Directed by
| James Moll | ||
Cast
Produced by
| Stephen Ambrose | ... | executive producer |
| Kelly Kiernan | ... | line producer: Overseas |
| James Moll | ... | producer |
| Christopher Pavlick | ... | associate producer |
| Steven Spielberg | ... | executive producer |
Music by
| Nathan Wang | ||
Cinematography by
| Harris Done | ||
| Mark Ritchie | ||
Editing by
| Ricky Kreitman | ||
Production Management
| Brad Goodman | ... | post-production supervisor |
Sound Department
| Tim Kimmel | ... | re-recording mixer / sound editor |
| Ken King | ... | production sound mixer |
| William Levins | ... | re-recording mixer / sound editor |
| Todd Lotoszinski | ... | sound mixer: second unit |
Camera and Electrical Department
| Geoffrey Clifford | ... | still photographer |
| Corey Hiskey | ... | first assistant camera |
| Raul Prado | ... | first assistant camera |
Editorial Department
| Christopher Sam | ... | assistant editor |
| Mike Sowa | ... | color timer |
Location Management
| Louis Moulinet | ... | location liaison |
Music Department
| Michael Aarvold | ... | music mixer / music recordist |
| Jim Bedoian | ... | archival music researcher |
| Gary Chase | ... | score mixer |
| Wayne Knight | ... | archival music researcher |
| Doug Schwartz | ... | archival music researcher |
| Johs Wu | ... | music editor |
Additional Crew
| Harold Agnew | ... | archive source (as Harold M. Agnew) |
| Hugh Ambrose | ... | historical consultant |
| Danny Anhalt | ... | production assistant: Okinawa |
| Steven Cohen | ... | consultant: digital cinema |
| Steven B. Cohen | ... | consultant: digital cinema |
| Shannon Dill | ... | assistant: James Moll |
| Anthony Kandan | ... | production coordinator |
| Peter Katona | ... | office production assistant: Los Angeles |
| Addie Akemi Kohzu | ... | interpreter |
| Robert Lynn | ... | assistant: Hugh Ambrose |
| Kristie Macosko Krieger | ... | assistant: Mr. Spielberg (as Kristie Macosko) |
| Chris Majewski | ... | production assistant: Okinawa |
| Meg Mimura | ... | cultural consultant |
| Stuart Nelson | ... | production accountant |
| Erik Olson | ... | office production assistant: Los Angeles |
| Susan Ray | ... | assistant: Mr. Spielberg |
| Tyler Romary | ... | overseas production coordinator |
| Sidney Sherman | ... | archival researcher / consultant: legal clearance |
| Jeff Stodola | ... | production assistant: Okinawa |
| Henry Sutro | ... | film logging |
Thanks
| Lars T. Andersen | ... | acknowledgment: archive footage provided by |
| G.E. Castagnetti | ... | special thanks |
| Emory Cohen | ... | special thanks |
| Dave D. Davenport | ... | special thanks |
| Sandy Embry | ... | special thanks |
| Landon R. Hutchens | ... | special thanks (as Capt. Landon R. Hutchens) |
| Louis Lazzara | ... | special thanks |
| Daniel Martinez | ... | special thanks |
| Matthew W. Morgan | ... | special thanks (as Capt. Matt Morgan) |
| Melvyn R. Paisley | ... | acknowledgment: archive footage provided by |
| Douglas Powell | ... | special thanks (as Capt. Douglas Powell) |
| Tim Purnell | ... | special thanks |
| Nicole Rasor | ... | special thanks |
| Richard Schuman | ... | special thanks |
| Michael P. Slater | ... | special thanks (as Lieutenant Colonel Michael P. Slater) |
| Mamie Ward | ... | special thanks (as First Lieutenant Mamie Ward) |
