Red Hunter: Prelude to Kill (Video 1991) Poster

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7/10
Fast-paced action spectacle with a reasonable budget and some unique directorial trademarks
kluseba13 April 2020
Red Hunter: Prelude to Kill is the first film directed by Takashi Miike but only the second to be released. This action film tells the story of a young boy whose mother mysteriously disappears and doesn't show up at the daycare centre. The two educators decide to keep the child for the night but suddenly get attacked by a group of thugs. Thankfully, one of the educators is a former soldier and manages to save the boy while his colleague gets injured but manages to flee. The former soldier shows up at his former girlfriend's place. She had been an elite soldier working for the Americans in Nicaragua and has been suffering from nightmares and paranoia since coming back home. Her numerous weapons and precautions come in handy when thugs start attacking her isolated house to kidnap the boy. The female protagonist soon realizes that the attacks seem to be coordinated by the boy's father who is a member of a royal family with powerful connections. She realizes that she cannot trust authorities and decides to protect the boy and bring his father down with a small team of close allies.

This movie is a short and entertaining action film with sympathetic characters and a generic story line that could have been released anywhere else in the world. However, Takashi Miike still manages to leave his unique traces in several scenes throughout the movie. First of all, one of the protagonist's former partners whose life she saved in Nicaragua gets sexually aroused by killing people in violent ways and explicitly tells two prostitutes about this. One of the thugs gets caught in four bear traps before getting his male sexual organ shot by the protagonist. There is also a recurring disturbing scene of a screaming naked woman tied to a hospital bed. The film's ending is also unconventional but you will have to discover this by yourself.

Overall, Red Hunter: Prelude to Kill convinces with a better budget than Eyecatch Junction, includes very good action scenes, features interesting characters and is entertaining from start to finish in seventy-eight concise minutes. While the movie itself isn't particularly memorable, it features some of Takashi Miike's trademarks that make it stand out among other conventional direct-to-video action films. Fans of the director should give this film a try without any hesitation. On a closing side note, the movie poster doesn't represent the film very well as excellent lead actress Yoshie Kashiwabara convinces as tough and intelligent woman without ever impressing with stylish looks or unnecessary nudity. It's a pity that her acting career never really took off as it would have been great to see her in other movies later on.
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8/10
Takashi Miike's directing debut.
morrison-dylan-fan20 August 2018
Warning: Spoilers
Seeing it reported on the news about his 100th credit coming out,I decided it was time I should take a look at the work of auteur Takashi Miike. Not having seen a Miike movie before,I went all the way back to his first credit, and was shocked to find no reviews online,and no sign of the title even on video. Looking round various sites for weeks with little luck,I was taken aback to not only stumble on the film,but to also find English subtitles had recently been done,which led to my first Miike being Miike's directing debut.

The plot:

Retiring from the army,Saeko and her fellow former solider/ partner find themselves being pulled back to action by being given the task of looking after a young boy called Ricki. Putting Ricki to bed, Saeko's sleep is interrupted by a squad of black ops soldiers firing at the house and demanding to be given Ricki. Turning down their requests, Saeko loads up to find out their interest in Ricki.

View on the film:

With the only subtitles around being ones which feature some lines of dialogue not translated,Takashi Miike shows remarkable skill for a first time director by visually expressing what could have been lost in translation, as Miike & cinematographer Shigeru Komatsubara use neon lights and thick smoke (backed by Tomio Terada dark synch score) to give the baddies a rogue edge,and helicopter sounds to link conversations Saeko has with her partner,with their time serving on the front line.Sending the squad in to fight Saeko within minutes of the flick kicking off, the screenplay by Shinjirô Ishihama and Tatsuo Eguchi hits a slick battle of wits,with the opening 30 minutes being an explosive home invasion, and the escape from the house setting off a race against time Thriller for Saeko to keep Ricki safe.

Going into (English speaking) flashbacks, the writers do very well at digging into the background of where Saeko gained her skills, which gives the twist ending a real thump. Sadly only doing one film after this, (1996's Gakko ga abunai! ) Yoshie Kashiwabara is very good as Saeko,with Kashiwabara pulling off the cool leather clad action chick,and the compassionate care towards Ricki. Working on cheap & cheerful straight to video/"V-Boom" era, Miike displays an attention-grabbing level of ambition,with the action scenes brimming with scatter-gun panning shots over the line of bullets. Hinting at what was to come, Miike wonderfully sketches out future visual motifs with blood splatter on the camera in moments of extreme violence and cut backs to a peculiar, almost S&M scene in a hospital bed,showing in this prelude the future of Miike.
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