Agrega una trama en tu idiomaThe story of a balloonist who finds a lost child and decides to raise him.The story of a balloonist who finds a lost child and decides to raise him.The story of a balloonist who finds a lost child and decides to raise him.
Fotos
Arturo Castro 'Bigotón'
- Sargento
- (as Bigoton Castro)
Armando Acosta
- Carnicero
- (sin créditos)
Victorio Blanco
- Casero
- (sin créditos)
Víctor Manuel Castro
- Lic. Bernardo de la Fuente
- (sin créditos)
Magda Donato
- Secretaria de escuela
- (sin créditos)
Pedro Elviro
- Maestro de lucha
- (sin créditos)
Leonor Gómez
- Vendedora de tomates
- (sin créditos)
Elvira Lodi
- Madre de niño en parque
- (sin créditos)
José Carlos Méndez
- Hijo de maestro lucha
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
Opinión destacada
Dated style
Some 1961 movies still hold up. But not many. And not this one.
Based on Chaplin's The Kid, this movie follows the extremely implausible goings on of a balloon salesman (globero). I don't want to spoil the plot twists.so instead I will focus on its style.
It tries to copy Chaplin's Vaudeville acting style. But it pales by comparison. The camera work is disjointed and distracting with countless jump cuts and poor continuity.
The fights and blocking seem intended to have been hilarious, and maybe they were to unsophisticated viewers in the 1960s, but today the haminess of feeble karate chops that elicit exaggerated wincing and terrible bruise make up fall flat, even for kids.
The obviously empty luggage and horribles holes in the plot are now unforgivable sins in cinema. Even for slapstick comedies that seek to be profound.
This might be an interesting film for a film historian. But not for anyone else who wants to spend two hours wisely.
Based on Chaplin's The Kid, this movie follows the extremely implausible goings on of a balloon salesman (globero). I don't want to spoil the plot twists.so instead I will focus on its style.
It tries to copy Chaplin's Vaudeville acting style. But it pales by comparison. The camera work is disjointed and distracting with countless jump cuts and poor continuity.
The fights and blocking seem intended to have been hilarious, and maybe they were to unsophisticated viewers in the 1960s, but today the haminess of feeble karate chops that elicit exaggerated wincing and terrible bruise make up fall flat, even for kids.
The obviously empty luggage and horribles holes in the plot are now unforgivable sins in cinema. Even for slapstick comedies that seek to be profound.
This might be an interesting film for a film historian. But not for anyone else who wants to spend two hours wisely.
útil•00
- van_de_burgt
- 24 mar 2022
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Detalles
- Tiempo de ejecución1 hora 30 minutos
- Color
- Mezcla de sonido
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Principales brechas de datos
By what name was El globero (1961) officially released in Canada in English?
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