CALIFICACIÓN DE IMDb
5.7/10
8 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaLiberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.Liberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.Liberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.
- Dirección
- Guionista
- Elenco
Gregory Calpakis
- Vince
- (as Greg Calpakis)
Roger Cross
- Officer Miller
- (as Roger R. Cross)
David James Lewis
- Businessman
- (as David Lewis)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaOften compared to Enlace mortal (2002). Although released in the same year this was actually previewed to the public a full 8 months before Phone Booth was.
- ErroresJoe's computer occasionally displays images of Liberty taken by a camera he has set up somewhere, presumably in his sniper's nest. But almost every shot from this camera is panning or tracking, and most are also obviously from a much lower angle than Joe's position. Some are actually looking up at Liberty from below.
- ConexionesReferenced in Bad Movie Beatdown: Blade Trinity (2012)
- Bandas sonorasCreatures
Performed by Carmen Rizzo
Written by Carmen Rizzo, Christina Calero, Ashley Slater and Joel Shearer
Published by Povi-Lu Music
Opinión destacada
Audience Captured
There's an interesting audience response to this movie. The director has captured the audience in the movie theater and forced it to take
a look at the handgun issue...not by getting the audience's attention with car chases and breasts heaving up and down while sexy things run, like in an action film, but with a hostage taking. And everyone's in the trap, including the audience.
The hostage and the guy pointing the gun (Wesley Snipes) are trapped in their standoff for most of the film. Meanwhile layers peal away as we begin to understand more and more about the source of the pain and the reason for the target of the desperate action.
The audience likes to be on the side of some main character who is outside of the stand-off, the person that will cause strength and good to prevail; but the director has ingeniously put the audience identification into the stand-off: equally into the emotional trauma of both the hostage and the hostage taker. Eventually you begin to feel the absurdity and desperation of the situation; eventually you realize that both feel trapped, and consequently the audience has little relief from the situation.
There's no Arnold Schwarzenegger coming to the rescue by blazing bigger more illegal weapons, and that is exactly what is intended, in my opinion. The big pay-off in this film is that it actually makes the audience think! Uncomfortable for some, but certainly worthwhile as a political statement and interesting filmmaking.
a look at the handgun issue...not by getting the audience's attention with car chases and breasts heaving up and down while sexy things run, like in an action film, but with a hostage taking. And everyone's in the trap, including the audience.
The hostage and the guy pointing the gun (Wesley Snipes) are trapped in their standoff for most of the film. Meanwhile layers peal away as we begin to understand more and more about the source of the pain and the reason for the target of the desperate action.
The audience likes to be on the side of some main character who is outside of the stand-off, the person that will cause strength and good to prevail; but the director has ingeniously put the audience identification into the stand-off: equally into the emotional trauma of both the hostage and the hostage taker. Eventually you begin to feel the absurdity and desperation of the situation; eventually you realize that both feel trapped, and consequently the audience has little relief from the situation.
There's no Arnold Schwarzenegger coming to the rescue by blazing bigger more illegal weapons, and that is exactly what is intended, in my opinion. The big pay-off in this film is that it actually makes the audience think! Uncomfortable for some, but certainly worthwhile as a political statement and interesting filmmaking.
útil•2314
- asmeltzer9369
- 24 sept 2002
Selecciones populares
Inicia sesión para calificar y agregar a lista de videos para obtener recomendaciones personalizadas
- How long is Liberty Stands Still?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Liberty Stands Still
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total a nivel mundial
- USD 595,214
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was El Atentado (2002) officially released in India in English?
Responda