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Title: Amores Perros (2000)
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| Cast overview, first billed only: | |||
| Emilio Echevarría | ... | El Chivo | |
| Gael García Bernal | ... | Octavio (as Gael García) | |
| Goya Toledo | ... | Valeria | |
| Álvaro Guerrero | ... | Daniel (as Alvaro Guerrero) | |
| Vanessa Bauche | ... | Susana | |
| Jorge Salinas | ... | Luis | |
| Marco Pérez | ... | Ramiro | |
| Rodrigo Murray | ... | Gustavo | |
| Humberto Busto | ... | Jorge | |
 |
Gerardo Campbell | ... | Mauricio |
| Rosa María Bianchi | ... | Tía Luisa (Aunt Luisa) | |
|
|
Dunia Saldívar | ... | Mama Susana (Susana's Mother) |
| Adriana Barraza | ... | Mama Octavio (Octavio's Mother) | |
| José Sefami | ... | Leonardo | |
|
|
Lourdes Echevarría | ... | Maru |
On the brink of the new Millennium in the bustling City of Mexico, one horrible car accident intertwines inextricably the lives of three perfect strangers. Octavio, a rebellious adolescent who is secretly in love with his sister-in-law, dreams of escaping his miserable life, and for this reason, he enters reluctantly the obscure world of dog fighting with his lethal dog Cofi. And then unexpectedly, Valeria, a stunning woman and famous supermodel, will cross paths with Octavio, while in the meantime, her pampered little dog Richie manages to vanish into thin air in the confined space of her apartment. Lastly, Chivo, an ex-guerrilla vagabond, after abandoning his little daughter, unable to make up for lost time, he channels his love to the city's strays and a mortally wounded Rottweiler. In the end, even though all the weary characters, men and beasts, wish for a bright future, in this life-changing journey in the pursuit of love, sometimes infidelity, sin and death can get in the way. Written by Nick Riganas
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A masterpiece. Plain and simple. This picture transcends any language and culture, making us all be able to relate to each of its characters. I don't buy the comparison to Pulp Fiction or any other work. The disregard of chronological scene order and intertwining storylines have been occuring in films for years. Its done for effect here, is all.
Alejandro Inarritu simply lets his actors take over and finishes off a puzzle that is almost complete as a result of the writing and acting. Not to denigrate his work, of course. After all, the ability to trust your actors and let them work is key to being a great director. BTY, more films need to be made in Mexico City, the largest in the world.