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Star Trek: Nemesis (2002)

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The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.

Director:

Stuart Baird

Writers:

Gene Roddenberry (television series Star Trek), John Logan (story) | 3 more credits »
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3,194 ( 366)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Patrick Stewart ... Jean-Luc Picard
Jonathan Frakes ... William Riker
Brent Spiner ... Data / B-4
LeVar Burton ... Geordi La Forge
Michael Dorn ... Worf
Marina Sirtis ... Deanna Troi
Gates McFadden ... Beverly Crusher
Tom Hardy ... Shinzon
Ron Perlman ... Viceroy
Shannon Cochran ... Senator Tal'aura
Dina Meyer ... Commander Donatra
Jude Ciccolella ... Commander Suran
Alan Dale ... Praetor Hiren
John Berg John Berg ... Senator
Michael Owen Michael Owen ... Helm Officer Branson
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Storyline

After a joyous wedding between William Riker and Deanna Troi, Captain Picard and the Enterprise crew stumble upon a positronic signature which results in a prototype version of the android Data. Then the Enterprise is invited to Romulus to negotiate a peace treaty with the Romulans by their new leader, Praetor Shinzon. However, Shinzon is revealed to be a clone of Picard who was raised on Remus, a slave planet to the Romulans. Later on, Picard discovers that this peace treaty was nothing more than a set-up on account of the fact that Shinzon needs Picard in order to survive. But little do the Enterprise crew know that Shinzon also plans to do away with the Federation by unleashing a weapon that could destroy a whole planet. Written by Blazer346

Plot Summary | Plot Synopsis

Taglines:

On December 13th, the battle for Earth begins. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi action violence and peril and a scene of sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Netherlands]

Country:

USA

Language:

English

Release Date:

13 December 2002 (USA) See more »

Also Known As:

Star Trek X See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$18,513,305, 15 December 2002, Wide Release

Gross USA:

$43,254,409

Cumulative Worldwide Gross:

$67,312,826
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Stuart Baird and Jude Ciccolella (Commander Suran) were both born on November 30, 1947. See more »

Goofs

In his wedding reception speech Data refers to "Ladies and gentlemen, and invited transgender species." Though a welcome attempt at inclusiveness by writers, this makes no sense as no entire species would identify as transgender, a term referring to a person who identifies differently than the gender they were assigned at birth. A better choice would have been "gender neutral species". See more »

Quotes

[first lines]
Commander: Senators, consider the opportunities for the Empire. At last, the destinies of the planets Romulus and Remus will be united. Shinzon of Remus is offering us a chance to make ourselves stronger than ever before. It would be madness to reject it. I beg you not to let prejudice or politics interfere with this Alliance. By joining Shinzon's forces with ours, not even the Federation will be able to stand in our way.
Praetor Hiren: That's enough! The decision has been made. The military does not ...
See more »

Crazy Credits

Both the letter 'R' in 'Trek' and the second 'E' in 'Nemesis' are presented backward within the words in order to introduce the idea of a mirror image. See more »

Alternate Versions

50 minutes of fully produced but unreleased footage allegedly exists, including:
  • Extended Wedding Sequence - Originally Riker and Troi's wedding was much longer and featured Wesley Crusher played by series star Wil Wheaton in attendance. (He is still sitting next to Dr. Crusher in the theatrical version) Also during the wedding Picard opens up to Commander Data and reveals his dismay over being a private loner all his life.
  • The Seduction of Counselor Troi - In the original 3 hour cut Shinzon's obsession with Troi runs much deeper and there are several scenes that show him seducing and tormenting her in her mind. A scene featured in the theatrical trailers show Troi struggling with the mind meld inflicted by Shinzon and his Viceroy. You still see the effects of the tortureous mind meld in the theatrical version as Troi appears fatigued and psychologically drained.
  • A scene of Data teaching his brother B-4 how to eat with a fork.
  • Ambassador Worf and Dr. Crusher were also featured more prominently in the 3 hour cut and it was revealed that Worf was on his way back to Kronos after leaving Deep Space Nine and he was featured in more action sequences that were cut from the theatrical release. Dr. Crusher is revealed to be considering leaving the Enterprise after receiving an offer from Starfleet Medical.
  • Footage of Geordi and Data planning and executing the mission to rescue Picard on board the Scimitar was also cut and featured the swapping places of Data and B-4.
  • Extended ending - Riker and Troi board the USS Titan as he takes command as Captain and she resumes her job as ships' counselor. The instatement of a new First Officer on the Enterprise is shown. Picard bids farewell to Dr. Crusher as she accepts the offer from Starfleet Medical and leaves for San Francisco.
See more »

Connections

Follows Star Trek IV: The Voyage Home (1986) See more »

Soundtracks

The Box
(uncredited)
Composed, Conducted and Produced by Jerry Goldsmith
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Frequently Asked Questions

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User Reviews

Well, at least the music isn't bad
30 August 2003 | by webmaster-88See all my reviews

It has always been easy to level criticism at Star Trek films, for either being too slow, to action-packed, too Trekkie, not Trekkie enough, or whatever. The fact of the matter is, is that none of them are classics, except for the people who know and love the characters in them: namely, Trekkies.

It has been said that Stuart Baird was brought on board to try and open up Trek to a wider audience, but that simply insults the viewers Trek already has. Voyager tried, and failed, and Enterprise is rapidly going the same route.

The better Trek films are those that revolve around the character-dynamics, and seeing those people work as a team. In those films, such as Wrath of Khan, The Undiscovered Country, or First Contact, the comradeship of the protagonists is evident.

Not so in Nemesis, which is ironic, especially considering the entire film is purportedly about such relationships. None of the characters have been drastically altered, as many might suggest, but there is very little interaction between them, there's no moment where the viewer would think "only Picard/Data/whoever" would get them out of this situation. It's all a bit [for lack of a better word] bleh. There's no adventure, something that has been missing from Trek since First Contact.

Shinzon is a powerful character, a wonderful character, but sorely underused. It's almost as if he's never really serious about what he's doing, and as such, never seems to pose much of a threat. This is emphasized through the cliched dramatic countdown timer sequence (used excessively in Trek, but here lacks substance, especially since it is entirely and utterly pointless).

Nemesis starts off well, full of hope and joy, and the prospect of Troi and Riker's wedding, and the viewer too, is led into a false sense of hope at the prospect of the film. But Stuart Baird lets us down harshly. He was the wrong director for the job: the script (if you listen to the dialogue, watch the cut scenes, etc) is not an action script, but a character-driven one, with a few action elements.

Baird has turned that on its head, and produced an action film, with very little character involvement.

As a plus point, it must be noted that Goldsmith has outdone himself - the music (although in parts evidently synthesized rather than orchestrated) is a delight. Buy the CD, and forget the film.


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