
The Circle (2000)
Dayereh (original title)Reference View | Change View
- Not Rated
- 1h 30min
- Drama
- 09 Sep 2000 (Italy)
- Movie
- 12 wins & 7 nominations.
- See more »
Photos and Videos
Cast verified as complete
Nargess Mamizadeh | ... |
Nargess Mamizadeh Razlighi
|
|
![]() |
Maryiam Palvin Almani | ... |
Maryam Parvin Almani (Arezou)
(as Maryam Parvin Almani)
|
Mojgan Faramarzi | ... |
Zan
|
|
![]() |
Elham Saboktakin | ... |
Elham Saboktakin
|
![]() |
Monir Arab | ... |
Monir
|
![]() |
Maedeh Tahmasebi | ... |
Maedeh
|
![]() |
Maryam Shayegan | ... |
Havou (Parveneh)
|
![]() |
Khadijeh Moradi | ... |
Madarbozorg
|
![]() |
Negar Ghadyani | ... |
Koodak (Negar)
|
![]() |
Solmaz Panahi | ... |
Khahar_e Pari
|
Fereshteh Sadre Orafaiy | ... |
Fereshteh (Pari)
(as Fereshteh Sadr Orafai)
|
|
Fatemeh Naghavi | ... |
Madar (Nayer)
|
|
![]() |
Abbas Alizadeh | ... |
Father of Pari
|
Rest of cast listed alphabetically: | |||
![]() |
Ataollah Moghadas | ... |
Haji
|
Directed by
Jafar Panahi |
Written by
Kambuzia Partovi | ... | (written by) |
Jafar Panahi | ... | (idea) |
Produced by
Mohammad Atebbai | ... | associate producer |
Morteza Motavali | ... | executive producer |
Jafar Panahi | ... | producer |
Cinematography by
Bahram Badakshani | ... | (as Bahram Badakhshani) |
Editing by
Jafar Panahi |
Editorial Department
Gérard Estival | ... | color timer (uncredited) |
Production Design by
Vajid Allah Fariborzi | ... | (as Vajihollah Fariborzi) |
Art Direction by
Iraj Raminfar |
Makeup Department
Hemasseh Malaki | ... | make-up |
Production Management
Abolfazl Laleh | ... | production manager |
Second Unit Director or Assistant Director
Ali Aghababai | ... | assistant director |
Fereshteh Sadre Orafaiy | ... | assistant director (as Fereshteh Sadr Orafai) |
Sound Department
Ahmad Ardalan | ... | sound |
Sassan Bagherpour | ... | sound |
Mehdi Dejbodi | ... | re-recording mixer |
Camera and Electrical Department
Ghogha Bayat | ... | still photographer |
Amir Karimi | ... | assistant camera |
Mohammad Lashkari Nezhad | ... | assistant camera (as Mehrdad Lashkari) / second assistant camera (as Mehrdad Lashkari) |
Reza Sheyvandi | ... | filming technical group |
Additional Crew
Ahmad Moradi | ... | production assistant |
Mehdi Samakar | ... | title |
Production Companies
- Direction du Développement et de la Coopération (DDC), Département Fédéral des Affaires Etrangères (participation)
- Foundation Montecinema Verità (participation)
- Iranian Independents
- Jafar Panahi Film Productions
- Lumière & Co.
- Mikado Film
- Tele+ (participation)
Distributors
- Arthaus (2001) (Norway) (theatrical)
- Artificial Eye (2001) (United Kingdom) (theatrical) (subtitled)
- Filmcoopi Zürich (2001) (Switzerland) (theatrical)
- Iranian Independents (2000) (World-wide) (theatrical)
- Mikado Film (2000) (Italy) (theatrical)
- New Vision Films (2002) (Australia) (theatrical)
- Rosebud (2000) (Greece) (theatrical)
- Sagittaire Films (2001) (France) (theatrical)
- A-Film Home Entertainment (2001) (Netherlands) (video)
- Alamode Film (2007) (Germany) (DVD)
- Alliance Media & Entertainment (2018) (India) (All Rights for SAARC countries)
- Golem Distribución (Spain)
- Madman Entertainment (2003) (Australia) (DVD)
- Primer Plano Film Group (Argentina)
- Transeuropa Video Entertainment (TVE) (Argentina) (video)
- WinStar Cinema (2001) (United States) (subtitled)
Special Effects
Other Companies
Storyline
Plot Summary |
In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor and works in a hospital. Despite her connections, Elham is unable to help Pari in her hour of need. Despondent, Pari wanders the streets and chances upon Nayereh, a woman about to abandon her young daughter. Pari tries to stop her, but it is too late. Soon after, Nayareh, falsely accused of prostitution, is taken into custody by the police. As Panahi's narrative shifts dynamically from woman to woman, their stories culminate with tremendous potency, transforming a shared sense of despair and injustice into one kinship, and even hope. Written by Anonymous |
Plot Keywords | |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | $10,000 (estimated) |
Did You Know?
Trivia | Panahi adopted a different camera style to depict each of the four main protagonists' lives. For the first, an idealistic woman he used a handheld camera. For the second woman, the camera is mounted on a constantly moving dolly. The third woman's story is told at night in darker outside, and the camera is static with pans and tight close ups. For the last, least optimistic woman both the camera and the woman are completely immobile and very little sound is used. See more » |
Movie Connections | Featured in Cinema Iran (2005). See more » |