin to teach us something. Surely, we can learn, at least, to look at those around us as fellow men, and surely we can begin to work a little harder to bind up the wounds among us and to become in our own hearts brothers and countrymen once again.

    • Connections
      Featured in Siskel & Ebert & the Movies: Casino Royale/Happy Feet/Bobby/Fast Food Nation/Candy/Come Early Morning (2006)
    • Soundtracks
      Love and Light
      Written by Jeff Rona

      Performed by Luxurious

    User reviews277

    Review
    Top review
    9/10
    Captures the Era and the Man
    I saw the movie "Bobby" as part of the Vienna International Film Festival last week and thought it was an incredibly powerful film. The movie focuses on around 20 people in and around the Ambassador Hotel the day that Robert Kennedy was shot there. The large cast never seems overwhelming. The characters are clear enough that we remember what they were doing the last time we saw them, but we never feel like they are merely one-dimensional. Emilio Estevez really hit the jackpot with his cast - they all are 100% committed to their roles and the audience simply gets lost in the era.

    The cast is phenomenal - the standouts include Sharon Stone (who has a a chance at a Supporting Actress Oscar nomination if the Academy can overlook Basic Instinct 2), Nick Cannon as a young Black-American working on the campaign, and Freddy Rodriguez as a young Latino working in the kitchen. The later two, combined with Lindsey Lohan as a woman marrying to save a man's life, serve as the heart of the movie and bring a well-balanced view of many of the hot issues of the day.

    The movie has an incredible, emotional climax that is enhanced by an actual speech of Bobby Kennedy. The audio and visual clips of Kennedy serve as snapshots into his life and the work he did during his short time in the public eye. You can read whatever you want to into the political agenda of the movie, but in the end this movie is a tribute to Robert F. Kennedy and his time.
    helpful•93
    58
    • AuntieEm03
    • Oct 27, 2006

    FAQ1

    • Who shot Bobby Kennedy and why?

    Details

    Edit
    • Release date
      • February 2, 2007 (Finland)
    • Country of origin
      • United States
    • Languages
      • English
      • Spanish
    • Also known as
      • El día que mataron a Kennedy
    • Filming locations
      • Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, USA
    • Production companies
      • The Weinstein Company
      • Bold Films
      • Bobby
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $14,000,000 (estimated)
    • Gross US & Canada
      • $11,242,801
    • Opening weekend US & Canada
      • $69,039
      • Nov 19, 2006
    • Gross worldwide
      • $20,718,608
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 57 minutes
    • Color
      • Color
    • Sound mix
      • SDDS
      • Dolby Digital
      • DTS
    • Aspect ratio
      • 2.35 : 1

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