In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins.Written by
Jon Reeves <firstname.lastname@example.org>
The movie is mentioned in the book Project 17 by Laurie Faria Stolarz. The book takes place one night in Danvers State Hospital. A group of teens spend the night to film a movie, and encounter supernatural events - much like the psychological aspect of this movie. The main character in the book references the group's actions as reminding him of Brad Anderson's movie Session 9. See more »
In the documents Mike comes across Mary Hobbs diagnosis is D.I.D. In the time period of the tapes D.I.D was still labeled as Multiple Personality Disorder, it was not until 1994 they changed it to Dissociative Identity Disorder to accommodate the DSM-IV-TR (a mental disorder diagnostic guide). See more »
Gordy? You look tired, man. You look beat. Your turn to feed Emma?
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With a brilliant premise, "Session 9" is a slow build of genuine atmospheric creepiness. More akin to Nicolas Roeg's classic "Don't Look Now" than more recent horror fare with high body counts, director Brad Anderson effectively builds tension in layers of voiceovers and (mostly subtle) foreshadowing to build to a climax of madness, with sparing use of the cheaper horror devices. Unfortunately the characters are not as fleshed out as one would have hoped, so we are left with some unanswered questions (we would have liked to have met Gordon's family and Hank's girlfriend. Why did Mike drop out of law school?). Though the subtle horrors of this film may fail to grasp the short attention spans of younger moviegoers who consider "I Know What You Did Last Scream" to be the de facto standard of the genre, this is a very cleverly executed, if imperfect, thriller.
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