The ironic, heartbreaking and acid "saga" of a spoiled tomato: from the plantation of a "Nisei" (Brazilian with Japanese origins); to a supermarket; to a consumer's kitchen to become sauce ... See full summary »
Eldorado, a fictitious country in Latin America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins ... See full summary »
Documentary about Estamira, a 63-year-old woman who's been working for over 20 years at a landfill in Rio de Janeiro. Schizophrenic, but very charismatic, she's the leader of a small ... See full summary »
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Brazillian urban guerrilla fighters kidnap the American Ambassador. Now, the diplomat's life hangs in the balance - helplessly caught between a government unwilling to cooperate - and his fear of the captors themselves.
Short stories revolving around a bar and a hotel in Recife, unveil a mosaic of exotic characters living in the Brazilian underground: a butcher married with an evangelical woman, a ... See full summary »
It's been only eight days since I finally had the chance to go to the cinema and watch this movie, about which I'd already read A LOT.
'Cronicamente Inviável' ('Chronically Unfeasible' in English) is a harsh punch on the face of Brazilian middle-class. The way reality is displayed in the film suggests that the role of cynicism in our society is more important that one would think.
The great achievement of 'Chronically...' is showing to the world the amount of corruption, violence, racism and hatred every Brazilian citizen carries within WITHOUT trying to formulate a 'feasible' way to reconstruct the country.
The film is not suitable for everyone, but if you've been through pictures like, for instance, the 'Dogma 95' series, you'll find no problem. Foreign audiences would never be able to grasp the real meaning of it, though, without the aid of some basic notions of Brazilian geography and sociology. The way Sérgio Bianchi (the director) relates cities from the Northeast (Salvador), Southeast (Rio and São Paulo, where the story takes place) and South (Curitiba), is vital for a thorough comprehension of the plot. In the same way, the knowledge of Brazilian history proves to be useful when the picture deals with the Indian and Negro issues.
The ending of the film, open and symbolic, stuffs the viewer's brain with intriguing questions worth being thought about.
13 of 17 people found this review helpful.
Was this review helpful to you?
| Report this