The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
With the help of long presumed dead Captain Kirk, Captain Picard must stop a renegade scientist willing to murder on a planetary scale in order to enter a space matrix.
Director:
David Carson
Stars:
Patrick Stewart,
William Shatner,
Malcolm McDowell
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
Director:
Jonathan Frakes
Stars:
Patrick Stewart,
Jonathan Frakes,
Brent Spiner
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis Planet to recover Spock's body.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it.
Director:
Robert Wise
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.
Director:
William Shatner
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
In the vicinity of the liberated planet of Bajor, the Federation space station Deep Space Nine guards the opening of a stable wormhole to the far side of the galaxy.
Set decades after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in a new Enterprise on their own mission to go where no one has gone before.
Stars:
Patrick Stewart,
Brent Spiner,
Jonathan Frakes
Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.
Stars:
Kate Mulgrew,
Robert Beltran,
Roxann Dawson
After a joyous wedding between William Riker and Deanna Troi, Captain Picard and the Enterprise crew stumble upon a positronic signature which results in a prototype version of the android Data. Then the Enterprise is invited to Romulus to negotiate a peace treaty with the Romulans by their new leader, Praetor Shinzon. However, Shinzon is revealed to be a clone of Picard who was raised on Remus, a slave planet to the Romulans. Later on, Picard discovers that this peace treaty was nothing more than a set-up on account of the fact that Shinzon needs Picard in order to survive. But little do the Enterprise crew know that Shinzon also plans to do away with the Federation by unleashing a weapon that could destroy a whole planet.Written by
Blazer346
In at least one earlier version of the script, Data's brother, eventually called B-4, was named B-9 (benign), which was also the name of the Robot in Lost in Space (1965). See more »
Goofs
During the Briefing en route to Romulus, Data advises the Senior Staff about the planet Remus, and he describes Remus as being in a tidally-locked orbit around its sun (meaning one side of the planet always faces its sun) and because of the extreme temperatures on the day side, the Remans live on the dark side of the planet. In a planet that is tidally-locked to its sun like Remus, the dark side would technically also have extreme temperatures as well, on the cold side. The most ideal habitable zones on a planet like Remus would not be the dark side of the planet, but actually the terminator sides (where it transitions from day to night) as temperatures on those sides of the planet would be temperate and most optimal for most forms of life. Unless, of course, the Remans had the technology to provide adequate heat, which they appear to have. See more »
Quotes
[first lines]
Commander:
Senators, consider the opportunities for the Empire. At last, the destinies of the planets Romulus and Remus will be united. Shinzon of Remus is offering us a chance to make ourselves stronger than ever before. It would be madness to reject it. I beg you not to let prejudice or politics interfere with this Alliance. By joining Shinzon's forces with ours, not even the Federation will be able to stand in our way.
Praetor Hiren:
That's enough! The decision has been made. The military does not ...
See more »
Crazy Credits
Both the letter 'R' in 'Trek' and the second 'E' in 'Nemesis' are presented backward within the words in order to introduce the idea of a mirror image. See more »
It has always been easy to level criticism at Star Trek films, for either being too slow, to action-packed, too Trekkie, not Trekkie enough, or whatever. The fact of the matter is, is that none of them are classics, except for the people who know and love the characters in them: namely, Trekkies.
It has been said that Stuart Baird was brought on board to try and open up Trek to a wider audience, but that simply insults the viewers Trek already has. Voyager tried, and failed, and Enterprise is rapidly going the same route.
The better Trek films are those that revolve around the character-dynamics, and seeing those people work as a team. In those films, such as Wrath of Khan, The Undiscovered Country, or First Contact, the comradeship of the protagonists is evident.
Not so in Nemesis, which is ironic, especially considering the entire film is purportedly about such relationships. None of the characters have been drastically altered, as many might suggest, but there is very little interaction between them, there's no moment where the viewer would think "only Picard/Data/whoever" would get them out of this situation. It's all a bit [for lack of a better word] bleh. There's no adventure, something that has been missing from Trek since First Contact.
Shinzon is a powerful character, a wonderful character, but sorely underused. It's almost as if he's never really serious about what he's doing, and as such, never seems to pose much of a threat. This is emphasized through the cliched dramatic countdown timer sequence (used excessively in Trek, but here lacks substance, especially since it is entirely and utterly pointless).
Nemesis starts off well, full of hope and joy, and the prospect of Troi and Riker's wedding, and the viewer too, is led into a false sense of hope at the prospect of the film. But Stuart Baird lets us down harshly. He was the wrong director for the job: the script (if you listen to the dialogue, watch the cut scenes, etc) is not an action script, but a character-driven one, with a few action elements.
Baird has turned that on its head, and produced an action film, with very little character involvement.
As a plus point, it must be noted that Goldsmith has outdone himself - the music (although in parts evidently synthesized rather than orchestrated) is a delight. Buy the CD, and forget the film.
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It has always been easy to level criticism at Star Trek films, for either being too slow, to action-packed, too Trekkie, not Trekkie enough, or whatever. The fact of the matter is, is that none of them are classics, except for the people who know and love the characters in them: namely, Trekkies.
It has been said that Stuart Baird was brought on board to try and open up Trek to a wider audience, but that simply insults the viewers Trek already has. Voyager tried, and failed, and Enterprise is rapidly going the same route.
The better Trek films are those that revolve around the character-dynamics, and seeing those people work as a team. In those films, such as Wrath of Khan, The Undiscovered Country, or First Contact, the comradeship of the protagonists is evident.
Not so in Nemesis, which is ironic, especially considering the entire film is purportedly about such relationships. None of the characters have been drastically altered, as many might suggest, but there is very little interaction between them, there's no moment where the viewer would think "only Picard/Data/whoever" would get them out of this situation. It's all a bit [for lack of a better word] bleh. There's no adventure, something that has been missing from Trek since First Contact.
Shinzon is a powerful character, a wonderful character, but sorely underused. It's almost as if he's never really serious about what he's doing, and as such, never seems to pose much of a threat. This is emphasized through the cliched dramatic countdown timer sequence (used excessively in Trek, but here lacks substance, especially since it is entirely and utterly pointless).
Nemesis starts off well, full of hope and joy, and the prospect of Troi and Riker's wedding, and the viewer too, is led into a false sense of hope at the prospect of the film. But Stuart Baird lets us down harshly. He was the wrong director for the job: the script (if you listen to the dialogue, watch the cut scenes, etc) is not an action script, but a character-driven one, with a few action elements.
Baird has turned that on its head, and produced an action film, with very little character involvement.
As a plus point, it must be noted that Goldsmith has outdone himself - the music (although in parts evidently synthesized rather than orchestrated) is a delight. Buy the CD, and forget the film.