In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things ... Read allIn order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things may not be what they think.In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things may not be what they think.
- Won 1 Oscar
- 15 wins & 38 nominations total
Billy Crystal
- Mike
- (voice)
John Goodman
- Sullivan
- (voice)
Mary Gibbs
- Boo
- (voice)
Steve Buscemi
- Randall
- (voice)
James Coburn
- Waternoose
- (voice)
Jennifer Tilly
- Celia
- (voice)
Bob Peterson
- Roz
- (voice)
John Ratzenberger
- Yeti
- (voice)
Daniel Gerson
- Needleman
- (voice)
- …
Steve Susskind
- Floor Manager
- (voice)
Bonnie Hunt
- Flint
- (voice)
Jeff Pidgeon
- Bile
- (voice)
Samuel Lord Black
- George Sanderson
- (voice)
- (as Sam Black)
Jack Angel
- Additional Voices
- (voice)
Bob Bergen
- Schmidt
- (voice)
Rodger Bumpass
- News Anchor
- (voice)
Summary
Reviewers say 'Monsters, Inc.' impresses with its imaginative premise and strong voice acting by John Goodman and Billy Crystal. The animation is praised for its realistic depiction of monster fur and movement. The story, exploring themes of friendship, acceptance, and laughter, resonates deeply. Characters Sulley and Mike are charming and well-developed. The film's humor and emotional moments enhance its lasting appeal, though some find the plot slightly predictable. Overall, it's a beloved classic with memorable moments and a heartwarming message.
Featured reviews
The best way to describe this movie in one word is; fun! "Monsters, Inc." is a movie you can easily fall in love with. It has some great fun character, some awesome moments and some well placed comical moments. "Monsters, Inc." is entertainment at its bests.
The voice cast is amazing. John Goodman and Billy Crystal form a great leading duo. Steve Buscemi is a great villain and James Coburn has a great voice that fits his character perfectly. John Ratzenberger as always is very entertaining this time in a role as banished Yeti.
The story itself is pretty simple but thats what makes it easy to follow and so much fun to watch. The movie not only knows how to entertaining but also knows how and when to emote. The combination of fun and emotional things is perfectly balanced and placed within the movie.
There is some great dialog but the true power of "Monsters, Inc." are the wonderful characters. Not is there only a wild variety of strange and weird characters but also some characters that are good for some serious laughs and Boo is simply adorable and a pretty fair representation of a kid in real life. Well done Pixar!
Pure entertainment for the entire family!
10/10
http://bobafett1138.blogspot.com/
The voice cast is amazing. John Goodman and Billy Crystal form a great leading duo. Steve Buscemi is a great villain and James Coburn has a great voice that fits his character perfectly. John Ratzenberger as always is very entertaining this time in a role as banished Yeti.
The story itself is pretty simple but thats what makes it easy to follow and so much fun to watch. The movie not only knows how to entertaining but also knows how and when to emote. The combination of fun and emotional things is perfectly balanced and placed within the movie.
There is some great dialog but the true power of "Monsters, Inc." are the wonderful characters. Not is there only a wild variety of strange and weird characters but also some characters that are good for some serious laughs and Boo is simply adorable and a pretty fair representation of a kid in real life. Well done Pixar!
Pure entertainment for the entire family!
10/10
http://bobafett1138.blogspot.com/
I thought Billy Crystal and John Goodman were great. I like them anyway, but I can't imagine anyone else in their roles. John Goodman comes across as a warm, fuzzy teddy bear type in so many of his roles, and this time he was actually drawn that way. Crystal and Goodman were great together, even when their characters showed signs of not getting along. And Boo sounded so natural, so childlike. There's no way an adult could have done her lines the way they were executed.
And the writing was so intelligent, this movie was not just for kids. There were a lot of clever jokes that kids might not get. Still, the warm and fuzzy qualities of so many of the monsters make this a perfect choice for kids as well as adults, and I really don't get why ABC couldn't give this a TV-G rating. It may have been a little violent or scary at times, but never all that intense. Kids see worse on Saturday morning.
And the writing was so intelligent, this movie was not just for kids. There were a lot of clever jokes that kids might not get. Still, the warm and fuzzy qualities of so many of the monsters make this a perfect choice for kids as well as adults, and I really don't get why ABC couldn't give this a TV-G rating. It may have been a little violent or scary at times, but never all that intense. Kids see worse on Saturday morning.
Sully and Mike (voiced by John Goodman and Billy Crystal) are employees at Monsters Inc., a scream-fueled plant that provides power to Monsteropolis. Screams are generated by 'scarers' (and Sully is the best), who enter children's bedrooms via the closet and are harvested by their partners (in Sully's case, his best friend Mike). Extreme care must be taken, as children are highly toxic to monsters, so when one is accidently transported to the factory, pandemonium ensues. The film is the fourth of Pixar's full length animated features and like most of the studio's work, is excellent. The story is fun with a clever 'twist' to the ending, the animators manage to inject a tremendous amount of character and personality into the CGI characters, and the choice of voice talent is perfect (I especially liked Steve Buscemi as the chameleonic villain Randall). CGI technology has advanced considerably since the film was released but the imagery still holds up and the vast 'closet door' storage facility is great. Typical of the studio, there are a lot of amusing details in the background that are worth watching for. Good, timeless fun for all ages.
This is a resubmitted comment, the original was removed by a complaint from some anonymous aggrieved party. Let's hope the edits are sufficient this time.
You already know that this is the usual Pixar fare, which is to say that it is excellent, better than any non-Pixar animated film. Sure, you also know that and you probably know the usual reason given: that Pixar spends more time on basic storytelling values than anyone else.
