Kresten has moved from his parents farm on a small Danish island to Copenhagen in order to pursue his working career. When his father dies he has to move back to the farm, where nothing ... See full summary »
Anders W. Berthelsen,
The good-hearted Harbour has spent his whole life trying to take care of his motherless and suicidal little brother, Wilbur. The brothers are inseparable. When in their thirties, they lose ... See full summary »
Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is ... See full summary »
A man comes to Korsbæk, Denmark, in 1929, opens a women's clothing store in competition with an established one - bringing him up against the conservative establishment including the bank manager. We follow the families until after WWII.
A young minister, a widower, is temporarily assigned to a church whose suspended pastor drove parishioners away; he stays at a hotel where he meets Jørgen, who's alone approaching middle age. Jørgen's friend Finn, a temperamental restaurant manager, may be about to be fired. Finn's assistant is Giulia, a lovely young Italian who prays for a husband. Olympia, a clumsy bakery clerk, has an ornery father; Karen, a hairdresser, has a mother who is very ill. The paths of these six characters cross at church, in the restaurant, at the hotel, and at an Italian class at the local adult school. Loneliness, grief, solace, romance, and love may meet 'nel mezzo del cammin di nostra vita.'Written by
There are two different versions of the film with different editing and sequencing. The original version shown at the Berlin film Festival and in several european countries ran 118 minutes; theatrical version shown in the US ran 112 minutes. See more »
I have to admit, after the first few minutes I was wondering if I'd even manage to finish the whole thing. Also, as this was the first Dogme film I'd seen, I was also really questioning the whole concept. The opening scenes seemed amateurish in both filming and acting, with jerky editing and camera movements, and seemingly one-dimensional characters. But it really grew on me as I kept watching. The more the characters revealed themselves, the more sympathetic and complex they became. It actually became quite engrossing as the film progressed. There were just so many moments of geniune warmth and humor. In fact, what really struck me about this film after it was all over was its geniuneness. I haven't seen anything so heartwarming in a long time. 8/10.
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