Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass. Her boyfriend and ex-lover take matters into their own hands by hiring two criminals to help them find the rapist so that they can exact revenge. A simultaneously beautiful and terrible examination of the destructive nature of cause and effect, and how time destroys everything.Written by
The first thirty minutes of the film has a background noise with a frequency of 28 Hz (low frequency, almost inaudible), similar to the noise produced by an earthquake. In humans, it causes nausea, sickness and vertigo. It was a cause of people walking out of the theaters during the first part of the film. In fact, it was added with the purpose of getting this reaction. See more »
As the subway arrives, Pierre describes it as blue. Actually it is green and white. See more »
Why don't you rummage through your shitass genetic code?
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The "N" in the "Studio Canal" logo at the start of the film is backwards. See more »
The Hong Kong version is cut (despite being given a Category III rating, meaning under 18s are prohibited from watching this film) for nudity and sexual violence. Most genitalia is blurred or pixelated except for the digital penis. Alex's rape is butchered by 5 mins. Le Tenia rapes Alex and all of a sudden, he is lying beside her! See more »
This is one of the rarest film I've ever seen in my life. I can understand that sometimes this film is quite hard to put up with it, specially the outrageous Monica Bellucci's rape scene and I can understand too that many people, above all women, left the cinema. Needless to say this film is neither a porno movie nor tasteless sequences screened as if they tendon,t make sense. Lots of readings can be extracted after its showing. What might have gone on if the couple hadn't argued each other? Our life is not always the same as ever, could change a lot depending on occasions. Maybe our future is written in spite of not being aware of it. The performances are quite convincing: Monica Bellucci is a lot more than a pretty face and a stunning body and this transgressive film is going to introduce her to stardom ( I hardly ever imagine an actress so conventional, for example, Julia Roberts played a role like this). The men roles center on her but from my point of view Vincent Cassel's character is a bit upset and overacts at times opposite Albert Dupontel's which is calm and sensible to fly into a rage in a fortunately "politicatelly incorrect" ending. It is certainly a good movie, it's worth seeing unless you've got some preconceived ideas against out-of-the-way movies like this one. Apart from blockbusters there's another kind of cinema!
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