Dull Care (1919) Poster

(1919)

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7/10
Scaredy-cops!
planktonrules26 April 2020
Today, practically no one has heard of nor would remember Larry Semon. However, in the silent era, he was a very popular comic and made a lot of films...most of which were highly acrobatic. Because he's so obscure, I was surprised to find this comedy posted on YouTube...and it certainly is worth your time.

When the movie starts, a man is being harassed by a criminal gang...so he gets the cops to help. Well, these are apparently the world's worst cops....as they are scared and run away when the criminals arrive!! In desperation, a private detective (Semon) takes on this gang of thugs. What follows is a typically athletic and acrobatic outing by Semon that not only involves the gang but a woman who is trying to hide a man in her apartment.

The film has the word 'reconstructed' on the title. It is NOT a reconstruction like the recently reconstructed "Hats Off" (Laurel & Hardy) or "London After Midnight" (Lon Chaney)--two holy grails of missing films that were reconstructed awkwardly using stills and tiny fragments of film. I'd hardly consider wasting my time with them. Instead, this reconstruction means that separate existing prints were pieced together to make the most coherent and watchable film possible...and you can tell a few times when the various prints are inserted. But the film appears to be otherwise complete and watchable.

So is this worth seeing? Yes, the film has some funny moments and lots of nutty energy like the best of Semon's films. Plus, you can see Oliver Hardy in the picture as a janitor....a definite plus. Well worth your time.
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7/10
Away, Dull Care
boblipton28 January 2009
Before Larry Semon's movies became repetitive, increasingly bloated efforts that starred him and only him, he turned out some very nice slapstick with a large crew of comedians who got some good screen time and gags, and featuring some very good cinematography. This is one of those efforts, featuring a loving little zoom shot, a slammed-door farce sequence using cuts -- a technique I have not noticed before but which works very well -- and graceful composition, as well as the sort of work that seems to improve as it gets older -- a chiaroscuro that comes out in multi-generational prints.

I'm not exactly sure what is going on here, except it involves Semon as a detective trying to deal with some roughnecks, but there is some lovely by play with Oliver Hardy, who even does some tie-less twiddling, eight years before he was teamed up with Stan Laurel.

You can see some of the rot setting in, the bigger explosions, the near-collisions undercranked to produce greater speed. But for the moment, it is still working.
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