This is the story of a bag of money and the people who come into contact with it.
Director:
Writer:
Stars:
Photos and Videos
Complete, Cast awaiting verification
| Jeremy Davies | ... |
The Drifter
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| Michael Lerner | ... |
The Judge
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| Litefoot | ... |
The Warrior #1
(as G. Paul Davis a.k.a Litefoot)
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| Russell Means | ... |
The Chief
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| Chris O'Donnell | ... |
The Hitman
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| Jon Polito | ... |
The Security Guard
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| Kevin Sifuentes | ... |
The Head of Security
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| Michael Rapaport | ... |
The Cop
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Anita Maltin | ... |
The Old Lady
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| Bill Pullman | ... |
The Ticket Clerk
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| Keith David | ... |
The Sheriff
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| Rachael Leigh Cook | ... |
The Waitress
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| P.J. Byrne | ... |
The Doctor
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| Carlos Mencia | ... |
The Comedian
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Directed by
| Leonardo Ricagni | ||
Written by
| Tino Lucente | ... | () |
Produced by
| Mima Casanova | ... | associate producer |
| Diane Cornell | ... | line producer |
| John Davis | ... | executive producer |
| Marc Forby | ... | producer |
| J. Todd Harris | ... | producer |
| Jourdan Krauss | ... | associate producer |
| Michael Lindenbaum | ... | co-producer |
| Bryan Lord | ... | producer |
| Tino Lucente | ... | co-producer |
| Michael Rapaport | ... | executive producer |
| Craig Davis Roth | ... | co-producer |
| Patrice Theroux | ... | executive producer |
Music by
| Mario Grigorov | ||
Cinematography by
| Horacio Maira | ... | director of photography |
Editing by
| Paula Halton | ||
Editorial Department
| David Jaeckin | ... | color timer |
Casting By
| Karen Meisels | ||
Production Design by
| Walter Brunialti | ||
Art Direction by
| Scott H. Campbell | ||
Set Decoration by
| Peggy Paola | ||
Makeup Department
| Lisa Bertuzzi | ... | key makeup artist |
| Michelle Rene Elam | ... | makeup artist (as Michelle Torres) |
| Stella Tzanidakis | ... | key hair stylist (as Stella) |
Production Management
| Ed Cathell III | ... | production supervisor |
| Diane Cornell | ... | unit production manager |
| Stephen Harrison | ... | production manager: Los Angeles |
| Douglas Salkin | ... | post-production supervisor |
| Reinhard Schreiner | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Diane Cornell | ... | second unit director |
| Bruce Wayne Gillies | ... | first assistant director |
| Mimi Gillies | ... | second assistant director |
| Stephen Harrison | ... | first assistant director: Los Angeles |
| Lisa Hubbard | ... | second assistant director |
| Michael Lindenbaum | ... | second assistant director: Los Angeles |
| Maritza Murillo | ... | second second assistant director |
| Craig Davis Roth | ... | director: New York |
| Brian Testa | ... | second second assistant director |
| Jim Ramos Vickers | ... | second unit director (as Jim Vickers) |
| Rey Vincenty | ... | assistant director |
Art Department
| Dominique Baynes | ... | production designer: New York / props: New York |
| Marty Flaherty | ... | construction coordinator |
| Chris Fowler | ... | art department coordinator |
| Joe Frederick | ... | swing gang |
| Sarah Geller | ... | property master |
| Jasper Jan | ... | prop assistant |
| Derek Milner | ... | on-set dresser |
| Paul Rough III | ... | on-set dresser |
Sound Department
| Stan Bochner | ... | sound editor |
| Adam M. Goldstein | ... | sound editor |
| Chen Harpaz | ... | re-recording mixer / supervising sound editor |
| Hae Kyong Harpaz | ... | foley artist |
| Patrick Martens | ... | boom operator |
| Mike Mola | ... | assistant sound editor |
| Amos Poe | ... | murchian engineering |
| Pat Toma | ... | sound mixer |
Special Effects by
| P. David Miller | ... | pyrotechnician / special effects crew (as Paul D. Miller) |
| Jim Staples | ... | special effects |
| Paul Staples | ... | special effects |
Visual Effects by
| Christopher Dusendschon | ... | I/O supervisor: film scanning and recording: iO Film |
| Adam Hawkey | ... | digital compositor |
Stunts
| Alex Madison | ... | stunts (as Gail Monian) |
| Eddie Perez | ... | stunts |
| Mike Smith | ... | stunts |
| Jim Ramos Vickers | ... | stunt coordinator (as Jim Vickers) |
Camera and Electrical Department
| Saeed Adyani | ... | still photographer |
| Randy Crawford | ... | electrician |
| Taylor Drake | ... | grip |
| Keith Dunkerley | ... | grip: Los Angeles (as Keith Dunkerly) |
| Manny Duran | ... | grip |
| Frank Esposito | ... | electrician |
| Willie Estrada | ... | first assistant camera |
| Kathleen Farry | ... | camera loader / camera operator: "b" camera / second assistant camera |
