Charley Chase starts out the first film in his own series of short comedies -- which would continue in one form or another until his young death sixteen years later -- by setting his hat on fire. It's a great sight gag, and somehow an appropriate beginning for Chase's series of wonderful comedies.
He really hits the ground running here, as "Jimmie Jump" here in a series of one-reelers. In fact, it's astonishing how fully-formed his comedy is. He squeezes a full three-act structure into the scant ten minutes with which he is working, takes a complex, socially embarrassing scenario in which Charley falls in love at first sight with a a maid pretending to be his boss' fiancée.
The comedy in placing the debonair gentleman Charley in ever-more extravagantly humiliating situations is already here. This short is really funny, and gives the sense that Chase was a comedy artist who know just what he wanted to do, and has finally gotten a chance to do it.
There are also some hilarious and wonderfully - executed sight gags, with Charley and his lover (and the audience) slowly realizing they are surrounded by a crowd of onlookers, and a brilliantly over-the top storm scene as Charley/Jimmie helps a woman take shelter in a deluge under her convertible, while his shoeshine boys gets ever more frustrated with his job.
This one-reeler is not only very funny, but historically significant for fans of its star, and full of a sense of understandable energy as Charley has just been given his own starring series by Hal Roach.
He really hits the ground running here, as "Jimmie Jump" here in a series of one-reelers. In fact, it's astonishing how fully-formed his comedy is. He squeezes a full three-act structure into the scant ten minutes with which he is working, takes a complex, socially embarrassing scenario in which Charley falls in love at first sight with a a maid pretending to be his boss' fiancée.
The comedy in placing the debonair gentleman Charley in ever-more extravagantly humiliating situations is already here. This short is really funny, and gives the sense that Chase was a comedy artist who know just what he wanted to do, and has finally gotten a chance to do it.
There are also some hilarious and wonderfully - executed sight gags, with Charley and his lover (and the audience) slowly realizing they are surrounded by a crowd of onlookers, and a brilliantly over-the top storm scene as Charley/Jimmie helps a woman take shelter in a deluge under her convertible, while his shoeshine boys gets ever more frustrated with his job.
This one-reeler is not only very funny, but historically significant for fans of its star, and full of a sense of understandable energy as Charley has just been given his own starring series by Hal Roach.