An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins.Written by
Jon Reeves <email@example.com>
A large subplot was ultimately cut involving a homeless woman who lived and lurked among the building and the workers. The filmmakers deleted this because test viewings found her to confuse viewers who thought she was Mary Hobbes (the patient on the tapes.) See more »
When Hank starts finding coins in one of the tunnels below the asylum he is wearing gloves. Then when he finds the second coin only a few meters further on his gloves are gone. See more »
Gordy? You look tired, man. You look beat. Your turn to feed Emma?
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The US DVD contains an additional subplot that was removed from the final cut of the film. A homeless woman resides in Danvers State Hospital, and watches the crew go about their business. Initially presented as a menacing "being", shown as collecting objects (rubbish, leaves, insects) in threes in a room, she then becomes more and more human through the film. The crew observe things to give her presence away. She witnesses their murders, and becomes scared. She then kills Gordon at the end in retribution. Unfortunately, it is badly cut, and shows at several points during the film. See more »
No point in mincing words: Brad Anderson's Session 9 is the best horror movie I've seen in a long time. It's intelligent, well-written, it's completely unpredictable, it looks great (I didn't really notice until the second viewing how well the editing and the photography work together), and the soundtrack is downright creepy. Until recently only two films had managed to make me lie awake at night: Dario Argento's "Opera" and Tobe Hooper's "Texas Chain Saw Massacre". Well, now the list includes three films. Honestly, there is no excuse not to see this one, folks. Horror doesn't get any better than this.
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