Photos and Videos
Cast
Arielle Dombasle | ... |
Luce Ader
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Catherine Jacob | ... |
Diane Lessing
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Laurent Spielvogel | ... |
Loïc Lhermitte
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Nicolas Vaude | ... |
Bruno Delors
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Nada Strancar | ... |
Arlette Henri
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Jean Guerrin | ... |
Le pépé Béju
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Thomas Heinze | ... |
Maurice Henri
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François Perrot | ... |
Le Comte
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Marie-France Santon | ... |
Simon
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Daniel Isoppo | ... |
Marcel, le garagiste
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Philippe Beautier | ... |
J'irai point
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Patrick Massieu | ... |
Ferdinant Fabert
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Pascale Ferry | ... |
Josepha Fabert
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Guy Berat | ... |
Jean, le chauffeur
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Chantal Garrigues | ... |
Suzanne, la femme de chambre de Diane
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Christophe Botti |
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Daniel DeFilipi |
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Alain Gueneau |
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Mariane Plasteig |
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Pierre Porquet |
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Jean-Pierre Teliet |
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Directed by
Pierre Boutron |
Written by
Tonino Benacquista | ... | () |
Pierre Boutron | ... | () |
Françoise Sagan | ... | (novel) |
Produced by
Christine Gouze-Rénal | ... | producer |
Music by
Roland Romanelli |
Cinematography by
André Neau |
Editing by
Patrice Monnet |
Editorial Department
Marion Aubin | ... | assistant editor |
Francine Gamblin | ... | assistant editor |
Michel Thinard | ... | color timer |
Casting By
Cornelia von Braun |
Production Design by
Emile Ghigo |
Costume Design by
Michèle Richer |
Makeup Department
Muriel Baurens | ... | key makeup artist |
Sabrina Bernard | ... | assistant makeup artist |
Laurent Cazeau | ... | hair stylist |
Maryse Faure | ... | key hair stylist |
Production Management
Marie-Anne Leverbe | ... | production manager |
Clémentine Nador | ... | assistant unit manager |
Catherine Poubeau | ... | post-production supervisor |
Gilles Saulnier | ... | unit manager |
Olivier Schmitt | ... | assistant unit manager |
Jean-François Sicre | ... | assistant unit manager |
Second Unit Director or Assistant Director
Carlos Alvarez | ... | first assistant director |
Amélie Colin | ... | first assistant director |
Carole Golzio | ... | first assistant director |
Lénaïck Jaffre | ... | first assistant director |
Art Department
Régis Allevy | ... | carpenter |
Claire Amoureux | ... | assistant decorator (as Claire Amoureux-Nicole) |
Jean-François Corneille | ... | set dresser |
Olivier Danet | ... | assistant decorator |
Philippe Gonzales | ... | painter |
Daniel Grimm | ... | props |
Patrice Massida | ... | carpenter |
Françoise Pierre | ... | head painter |
Hervé Schrub | ... | property master |
Claude Vincent | ... | construction coordinator |
Sound Department
Olivier Burgaud | ... | sound assistant |
Jean-Paul Loublier | ... | sound mixer |
Pierre Molin | ... | sound editor |
Philippe Penot | ... | foley artist |
Michel Philippi | ... | post-synchronization |
Guillaume Sciama | ... | sound |
Special Effects by
Philippe Alleton | ... | special effects |
Pierre Foury | ... | special effects |
Patrick Ledissey | ... | special effects |
Camera and Electrical Department
Gertrude Baillot | ... | assistant camera |
Isabelle Brégeaud | ... | first assistant camera |
Guy Famechon | ... | camera operator |
Sylvain Legrand | ... | still photographer |
Marc Porta | ... | gaffer |
Paul Schmied | ... | grip |
Casting Department
France Arnaud | ... | extras casting |
Marie-Amélie Arnaud | ... | extras casting |
Cornelia von Braun | ... | casting: Germany |
Costume and Wardrobe Department
Sandrine Bernard | ... | wardrobe |
Hélène Cassard | ... | costumer |
Sylvie Nabrin | ... | costumer |
Location Management
Sylvain Montagne | ... | location manager |
Script and Continuity Department
Laurence Weisbrot | ... | script supervisor |
Additional Crew
Fabienne Beaudeau | ... | production administrator |
Marie-France Calif | ... | production assistant |
Yvette Camp | ... | press attache |
André Couture | ... | horses and carriages |
Fabrice Couture | ... | horses and carriages |
Perrine Fontaine | ... | fiction director: FR3 |
Gilberte Gobbi | ... | production secretary |
Joelle Tercinet | ... | press attache (as Joëlle Tercinet) |
Production Companies
Distributors
Special Effects
Other Companies
- Centrimage (film lab)
- Dovidis (post-production)
Storyline
Plot Summary |
In the hot summer of 1940 the German troops are just outside Paris, and numerous Parisians are leaving the city in a complete panic. Luce Ader, the sensitive daughter of a factory owner, decides somewhat belatedly to escape as well, together with her arrogant fiancé Bruno. Since they have a luxury automobile, the elderly society lady Diane Lessing decides to join them, and brings along the sensitive homosexual diplomat Loïc Lhermitte with her. The four of them finally leave the city in the hopelessly overloaded luxury car, only to get stuck in the middle of a seemingly endless column of refugees along a dusty road outside Paris. During an attack by German dive-bombers their chauffeur, Jean, is shot dead, and the car is severely damaged. Traveling any farther is now out of the question. A young farmer named Maurice, although he is injured himself, gives the four of them a ride in his cart and takes them to the dirty little farm run by his resolute mother Arlette. At first the Parisians are appalled at the squalor of country life, and when Arlette actually urges them to work in the fields they start wondering how to get away. Bruno, in particular, regards manual labor as quite beneath him. He tries to get away on foot, but soon collapses with exhaustion, and Arlette has to pick him up and bring him back in a cart. Meanwhile Luce has grown accustomed to the farm, and is beginning to enjoy country life... Eventually she and Maurice have a passionate affair. Loïc, too, slowly starts to appreciate the positive aspects of his new environment. At a large festival at the farm, city and country openly make peace with one another. Even Diane and Bruno are converted now. At this point the local landowner, a naive landed aristocrat, threatens to drive Arlette and the others off his land: she has stopped making any profit during the war and has failed to pay the count any rent for quite some time now. The Parisians now make use of their worldly knowledge to save the farm. Eventually they manage to embroil the greedy count in a risky poker game, and succeed in winning not only the farm but also his car. Just then Pétain announces the "ceasefire" over the radio. The effusive Parisians take their leave of Arlette and Maurice, get into their new car and drive back to Paris, straight into the arms of the Germans. Written by Anonymous |
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Additional Details
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Did You Know?
Goofs | Instead of showing the Messerschmitts that would have been used by the Nazis in attacks on civilian groups, the film shows the civilians attacked by Stukas, which were the planes the Germans used for attacks in trucks and bridges. See more » |