Photos and Videos
Complete, Cast awaiting verification
| Erika Eleniak | ... |
Emily Shaw
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| Adam Baldwin | ... |
Detective Mark Winston
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| Julie du Page | ... |
Jayne Ferre
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| Jer Adrianne Lelliott | ... |
Kerry Shaw
(as a different name)
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| James Remar | ... |
Alex Tyler
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| Damian Chapa | ... |
Tony
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| Louis Mandylor | ... |
Frank Bianci
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| Tom Wright | ... |
Detective Stan
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| James Quattrochi | ... |
Peter Quinn
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| Jason Widener | ... |
Boyd
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| Joe Sabatino | ... |
Sammy Benetto
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Iseluleko Ma'at El 0 | ... |
Steve
(as Kiko Ellsworth)
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| Don Swayze | ... |
Fred
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| Peter Dobson | ... |
Artie, Hitman #1
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Darrell Dubovsky | ... |
Doorman
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| Rest of cast listed alphabetically: | |||
| Jason Lester | ... |
Boy in Cafe (uncredited)
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Peter V.O. Moore | ... |
Playing in the background (uncredited)
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Luca Palanca | ... |
Tommy, Hitman #2 (uncredited)
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Edwin Perry | ... |
Walter (uncredited)
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Linda Starks | ... |
Susan (uncredited)
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Directed by
| Mark L. Lester | ||
Written by
| Jeffrey Goldenberg | ... | (screenplay) & |
| C. Courtney Joyner | ... | (screenplay) |
| Sonja Massie | ... | (based on a novel by) |
Produced by
| Dana Dubovsky | ... | producer |
| Anthony Esposito | ... | executive producer |
| Ashley R. Friedman | ... | line producer |
| Robert Gryphon | ... | executive producer |
| Mark L. Lester | ... | producer |
| Brett Morrison | ... | co-producer |
Music by
| Richard McHugh | ||
Cinematography by
| João Fernandes | ||
Editing by
| Donn Aron | ||
| Daniel Macena | ||
Editorial Department
| Peter Gahn | ... | assistant editor |
| Jim Towne | ... | assistant editor (as James Towne) |
| Jim J. Williams | ... | color timer (as Jim Williams) |
Casting By
| Jan Glaser | ||
| Gerald I. Wolff | ||
Production Design by
| Dan Statler | ||
Art Direction by
| Ken M. Russell | ||
Set Decoration by
| Janine Nask | ||
Costume Design by
| Warden Neil | ||
| Tony Perri | ... | co-costume designer (as Tony J. Perri) |
Makeup Department
| Keleigh Lippert Palladino | ... | assistant hair stylist (as Keleigh Lippert) / makeup assistant (as Keleigh Lippert) |
| Alexis Walker | ... | makeup department head |
Production Management
| Ashley R. Friedman | ... | production manager |
Second Unit Director or Assistant Director
| Charles Dowell | ... | second assistant director (as Charles E. Dowell II) |
| Anthony E. Kountz | ... | first assistant director |
Sound Department
| Martin Flores | ... | sound effects designer |
| Eric Hoeschen | ... | foley artist |
| Peggy McAffee | ... | sound effects designer |
| Stu Mckee | ... | boom operator (as John S. McKee III) |
| Rich McLane | ... | sound engineer |
| Daniel D. Monahan | ... | sound mixer |
| Steven Morrow | ... | sound mixer |
| Stewart Nelsen | ... | adr supervisor (as Steward Nelson) |
| Scott Allen Peck | ... | boom operator |
| Paul Ratajczak | ... | re-recording mixer / sound supervisor |
| Trevor Sperry | ... | adr recordist / foley recordist |
| Lance Wiseman | ... | re-recording mixer |
Special Effects by
| Josh Hakian | ... | special effects coordinator |
Stunts
| Danny Downey | ... | stunts |
| Annie Ellis | ... | stunts |
| Lisa Hoyle | ... | stunts |
| Austin Priester | ... | stunts |
| Michael J. Sarna | ... | stunt coordinator |
| Chester E. Tripp III | ... | stunts (as Chester Tripp) |
Camera and Electrical Department
| Robin Acutt | ... | electrician |
| Eric D. Anderson | ... | second assistant camera |
| Patti Arpaia | ... | still photographer |
| Anthony Bertola | ... | grip |
| Precy C. Betiong | ... | second assistant camera: second camera (as Precy Betiong) |
| Jeremy Brussell | ... | best boy grip |
| Justine Ariel Cook | ... | electrician |
| Kyle Drevlo | ... | grip |
| Zack Greene | ... | grip |
| Ryan S. Jackson | ... | first assistant camera: second camera |
| Robyn Link | ... | camera loader |
| Chris W. Martin | ... | best boy electric / electrician |
| Vanessa Morehouse | ... | second assistant camera |
| Rory Muir | ... | camera loader |
| Theo Pingarelli | ... | first assistant camera |
| Dale Robinette | ... | still photographer |
| Alex Rossario | ... | electrician |
| William Russell | ... | gaffer |
| Aaron Schulte | ... | electrician |
| Joseph Sellars | ... | grip |
| Lisa Stacilauskas | ... | electrician |
| Rick Tucker | ... | key grip |
| Tracy Tucker | ... | dolly grip |
