Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
A young soprano becomes the obsession of a disfigured musical genius who lives beneath the Paris Opéra House. He kidnaps the soprano and forces the owners of the play to keep her as the lead role of the play.
The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine...Written by
During the Elephant Love Medley when Christian and Satine sing "We could be Heroes", Christian can be seen moving unevenly from the doorway to a handbreadth away from Satine's face, and in the following shot approaches her slowly from a different angle. See more »
The second time I saw it I was touched for the very first time
When I first saw Moulin Rouge! last spring, I agreed with the nay-sayers. I thought the camera work was a bit too jarring, the story was too melo-dramatic, the choice of songs was inappropriate, etc. However, I rented the movie last night, and all of my misconceptions were extinguished. This is a spectacular, spectacular film! We are bombarded with uber-realism in today's cinema. Moulin Rouge! offers an entertaining vacation from the normal filmic experience. Moulin Rouge!concerns itself more with its artistic vision rather than the tired popularity contest of most studio films. Luhrman's original style and the sheer talent of the cast (McGregor, Kidman, Broadbent, and more) prove that the musical genre is not dead and, more so, that it can be extremely enjoyable to watch. So if you didn't like Moulin Rouge! the first time, I urge you to see it again with an open mind.
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