While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality ... See full summary »
The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
Davies' film is divided into three segments entitled "Children", "Madonna and Child", and "Death and Transfiguartion". The segments tell the life of Robert Tucker. The first segment looks ... See full summary »
A Sicilian peasant begins the journey to the promised land and meets a beautiful Englishwoman. But neither is prepared for the harsh realities of Ellis Island. Can they make it through the golden door to the America of their dreams?
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lily always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden.
Thanks to the staff of Kelvingrove Museum, the Lord Provost and staff at Glasgow City Chambers, residents of Kersland Street, all the staff at the Arthouse Hotel, Glasgow, and the Earls of Wemyss and March and Lady Wemyss. See more »
This is such an evocative and moving film. A must see.
In all honestly Davies direction does take some getting used to. No quick editing for him! Yes the pace was slow, it concentrated on the actors faces longer than usual. However I felt this was necessary in order to show the tension of the people and the lethal nature of the words spoken
The cast were wonderful. Stoltz was ideal as Seldon. He was cool and suave and attractive. I also enjoyed Laura Linney as Bertha -she really sold me on being a very nasty woman. The main star, Gillian Anderson, performed with grace, poise and charisma. This woman can convey emotions - just look into her eyes. She does not need to speak to tell you how Lily is feeling. She was mesmerizing. For example, when Lily was flirting with Seldon you somehow could feel her discontent.
Her descent into hell was heartbreaking. One scene, when Lily is at her lowest, will stay with me for a long time. The hopelessness was obvious, as if she was slowly dying. She was beyond caring for anything - and it showed in her eyes - dulled and weary.
Gillian Anderson brought Lily through a myriad of emotions. We loved her, pitied her, wanted to slap her! She was cynical and manipulative, a total flirt and then she fell. The gamut of emotions Anderson went through was incredible and to take the audience with her was a miracle.
This movie leaves an impact. It will not be a blockbuster (too intelligent and too wordy for that.) God forbid should we make an audience pay attention and think in a movie. The movie, unlike most period dramas, really brought home how nasty life was. Vicious and unforgiving to those who did not play the game.
If you can, go and see it. I promise it will be worth it.
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