PUNTUACIÓN EN IMDb
7,8/10
6,2 mil
TU PUNTUACIÓN
El grupo terrorista palestino Septiembre Negro mantiene como rehenes a los atletas israelíes en los Juegos Olímpicos de Verano de 1972 en Munich.El grupo terrorista palestino Septiembre Negro mantiene como rehenes a los atletas israelíes en los Juegos Olímpicos de Verano de 1972 en Munich.El grupo terrorista palestino Septiembre Negro mantiene como rehenes a los atletas israelíes en los Juegos Olímpicos de Verano de 1972 en Munich.
- Ganó 1 premio Óscar
- 5 premios y 7 nominaciones en total
Dan Shilon
- Self
- (as Dan Shillon)
Esther Roth-Shahamorov
- Self
- (as Esther Roth)
Hans-Jochen Vogel
- Self
- (as Hans Jochen Vogel)
Argumento
¿Sabías que...?
- CuriosidadesDirector Kevin MacDonald finally managed to persuade the surviving terrorist Jamal Al Gashey to talk on camera after eight months of fitful negotiation and numerous aborted meetings in secret locations. Al Gashey specified certain conditions prior to their actual meeting in an Arab country insisting MacDonald was to travel alone, not to inform anybody where he was going and provide a wig and moustache for Al Gashey to disguise himself when in front of the camera. The interview piece used in the documentary was filmed by somebody Al Gashey trusted.
- Citas
Jim McKay: When I was a kid my father used to say our greatest hopes and our worst fears are seldom realized. Our worst fears have been realized tonight. They have now said there were eleven hostages; two were killed in their rooms yesterday morning, nine were killed at the airport tonight. They're all gone.
- Versiones alternativasIsraeli version narrated by Rafi Ginat, and includes updated information regarding the claims of the families against the German authorities in the subtitles at the end of the film.
- ConexionesFeatured in The 50 Greatest Documentaries (2005)
- Banda sonoraImmigrant Song
Performed by Led Zeppelin
Written by Jimmy Page and Robert Plant
Copyright Flames of Albion Music Inc.
Used by kind permission of Warner/Chappell Music Ltd.
Courtesy of Atlantic Records
by arrangement with Warner Special Products/Warner Music UK Ltd.
Reseña destacada
A Solid Documentary, and response to some criticism
It would appear that many people believe that the documentary format should be held to some sort of objective, news-gathering standard. Whenever two clips are spliced together, regardless of the content there is some editorializing. A documentary is an editorial. If you want nothing more than unopinionated truth, than the only avenue open to you is uninterrupted security camera footage. You can, and sometimes should, disagree with the opinions offered by the documentary filmmaker as a critical viewer, but one faulting the filmmaker for offering an opinion is like criticizing water for being wet. The line that must be discerned is whether the filmmaker is overly deceptive or insidious in trying to convince you of his or her opinion. This is a line that can be very difficult to draw.
Mr. Ruvi Simmons of London does not seem to realize these basic tenets of documentary film-making: "One Day in September, however, concentrates more on the human interest of the event itself, neglecting background information in order to convey a one-sided and grossly biased perspective on a tragic occurrence." I am a filmmaker, and I know that as such one must choose a theme and a perspective for a feature length documentary. The main problem that this person has with the film is that he is "that it neither explores the underlying issues behind the Israeli-Palestinian tensions." This is a 2 hour film, not a 40 hour mini-series. There is no way that the filmmaker could have adequately explored the history of the Israeli-Palestinian conflict and still told the story that he or she intended: the story of the hostage crisis at the Games of '72. Mr. Simmons also took offense at the filmmaker for vilifying the terrorists who perpetrated this plot. I do not need to offer a critical retort as any logical person can understand why this statement is foolishness. It sounds as though Mr. Simmons feels as though the terrorists were justified in hurting innocent athletes a continent removed from their conflict. Obviously, this person would dislike this documentary (although he does not mention that the documentarian interviewed one of the terrorists to present his side of their story).
If you want to have a solid introduction to the acts of terrorism at the Games of '72, then this is a good work to watch. It is true that the thriller-style is a bit gimmicky, but it does add somewhat to the suspense if you do not know the outcome. If you are intending to see the film, "Munich," then this is probably a good primer (I have not yet seen it as it has not been released). Just remember, this film is just as much an editorial as Spielburg's film will be.
~C
Mr. Ruvi Simmons of London does not seem to realize these basic tenets of documentary film-making: "One Day in September, however, concentrates more on the human interest of the event itself, neglecting background information in order to convey a one-sided and grossly biased perspective on a tragic occurrence." I am a filmmaker, and I know that as such one must choose a theme and a perspective for a feature length documentary. The main problem that this person has with the film is that he is "that it neither explores the underlying issues behind the Israeli-Palestinian tensions." This is a 2 hour film, not a 40 hour mini-series. There is no way that the filmmaker could have adequately explored the history of the Israeli-Palestinian conflict and still told the story that he or she intended: the story of the hostage crisis at the Games of '72. Mr. Simmons also took offense at the filmmaker for vilifying the terrorists who perpetrated this plot. I do not need to offer a critical retort as any logical person can understand why this statement is foolishness. It sounds as though Mr. Simmons feels as though the terrorists were justified in hurting innocent athletes a continent removed from their conflict. Obviously, this person would dislike this documentary (although he does not mention that the documentarian interviewed one of the terrorists to present his side of their story).
If you want to have a solid introduction to the acts of terrorism at the Games of '72, then this is a good work to watch. It is true that the thriller-style is a bit gimmicky, but it does add somewhat to the suspense if you do not know the outcome. If you are intending to see the film, "Munich," then this is probably a good primer (I have not yet seen it as it has not been released). Just remember, this film is just as much an editorial as Spielburg's film will be.
~C
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- quest-21
- 22 dic 2005
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- How long is One Day in September?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- One Day in September
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 156.818 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.149 US$
- 19 nov 2000
- Recaudación en todo el mundo
- 156.818 US$
- Duración1 hora 34 minutos
- Color
- Mezcla de sonido
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Principal laguna de datos
What is the German language plot outline for Un día de septiembre (1999)?
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