Felix the Cat

At the end of each little episode, the announcer (apparently Jack Mercer--as I see in the title page that he did every other voice on the program) would say this in a low, growly voice. In the background of the soundtrack, there would be a string section doing that sustained-one-note-suspense thing that we've all heard in a million different films. Used to scare the crap outta me--almost as bad as Koko the Clown popping out of that damned inkwell. Even though the sensibilities that went into this kind of animation helped to shape (warp?) me, and I love them to this day, sometimes I think that the old time animators were sadists who hated kids. Either that or I was just a wuss.

As I recall, the words to the theme went: "Felix the Cat, the wonderful, wonderful cat. You'll laugh so much your sides will ACHE. Your heart will go pitter-pat watching Felix, the wonderful cat."

I watched this TV cartoon series regularly as a child in the 60s. I enjoyed it a lot, but I believe I never suffered from aching sides. In fact, there were a few things about this show that were a little bit creepy, such as the sinister Master Cylinder, and that lantern-jawed kid Vavoom, who could blast through anything by just shouting "Vavoom!" That's the kind of stuff that creeps into the dreams of young kids and gives them nightmares!

Let me first express my emotional love of this show: I firmly believe that this cartoon is an absolute classic, primarily for its very unique episode plot lines, its intriguing-yet-somewhat blatantly stereotypical villains (the Professor and Rock Bottom, primarily), its fantastic sense of science-fiction fantasy adventure (several episodes have to do with space travel), its comedy and (of course) The Master Cylinder, quite possibly the greatest cartoon villain in the history of animated entertainment. I love this show.

The cartoon ran for a very limited time in the early 1960's; as such, it is subsequently enamored with many of the entertainment clichés of its time. For example, I do believe that the old grade-Z science fiction movies of the 40's and 50's did have a significant effect on many of the episodes; as mentioned earlier, several episodes have to do with space travel: in my personal favorite episode, Poindexter (the Professor's brainy nephew, with a voice pitched high enough to rival the Chipmunks') builds a flying saucer in his spare time (while Felix is babysitting him) and travels to Mars with Felix, where they meet (hooray!) The Master Cylinder, in one of his many physical incarnations (for some reason the producers of the show made him look rather different in each episode, I've never really realized why). Additionally, the design of many of the visuals can be compared very easily to the fashionable aesthetic of the time; if you observe Felix's house, you will find that it appears to be very similar to Mike Brady's architecture (although that show came a little later). Furthermore, Rock Bottom's zoot-suited, cigar-chomping demeanor seems to me that it came right out of that era. And even further-more, if you want to get still deeper into it: I also believe that the whole attitude of that particular time period is greatly embedded in the show's values. Some of the episodes are very suburban, very 9-to-5 oriented, very detailed in consumerism and that classic, somewhat post-Eisenhower mentality of the love of homebodiness, the love of being the "Modern American." Wow. To back myself up on this: a couple episodes have to deal with Felix's day-to-day 9-to-5 job (!), life at home listening to the radio and suddenly hearing a newsflash about invading Martians (a particularly awesome episode) and running outside to protect yourself from them with a rifle, and getting rid of a pesky mouse that is managing to somehow steal everything from your perfectly-stocked refrigerator. All in all, I feel that these factors give this show a very cute, very nostalgic personality; they greatly add to its charm.

If you are a fan of classic cartoons (namely any of the Chuck Jones-style productions [including Merry Melodies and Tom & Jerry], Tex Avery productions or other assorted serials) I urge you to check out FELIX THE CAT. I promise you that it will bring something new to the table. Each episode has a wonderfully unique story (with Looney Tunes you sort of get recycled formulas every time) filled with charm, intelligence and even a little suspense (one episode in particular used to scare the living crap out of me; if you watch the series, you'll know which one. It has to do with Felix getting locked in his own house). Even if you don't care for cartoons, check out the series anyway. I still promise you that it will bring something new to the table. Now, the show spawned a feature-length movie that was produced sometime in the 80's (I believe); if you have seen this movie but haven't seen the original cartoon, I advise you to not follow any pre-conceived thoughts about this cartoon just from the movie. The two are very, very different. Though I still like the movie, it shares hardly any values or aesthetics with the cartoon. Completely gone is the lovely 60's nostalgia that I described above. Completely gone is Rock Bottom, Felix's house, space missions and (sob) The Master Cylinder is reduced to a pitiful cameo appearance that has nothing to do at all with his majesty on the series. I mean, come on, this is the guy that would have almost launched a fleet of missiles against Earth, if Felix hadn't of stopped him!

This cartoon is utterly fantastic. Please go and find a DVD of it right now.

RIGHT-EE-OH!!

I absolutely loved Felix the Cat growing up, and feel it is a very creative and underrated animated series. The animation really isn't that bad considering when it was made. The theme song was catchy and memorable, and I loved singing along to the fun lyrics. The writing is witty, funny and sharp and the story lines are unique and interesting. Yes some moments can be repetitive, but I still enjoyed it regardless, and even as a kid I was so taken with the characters and writing than to care about what material was repeated. The characters are at least engaging, Felix may be annoying to some but not to me, he does have a high pitched voice but he is a funny, likable and endearing character. Although he is the main character, the supporting characters were better, the Professor was hilarious and I loved the villains especially Master Cylinder. Jack Mercer does a superb job with the voices I feel, a very talented voice actor he was too. Overall this is a great show, unique and underrated. 10/10 Bethany Cox

The silent Felix cartoons were, for the most part, VERY good. Having no soundtrack, all they had to let you know what Felix was thinking or feeling was the artwork, at which the animators were extremely successful. You really can't compare the silents with the Trans-Lux TV Felix cartoons. However, in those TV cartoons, the producers were intelligent enough to hire Voice Actor extraordinaire Jack Mercer. He started at the Max Fleischer cartoon studio in New York City (that studio's original location was the reason for the urban settings of their cartoons.). Unlike the talented people at Warner Bros., Disney and many others, a large percentage of the settings of THEIR cartoons were rural. But watch a Betty Boop or a Popeye cartoon, and you'll fing they take place in urban locations. Jack Mercer was the voice of Popeye for FIFTY-plus years! Though many of the people who made the TV Felix cartoons made the rounds among the animation studios, each studio's product had a personality of its own, and that's where the talents of the artists and writers really shined. Sure, there are settings in, say, W-B cartoons varied and were definitely NOT urban, such as "The Awful Orphan" starring Porky Pig and Charlie Dog. It takes place on a farm, as do many others. But that's the beauty of any animated cartoon - you can make the setting ANY PLACE, on Earth or elsewhere in the known Multiverse. None of those locations are any more difficult to get to or any more expensive than any other. The reason, of course, is that everything you see and hear is the product of the Director's and animator's imaginations. Every cartoon by any studio was drawn at the same desks as any other.

I remember when I was a kid, and the Trans-Lux Felix cartoons were run every day. I watched them then and liked them! But if you told me then that all the characters were voiced by Jack Mercer, I'd never have believed you!