In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still-living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
Five interwoven stories that occur on Halloween: An everyday high school principal has a secret life as a serial killer; a college virgin might have just met the guy for her; a group of teenagers pull a mean prank; a woman who loathes the night has to contend with her holiday-obsessed husband; and a mean old man meets his match with a demonic, supernatural trick-or-treater.
An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins.Written by
Jon Reeves <firstname.lastname@example.org>
A large subplot was ultimately cut involving a homeless woman who lived and lurked among the building and the workers. The filmmakers deleted this because test viewings found her to confuse viewers who thought she was Mary Hobbes (the patient on the tapes.) See more »
Peter Mullan kept forgetting to limp during his scenes resulting in many continuity errors. These are noted in the director's commentary as well. See more »
Gordy? You look tired, man. You look beat. Your turn to feed Emma?
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The US DVD contains an additional subplot that was removed from the final cut of the film. A homeless woman resides in Danvers State Hospital, and watches the crew go about their business. Initially presented as a menacing "being", shown as collecting objects (rubbish, leaves, insects) in threes in a room, she then becomes more and more human through the film. The crew observe things to give her presence away. She witnesses their murders, and becomes scared. She then kills Gordon at the end in retribution. Unfortunately, it is badly cut, and shows at several points during the film. See more »
Everything about this movie impressed me. The script was lean and inventive, the direction stylish without being overblown, the acting top notch. Even the shot-on-video cinematography looked great (with the exception of one or two exterior shots that had a hint of video look to it, most everything else was "filmic" and artistic).
I also appreciate any horror movie that can generate real tension and suspense from imagination and suggestion rather than relying on lame and lazy tricks that populate most horror movies (if something as limp as Urban Legends can be called a horror movie).
First rate film and I recommend to anyone who appreciates a thinking-man's horror film.
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