Directed by
| André Vaillancourt | ||
Writing Credits (in alphabetical order)
| André Vaillancourt | ... | (written by) |
Cast (in credits order)
| Michael Saquella | ... | Mike Logan (as Michael Paloma) | |
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Jessica Devlin | ... | Vivian Sinclair |
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Julie Ross | ... | Madeline Stanford |
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André Vaillancourt | ... | Pierre Brind'Amour |
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Susan Davis | ... | Rachel Covington |
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Dennis Keefe | ... | Captain |
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Andrew Scharnweber | ... | Bruno Gatlin |
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Elizabeth Ryan | ... | Elizabeth Schwartz |
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Charlotte Burley | ... | Samantha |
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Tara Becevel | ... | Cindy Rollan |
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Steve Hunneshagen | ... | Todd |
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Michele Layer | ... | Mother |
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Angela Scibetta | ... | April |
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Bill Curry | ... | Warren Blackwell |
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Charles A'Lexis | ... | Clerk |
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Terry Braunstein | ... | Restaurant Owner |
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Patrick Breene | ... | Hotel Clerk |
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Kevin Hogan | ... | Forensics |
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Lisa Lodge | ... | Girl |
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Richard Sawin | ... | Waiter |
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Marshall Badger | ... | Bartender |
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Stacy Zawachky | ... | Barmaid |
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Ann Marie Roll | ... | Barmaid Club (as Anne Marie Roll) |
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Paul Santora | ... | Maitre D' |
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Shawn Winter | ... | Policeman |
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Tony Barrondo | ... | Bouncer |
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Savannah Harris | ... | Friend |
| Daniel St. Pierre | ... | Photographer | |
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Eric McCann | ... | Client |
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Frank Piracci | ... | Self - Buffalo Police Deputy Commissioner |
Produced by
| Krishna Mahadoo | ... | executive producer |
| Frank Mayor | ... | executive producer |
| Michael Saquella | ... | producer (as Michael Paloma) |
| Jodi Tripi | ... | associate producer |
Music by
| Henry Beck | ||
Cinematography by
| James P. Gribbins | ... | director of photography (as James Gribbins) |
Production Design by
| Diane Badovinac | ||
Makeup Department
| Lisa Lodge | ... | makeup artist |
| Katherine Lucas | ... | key makeup artist |
| Lori Pacini | ... | hair stylist |
Production Management
| Vicky Starling | ... | unit production manager |
Second Unit Director or Assistant Director
| David B. Craig | ... | first assistant director (as David Craig) |
Sound Department
| Jonathan Glazer | ... | sound |
| John Graves | ... | sound mixer |
| Jesus Manrique | ... | sound effects editor |
Special Effects by
| Colby Bell | ... | special effects |
| David Gray | ... | special effects |
| Alfonzo Marranca | ... | special effects |
| R.A. Zinobile | ... | special effects |
Camera and Electrical Department
| Charles A'Lexis | ... | grip |
| John Colla | ... | second assistant camera |
| Mark Foggetti | ... | second camera operator (as Marc Foggetti) |
| Kurt Dale Hartman | ... | key grip (as Kurt Hartman) |
| Amy Kutzbach | ... | still photographer |
| Eric McCann | ... | gaffer |
| Peter McGennis | ... | grip (as Peter McGinnis) |
| Chris Nealon | ... | electrician |
| Mike Rossi | ... | best boy grip |
| Daniel St. Pierre | ... | still photographer |
| Traci Stopa | ... | assistant camera |
Costume and Wardrobe Department
| Diane Badovinac | ... | wardrobe |
Editorial Department
| Illo Apelby | ... | on-line editor |
| André Vaillancourt | ... | off-line editor |
Music Department
| John Graves | ... | composer: additional music |
| Thilo Rex | ... | composer: additional music |
Script and Continuity Department
| Susan Spencer | ... | script supervisor |
Additional Crew
| Tony DeYoung | ... | security |
| Allison Lander | ... | production assistant |
| Shannon Martinek | ... | craft service |
| Richard Sawin | ... | production coordinator |
| Debra Sylvia | ... | production assistant |
Thanks
| Steve Braunstein | ... | special thanks |
| Terry Braunstein | ... | special thanks |
| Thomas Chestaro | ... | special thanks |
| James Constantino | ... | special thanks |
| Ron Eckstine | ... | special thanks |
| Jane Friedman | ... | special thanks: A.I.R. |
| Robert Jann | ... | special thanks: TEC Electronics |
| Bela Lehoczky | ... | special thanks |
| Paul Norman | ... | special thanks (as Norman Apstein) |
| Michele Page | ... | special thanks |
| Frederick Seaton | ... | special thanks |
| Jerry Stoeffhaas | ... | special thanks |
| Mary Summers | ... | special thanks |
| Max Tenant | ... | special thanks: Thrifty Car Rental |
| Richard Zwolak | ... | special thanks |
