- Summaries (6)
Two death-row murderesses develop a fierce rivalry while competing for publicity, celebrity, and a sleazy lawyer's attention.
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
1920s Chicago. Housewife Roxie Hart dreams of fame, most specifically being a star in vaudeville, and plans on sleeping her way to the top... with someone other than her husband, the overly trusting and loyal Amos Hart. When Roxie learns that Fred Casely, who promised her a big break at the Onyx Club, only said so to sleep with her, she kills him during an altercation. She ends up being incarcerated at Cook County jail on overpopulated murderess row, the inmates who primarily knocked off a man who did them wrong. Among them is one of Roxie's idols, Velma Kelly, one half of the headlining Kelly sisters appearing at the Onyx Club, Velma who purportedly killed her husband Charlie and her sister Veronica when she found them cavorting with each other. Velma has no time for people like Roxie: Velma Kelly wannabes or hangers-on. The prison matron, "Mama" Morton, likes to help her girls... for a price. Even more predatory is lawyer Billy Flynn, the best in getting women prisoners exonerated, but again at an even more exorbitant price. Billy's game plan generally is publicity, to make his clients stars, which if he does end up representing Roxie may shift the balance of celebrity between Roxie and Velma, the latter who is also obsessed with her own fame. But if Billy can do such for Roxie, he can do so for others, all who are clamoring for that limited real estate on newspaper front pages. Through it all, Roxie and Velma may eventually come to the understanding that beyond fame, their life or death may also be on the line.
Nightclub sensation Velma murders her philandering husband, and Chicago's slickest lawyer, Billy Flynn, is set to defend her. But when Roxie also winds up in prison, Billy takes on her case as well -- turning her into a media circus of headlines. Neither woman will be outdone in their fight against each other and the public for fame and celebrity.
Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she'll find her lucky break, and be shot into 1920's stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can 'make her showbiz career take off'. However after Roxie has undergone the 'casting couch' treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie's husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent 'good time girl' who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie's new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma's star fell, so does Roxie's, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!
Velma Kelly is the sexy vaudeville star who murders her husband and sister after finding them in bed together. Roxie is the wannabe vaudeville star who kills her lover after finding out he was never going to make her famous. Enter Billy Flynn, the greasy lawyer whose goal is not only to have his clients acquitted, but to make them legal legends. Billy, who apparently likes Roxie's angle (He tried to kill me) better than Velma's (I blacked out and can't remember a thing). With help from Matron Mama Morton both women vie for the spot as Illinois's most famed murderess, but there's only room for one legend... "That's Chicago".
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