| Alpheus Underhill | ... | grip |
| Brad Wallace | ... | second assistant camera |
| Peter Weyrauch | ... | camera operator: "a" camera / director of photography: second unit |
Casting Department
| Tyler Fahringer | ... | extras casting |
| Christine Joyce | ... | casting associate |
Costume and Wardrobe Department
| Laura E. Little | ... | costumer (as Laura Liz Little) |
| Stephanie Portnoy Porter | ... | costumer (as Stephanie Portnoy) |
Location Management
| Roger D. Faires | ... | location manager (as Roger Faires) |
| Scott Moiser | ... | location manager |
| Scott Mosher | ... | location manager: re-shoots |
Music Department
| Eric Amdahl | ... | composer: additional music |
| Ric Gallaher | ... | composer: additional music |
Script and Continuity Department
| Tracy Scott | ... | script supervisor |
| Eva Zelder | ... | script supervisor |
Transportation Department
| Bob Adermach | ... | driver |
| Richard Rollison | ... | transportation coordinator |
Additional Crew
| John Charles | ... | software engineer: TriCoast Studios |
| Scott Charles | ... | craft service |
| Lawrence Curtis | ... | office production assistant |
| André Devantier | ... | caterer |
| Genevieve Duraire | ... | production accountant |
| Rick Eyler | ... | production coordinator |
| Maeve Mannion | ... | production accountant |
| Adriano Munoz | ... | office production assistant |
| Athena Pesante | ... | key set production assistant |
| Scott Pitman | ... | assistant production coordinator |
| Rafael S. Pujals | ... | office production assistant |
| Kimberly Rogers | ... | craft service |
| Christian Savoie | ... | assistant to director |
| Daniel Shultz | ... | production assistant |
| Orly Tepper | ... | craft service |
| Rik Walters | ... | financing consultant |
Production Companies
Distributors
- Screen Media Films (2003) (United States) (theatrical)
- American World Pictures (AWP) (2003) (World-wide)
- Bridge Entertainment Group (2003) (Netherlands) (DVD) (VHS)
- Imagem Filmes (2003) (Brazil) (VHS)
- Imagem Filmes (2003) (Brazil) (DVD)
- Universal Studios Home Video (2003) (United States) (DVD)
- Starmedia Home Entertainment (2003) (Germany) (DVD)
- Vision (2003) (Poland) (VHS) (rental)
- Vision (2003) (Poland) (DVD) (also rental)
- Albatros Film (2004) (Japan) (VHS)
- Bridge Entertainment Group (2004) (Netherlands) (DVD)
- Screen Media Ventures (2005) (United States) (DVD)
- MCP Sound & Media AG (2006) (Germany) (DVD)
- Blue Sky Media (2007) (Czechia)
- Multicom Entertainment Group (2016) (World-wide)
Special Effects
Other Companies
- Brick Enterprises (grip equipment)
- Central Casting (extras casting)
- Film Finances (completion guarantor)
- Hollywood Caterers (catering)
- J.L. Fisher (camera dolly)
- Leonetti Company (production equipment)
- Magic Film and Video Works (negative conforming services)
- Mercury Sound Studios (post-production sound services)
- Rockbottom Rentals (nextel cell phone rentals)
- Title House Digital (titles and opticals)
Storyline
| Plot Summary |
Jayne Ferré needs to get out of Los Angeles ASAP. A strikingly-beautiful woman, yet ruthless assassin for the mob, she is on the run with a suitcase full of a million dollars in blood money stolen from mob boss Frank Bianci. Sixteen-year-old Kerry is on the run from a drug dealer set on payback. His mother Emily decides to take him and start a new life in Texas, but doesn't have enough money to get there. Jayne, now carrying a price on her head, must take out one would-be assassin at the train station before she offers to cover Emily's expenses if she can hitch a ride to San Antonio. Emily and Kerry gladly accept the offer. The unlikely trio's car breaks down and needs parts. Left with no choice, they check into a small motel for one night. While Jayne is showering, Kerry sneaks a look through her belongings and discovers the case of cash. During the night, a well-meaning Kerry snakes into Jayne's room and steals the briefcase, then hitches a ride back to Los Angeles. Jayne realizes what happened but first must deal with Bianci's men in a blazing gun battle outside the motel. Jayne forces Emily into a car and heads back to L.A. until Emily makes a daring escape. Alex Tyler, an FBI agent and seemingly Good Samaritan, picks Emily up and takes her back to L.A. At Emily's house mob boss Frank Bianci is dead, along with a crooked detective, when Alex gets a call from Jayne, and it becomes clear that they are working together. Jayne is holding Kerry hostage and Emily must bring her money or she'll kill him. But when Emily gets her hands on a gun, she turns the tables, and a deadly standoff ensues between two trained killers, a couple of dirty cops, the mob, and a mother and son in what becomes a deadly game of wits to stay alive. Written by Anonymous |
| Plot Keywords | |
| Taglines | A deadly game of wits. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $750,000 (estimated) |
Did You Know?
| Goofs | Jayne stuffs a black sock in Quinn's mouth before shooting him in the head. Later when police are on the scene investigating, they find the light blue panties she was wearing in his mouth. See more » |
| Quotes |
[first lines]
Tony: He'll be at the bar, let him see you. Then I'll rope him in. Jayne Ferré: I know my part, Tony. Tony: It's jobs like this that give me an ulcer. See more » |