AVALIAÇÃO DA IMDb
6,3/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.The No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.The No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.
- Prêmios
- 1 vitória
Yôji Tanaka
- Koroshi-ya No. 7
- (as Yoji Tanaka)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- Erros de gravaçãoAs Uekyo speaks into the camera with a Union Jack draped over her, the boom mic drops into the picture for a second or two, then moves up and out of sight.
- Citações
Miyuki Minazuki: I think it's okay to live my life as a pistol.
- ConexõesFollows A Marca do Assassino (1967)
Avaliação em destaque
Beautiful but Incomprehensible
I was eager to see "Pistol Opera" for a variety of reasons. I had recently seen "Branded to Kill" and the idea of a follow-up/sequel/remake by the same director intrigued me. Furthermore, I am a fan of the lead actress, Makiko Esumi, from her work on Japanese TV.
Sadly, this film goes nowhere...slowly. The plot seemed simple enough but within minutes I was lost. These "professional killers" spend nearly the entire film killing each other which begs the question who is employing these people and what purpose they serve. Lots of these scenes look wonderful and have some fun ideas, but nothing makes any sense. Characters deliver long, meandering soliloquies into the camera, flip-flopping from Japanese to English and back again. Neither language adds any clarity to the circumstances. The whole thing feels like some kind of experimental stage play, especially the final showdown where characters enter and exit bizarre scenery accompanied by strange, nearly naked dancers.
What the hell?
Sadly, this film goes nowhere...slowly. The plot seemed simple enough but within minutes I was lost. These "professional killers" spend nearly the entire film killing each other which begs the question who is employing these people and what purpose they serve. Lots of these scenes look wonderful and have some fun ideas, but nothing makes any sense. Characters deliver long, meandering soliloquies into the camera, flip-flopping from Japanese to English and back again. Neither language adds any clarity to the circumstances. The whole thing feels like some kind of experimental stage play, especially the final showdown where characters enter and exit bizarre scenery accompanied by strange, nearly naked dancers.
What the hell?
útil•158
- danfeit
- 6 de jan. de 2004
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- How long is Pistol Opera?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 1.500.000 (estimativa)
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By what name was Pisutoru opera (2001) officially released in Canada in English?
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