Topi's mother, who is also Tenho's wife dies and Tenho and Topi have to move out from the town because they don't have enough money to pay their rent. Tenho gets a job as a lumberjack (... See full summary »
The Grump is a man from the past. A man who knows that everything used to be so much better in the old days. Pretty much everything that's been done after 1953 has always managed to ruin ... See full summary »
Bright young soldier Mertsi suffers a permanent brain injury in the Second World War. In the late 1940s he wanders around the Finnish countryside looking for simple work and relying on ... See full summary »
Young advertising executive Vatanen suddenly quits his job and his whole life in Helsinki, and decides to spend a while in the Finnish wilderness. A wounded hare hit by a car becomes his ... See full summary »
The Grump prepares to die - everything is done and his wife is dead. He's making his own coffin when the life walks in, all of a sudden. The granddaughter needs the stubbornness and wisdom ... See full summary »
Satu Tuuli Karhu,
Täällä Pohjantähden alla is based on the book with the same title. It is a story of the little village. The movie starts in the 1890's and it ends to the Finnish civil war in 1918. Story ... See full summary »
Nostalgic comedy set in the early 1960s, when the tango was all the rage. The "prodigal son" Tenho returns from his unlucky adventures in the city back to his parents' farm. Tenho becomes ... See full summary »
First of all, I cannot really fathom how some foreigner who does not know finnish culture would feel, or what he/she could get out of this movie. Most likely not very much. Then again, it's not very likely that all that many non-finns will ever see this movie. I suppose not all that many Finns will find very much from this movie either. First of all, it's Dogmaish approach. The movie was filmed in one day (except for a couple of scenes) in chronological order whilst walking on the very road (On the Road of Emmaus) with flashbacks done by panning, the film crew sometimes entering the picture intentionally, talking and looking at the camera etc. There is lots of that stuff and I can imagine that it would bother many.
The movie itself is a story of Rane, returning to his childhood home located in a small village in the middle of nowhere only to sell it. However, after a plot twist Rane has to walk to a bridge to pay his taxi fare, and we're led into a strange road movie into finnish countryside, an odd stroll down the memory lane filled with odd characters, music and dancing. Such a cacophonic mix very easily leaves you either charmed or confused.
Personally I found that the care-free dogma style was used to strengthen the experience. The story wasn't horribly strong, but it more than lasted its 80 minutes by introducing a new character to flesh out Rane's history or just introducing something wonderfully weird when it didn't really know what to do.
The acting was for the most part good. Or rather it was appropriate. At times it was horribly overdone, but it all felt rather appropriate. Especially Peter Franzèn as Arvi proves himself as a most versatile actor.
All in all, Emmauksen tiellä is bound to be such a subjective experience it is really hard to say something definitive about it. It has a strong theatre-like feel to it, and it never really allows you to forget that you're watching a movie. I suppose in the US the movie would have considerably higher PG rating, for it deals with many not so nice things but by it's heart it is a gentle story of a lost lamb. If you've ever loved the finnish countryside with it's unpaved roads and fields that a city dweller could not tell apart, this might be a movie for you. If you haven't, well, it's still a very entertaining movie, if a bit oversentimental:-)
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