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Storyline
Paris, 1786: a woman in court. The Crown murdered her father for his views about the poor, now Jeanne wants her home and good name back. She believes all can be set right if she can talk to the Queen, whose House Minister rebuffs her. With the help of a courtside gigolo, she learns to use what others desire to get what she wants. She needs a patron: with forged letters, she convinces Cardinal de Rohan she is the Queen's confidante and can help him regain royal favor. Jeanne conspires to have the Cardinal purchase a fabulous diamond necklace for the Queen. He delivers it to Jeanne for Marie Antoinette. If the scheme breaks down, what then? Might this affair spark revolution?
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Taglines:
To avenge the murder of her family, one woman's passion for justice will bring down an empire.....
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Details
Release Date:
7 December 2001 (USA)
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Box Office
Budget:
$30,000,000
(estimated)
Opening Weekend USA:
$125,523,
2 December 2001, Limited Release
Gross USA:
$430,313, 13 January 2002
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Technical Specs
Color:
Color
(Technicolor)
Aspect Ratio:
2.35 : 1
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Did You Know?
Trivia
The mansion shown belonging to the Cardinal Louis de Rohan is actually the Chateau de Vaux-Le-Vicomte, built between 1658 and 1661 for Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances to Louis XIV. To ensure there was enough room for the Chateau and the planned gardens, three villages were bought and demolished. Fouquet was unfortunetly not able to enjoy the property for very long. In August of 1661, a few days after a ball, to which Lous XIV was invited, to celebrate the completion of the Chateau, the King had Fouquet arrested, charged with misappropriation of public funds, to pay for the lavish estate's construction. Fouquet was imprisoned for life, and his wife exiled. The King bought or confiscated many of the furnishings and works of art on the property, and hired the team responsible for its construction to design and build the Palace of Versailles. The property was returned to Madame Fouquet in the mid 1670s. The Chateau was never the property of the Cardinal, nor did he ever live there. In 1705, shortly after the death of her husband and son, Madame Fouquet sold the Chateau to the Marshall Villars, one of Louis XIV's most trusted Generals. He bought it sight unseen. His son would sell the property to the Duke de Praslin in 1764, and his descendants kept the property for over one hundred years. It was eventually bought, in a sad state of disrepairs, and with the gardens overgrown, and uncared for, by the Sommier family, who restored the gardens and the Chateau. The Sommier still own Vaux-le-Vicomte, and the Chateau is now open to the public. The Chateau has cropped up frequently in movies and television shows, most memorably as the home "rebuilt stone by stone in California" by the villain Drax in the James Bond film Moonraker (1979).
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Quotes
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first lines]
Narrator:
Napoleon wrote that military blunders and domestic catastrophes fanned the flames of the French Revolution. But the cu-de-gras was a curious palace scandal involving woman of nobility denied, a member of the royal family, and the most magnificent string of jewels in all of Europe. This notorious intrigue came to be known as, L'affaire du Collier.
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Connections
Version of
Marie Antoinette (2006)
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Soundtracks
Turkish Lute
Written by
Francis Fumiere
Courtesy of Promusic, Inc.
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Reading over the comments for this film, I'm surprised how many people disliked it. They harp because there are no accents, different accents, or partial accents. They complain about wooden acting. I'm wondering of somehow the world is cross-wired, since the film I saw had very fine acting, gorgeous costuming, and excellent period dialogue. I was pleased scriptwriters didn't dive into the vulgar, although some scenes (most particularly the actual bodice-ripping) did push the mark.
As a period film fan, I found this story not only exquisite but also fascinating. The plot is intelligent enough you don't have to check your brain at the door, unlike many other dramas. True, it's not completely historically accurate and they've made Jeanne la Motte much more likable and moral than she was, but that's the point of a MOVIE. It's NOT supposed to be reality, just a loose translation of a historical event. I found it worthwhile and watched it three times in a week... a rarity among films.
If you're not too snobby to put on your thinking cap, give it a go.