VALUTAZIONE IMDb
5,5/10
2438
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen a despicable family member thankfully expires, his relatives gather to comfort one another--and to settle old scores.When a despicable family member thankfully expires, his relatives gather to comfort one another--and to settle old scores.When a despicable family member thankfully expires, his relatives gather to comfort one another--and to settle old scores.
- Premi
- 1 vittoria e 6 candidature
Cedric The Entertainer
- Rev. Beverly H. Hooker
- (as Cedric the Entertainer)
Masasa Moyo
- Delightful Slocumb
- (as Masasa)
Ellen Cleghorne
- Lady #1
- (as Ellen L. Cleghorne)
Trama
Lo sapevi?
- QuizJada Pinkett Smith was pregnant with Willow Smith during the filming. You can see her stomach in some scenes.
- BlooperWhen Margurite and her son are fighting over the radio in his old Volkwagen Beetle, he turns the keys and removes them from the ignition, silencing the radio. Radios in old Beetles will work without the ignition on.
- Citazioni
Charisse Slocumb: Bernice Talbot? My-my husband done did it wit' that child in that "Shop-Well" parking lot? LORD TAKE ME NOW!
- Curiosità sui creditiDuring the first part of the end credits, photos of what the characters did after the end are shown.
- Colonne sonoreKingdom Come
Written by Kirk Franklin
Performed by Kirk Franklin and Jill Scott
Produced by Kirk Franklin for Fo Yo Soul Productions/B-Rite Music
Kirk Franklin appears courtesy of Gospo Centric Records
Jill Scott appears courtesy of Hidden Beach Recordings
Recensione in evidenza
There is only ONE thing wrong with this film
There is only one thing wrong with "Kingdom Come": not enough people are going to see it, simply in the mistaken belief that this is a "black" film, which it is not. The film is universal, both in theme and message. It likewise deserves to be universal in its appeal.
The plotline is simple: a "mean and surly" man (widow Whoopi Goldberg's description of him) dies suddenly, leaving the disparate members of his family to struggle with their feelings for him -- and for each other -- as they prepare for his funeral. How they each manage to reconcile their feelings for him -- and, in some cases, reconcile with each other -- is at the heart of the film. And "Kingdom Come" has PLENTY of heart, make no mistake. That heart rings through loud and clear, amazingly enough, in a film that can be outrageously hilarious while simultaneously remaining touching and true.
Yes, all the characters are Afro-American. And yes, the settings, the surrounding culture and the conventions are all Afro-American (by the way, the writers indulge in some sly -- but on the whole, affectionate -- digs at that culture and conventions). More importantly, however, the underlying emotions and motivations have nothing to do with ethnicity. These are people, nothing more and nothing less, coping or at least learning to cope with a traumatic time in their lives. How do they achieve this? How does anyone? Certainly not by being black or white or this or that, but by . . . growing.
And grow these characters do, each of them, propelled by a cast that is universally both standout and stand-up, in a film that is fully as wise as it is wild. The gospel number at the end is, perhaps, a bit over the top in its implausibility, and maybe in real life not all of the characters will manage to accomplish all the goals that the film implies, but what of it? Perhaps, in the end, what redeems us as a species are our aspirations, rather than our achievements. That, too, is universal.
Just like this film.
The plotline is simple: a "mean and surly" man (widow Whoopi Goldberg's description of him) dies suddenly, leaving the disparate members of his family to struggle with their feelings for him -- and for each other -- as they prepare for his funeral. How they each manage to reconcile their feelings for him -- and, in some cases, reconcile with each other -- is at the heart of the film. And "Kingdom Come" has PLENTY of heart, make no mistake. That heart rings through loud and clear, amazingly enough, in a film that can be outrageously hilarious while simultaneously remaining touching and true.
Yes, all the characters are Afro-American. And yes, the settings, the surrounding culture and the conventions are all Afro-American (by the way, the writers indulge in some sly -- but on the whole, affectionate -- digs at that culture and conventions). More importantly, however, the underlying emotions and motivations have nothing to do with ethnicity. These are people, nothing more and nothing less, coping or at least learning to cope with a traumatic time in their lives. How do they achieve this? How does anyone? Certainly not by being black or white or this or that, but by . . . growing.
And grow these characters do, each of them, propelled by a cast that is universally both standout and stand-up, in a film that is fully as wise as it is wild. The gospel number at the end is, perhaps, a bit over the top in its implausibility, and maybe in real life not all of the characters will manage to accomplish all the goals that the film implies, but what of it? Perhaps, in the end, what redeems us as a species are our aspirations, rather than our achievements. That, too, is universal.
Just like this film.
D’aiuto•221
- bigpurplebear
- 18 mag 2001
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- How long is Kingdom Come?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Kingdom Come
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 23.249.649 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.562.284 USD
- 15 apr 2001
- Lordo in tutto il mondo
- 23.396.049 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Venga il tuo regno (2001) officially released in Canada in English?
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