| Marc Forby | ... | cinematographer: 16 mm black and white footage |
| Harry Hope | ... | dolly grip / key grip |
| Matt Horochowski | ... | best boy grip |
| Coe Huston | ... | first assistant camera: New York |
| Philip J. Jaffe | ... | first assistant camera: Los Angeles (as Phillip Jaffe) |
| Matthew Jensen | ... | director of photography: Los Angeles |
| April Lanci | ... | second assistant camera |
| David Leite | ... | grip |
| Chelsea Low | ... | steadicam operator |
| Horacio Maira | ... | camera operator: "b" camera |
| Terry Meadows | ... | gaffer |
| Todd England Nicodemus | ... | best boy: Los Angeles (as Todd Nicodemus) |
| Jeff Ridley | ... | electrician |
| Alex Schmidt | ... | best boy electric |
| Megan Schoenbachler | ... | camera operator: "b" camera |
| Steve Smith | ... | second assistant camera: "b" camera |
| Brad Wallace | ... | first assistant camera: "b" camera |
| Joseph Walsh | ... | second assistant camera: Los Angeles |
| Albert Winbush III | ... | electrician |
| Fante Zamora | ... | key grip: Los Angeles |
Casting Department
| Lisa Martin | ... | location casting |
Costume and Wardrobe Department
| D.J. DeLorenzo | ... | on-set costumer |
| Jayme Woodall | ... | wardrobe supervisor |
Location Management
| Peter Falco | ... | assistant location manager |
| Taman McCall | ... | location manager |
Music Department
| Latashia DeVeaux | ... | music coordinator |
| Danny Kirsic | ... | composer: additional music |
| Karyn Rachtman | ... | music supervisor |
Script and Continuity Department
| Katalin Rogers | ... | script supervisor (as Katalin Kovacs Rogers) |
Transportation Department
| John W. Barbee | ... | transportation coordinator (as John Barbee) |
| Tim Best | ... | transportation coordinator: Los Angeles |
| Gary Jackson | ... | transportation captain |
| Don Tanaka | ... | driver |
Additional Crew
| Marina Bailey | ... | unit publicist |
| Peter Caraveo | ... | craft service |
| Albert T. Dickerson III | ... | bond company executive |
| Jenny Fitzgibbons | ... | production accountant |
| Nicole Goodwin | ... | production assistant |
| Joyce Gregg | ... | production coordinator |
| Monty Hom | ... | promotion resources director |
| Jasper Jan | ... | production assistant |
| Robby Kushner | ... | production executive |
| Glenda Marneus | ... | assistant production coordinator |
| Maire Ni Rochain | ... | additional production coordinator |
| Gail Nicol | ... | post-production accountant |
| Jeffrey D. Press | ... | post-production accountant (as Jeff Press) |
| Nancy Pruss | ... | accounting assistant |
| Michael Pytel | ... | production assistant |
| Poppy Schwarze | ... | production secretary |
| Jon Tatum | ... | film runner |
| Nicholas Thurkettle | ... | story editor: Davis Entertainment Filmworks |
| Jim Ramos Vickers | ... | fight choreographer (as Jim Vickers) |
| Corey C. Witte | ... | production executive |
Thanks
| Walter Murch | ... | thanks |
Production Companies
- B. Lord Productions
- Ben's Sister Productions
- Davis Entertainment Filmworks
- George Street Pictures
- Release Entertainment
Distributors
- Momentum Pictures (2002) (United Kingdom)
- Alliance Atlantis Communications
- Artisan Entertainment
- I-On New Media (2004) (Germany) (DVD)
- Le Monde
Special Effects
Other Companies
- Broadway Sound (sound facilities)
- Cattle Call Productions (location casting)
- Chapman/Leonard Studio Equipment (camera dollies)
- Digital Cinema (sound facilities)
- First Take Catering (craft services)
- HALA Lighting & Grip (grip equipment)
- L.A. Power & Light Company (lighting)
- Magic Film and Video Works (negative cutting)
- iO Films (titles and digital opticals)
Storyline
| Plot Summary |
Can you trust anyone? A corrupt judge is about to rule against the expansion of an Indian casino in the Mohave and needs cover: he tells the tribe's chief that the FBI has an undercover agent on the judge's staff, so the expansion must be on hold. The chief hires a hit man to kill the law clerk. The clerk makes a run for it and manages through a series of botched thefts to end up with the bag of money meant for the hit man. A corrupt cop, a degenerate security guard, a hapless bus station clerk, a scheming waitress, and the hit man himself all want the bag - and the chief and the judge want the clerk dead. Is there any way he gets out of the desert alive?
Written by |
| Plot Keywords | |
| Taglines | Money, Murder. Betrayal. It's all in the bag. See more » |
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| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
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Box Office
| Budget | $5,000,000 (estimated) |
| Cumulative Worldwide Gross | $81,517 |
Did You Know?
| Goofs | When the cars are speeding on the dirt roads (car chase scenes) you can hear the tires screeching as if they were on pavement. See more » |
| Movie Connections | Referenced in Episode #1.7 (2002). See more » |
| Soundtracks | Club Wig Wam See more » |
| Crazy Credits | There is a short additional sequence with Michael Rapaport after the credits have ended. See more » |