Here are two elements of this that may deepen your appreciation. The first is that Pixar recognized early that 3D animation software allowed two types of advance in the third dimension. The first is obvious, that everything has depth and reflection and shadow more or less like reality.
The second is that once these objects and scenes are defined in the computer, it is no extra work to move the camera anywhere. it can loop and swoop in ways that we never could have before. Pixar decided to exploit this in their storytelling here and later in "Nemo."
Nemo was set in an environment where there was no horizon so the camera could flow and the watery feel of the place could make the unfamiliar fluidity of the camera seem more natural. Here, is where they tested some of those perspectives in the three dimensional door warehouse and the extra dimensions of going in and out. Those scenes make this for me.
The second interesting thing is some competitive background. In those days, there was a shooting war between Bill Gates, financier of Dreamworks Animation (and leader of Microsoft) and Steve Jobs of Pixar (and leader of Apple). This was in the heyday of Gates' dirty tricks and he was intent on burying Jobs forever. Pixar depended on the success of "A Bug's Life" their followon to "Toy Story," so Dreamworks rushed "Antz" -- a cheapy -- to open a week or so before to steal the market.
"Bugs" prevailed, sufficiently at least, and Pixar ramped up for their usual three year development of "Monsters." Dreamworks, getting wind of this, went all out with "Shrek," their "monster" movie that could be released six months earlier. It only took a year because the animation is less perfect. But they were overt in their attack this time: "Shrek" made literal fun of Disney, the Pixar partner. The head guy at Disney was the model for the blowhard King who reigned over a fairytale kingdom populated with -- can you guess? -- all the old Disney characters.
Pixar/Jobs would never do something so spiteful. But perhaps they did subtly appreciate the use of windows and gates to the future that always seemed to go wrong. And now you can too.
Ted's Evaluation -- 3 of 3: Worth watching.
You already know that this is the usual Pixar fare, which is to say that it is excellent, better than any non-Pixar animated film. Sure, you also know that and you probably know the usual reason given: that Pixar spends more time on basic storytelling values than anyone else.
Here are two elements of this that may deepen your appreciation. The first is that Pixar recognized early that 3D animation software allowed two types of advance in the third dimension. The first is obvious, that everything has depth and reflection and shadow more or less like reality.
The second is that once these objects and scenes are defined in the computer, it is no extra work to move the camera anywhere. it can loop and swoop in ways that we never could have before. Pixar decided to exploit this in their storytelling here and later in "Nemo."
Nemo was set in an environment where there was no horizon so the camera could flow and the watery feel of the place could make the unfamiliar fluidity of the camera seem more natural. Here, is where they tested some of those perspectives in the three dimensional door warehouse and the extra dimensions of going in and out. Those scenes make this for me.
The second interesting thing is some competitive background. In those days, there was a shooting war between Bill Gates, financier of Dreamworks Animation (and leader of Microsoft) and Steve Jobs of Pixar (and leader of Apple). This was in the heyday of Gates' dirty tricks and he was intent on burying Jobs forever. Pixar depended on the success of "A Bug's Life" their followon to "Toy Story," so Dreamworks rushed "Antz" -- a cheapy -- to open a week or so before to steal the market.
"Bugs" prevailed, sufficiently at least, and Pixar ramped up for their usual three year development of "Monsters." Dreamworks, getting wind of this, went all out with "Shrek," their "monster" movie that could be released six months earlier. It only took a year because the animation is less perfect. But they were overt in their attack this time: "Shrek" made literal fun of Disney, the Pixar partner. The head guy at Disney was the model for the blowhard King who reigned over a fairytale kingdom populated with -- can you guess? -- all the old Disney characters.
Pixar/Jobs would never do something so spiteful. But perhaps they did subtly appreciate the use of windows and gates to the future that always seemed to go wrong. And now you can too.
Ted's Evaluation -- 3 of 3: Worth watching.
"Monsters Inc" came out on DVD this week, and now I have my own copy!! It is not very useful to try to evaluate this one against others since such an evaluation is so subjective. But I put it in the same superb category that such animated films as "Toy Story", "A Bug's Life", "Shrek", and "Disney's Tarzan" are in.
First, the quality of the animation and the picture quality. Unbelievably good. I can categorically say it is the best picture quality I have seen on DVD, and the movement and facial expressions of the animated characters makes it almost feel like they are real.
Second, the story. How inventive! The only thing separating the monster world from the real world are the doors. The company, Monsters Inc, must have millions of them in inventory, computerized for quick call-up to send in a monster to get screams and charge up their energy cells.
The main characters are voiced by John Goodman (big, blue, hairy "kitty" with purple spots) and Billy Crystal (short, green, one-eyed monster) and their acting add so much. Plus the great music provided by Randy Newman. Overall an hour and a half of pure edge of your seat entertainment. And that doesn't even include the 3+ hours of extras on the second disk.
You can select either standard or widescreen format, and I watched mine widescreen on a 16:9 HDTV with 5-channel surround system with powered subwoofer. Almost like being in a theater!!
First, the quality of the animation and the picture quality. Unbelievably good. I can categorically say it is the best picture quality I have seen on DVD, and the movement and facial expressions of the animated characters makes it almost feel like they are real.
Second, the story. How inventive! The only thing separating the monster world from the real world are the doors. The company, Monsters Inc, must have millions of them in inventory, computerized for quick call-up to send in a monster to get screams and charge up their energy cells.
The main characters are voiced by John Goodman (big, blue, hairy "kitty" with purple spots) and Billy Crystal (short, green, one-eyed monster) and their acting add so much. Plus the great music provided by Randy Newman. Overall an hour and a half of pure edge of your seat entertainment. And that doesn't even include the 3+ hours of extras on the second disk.
You can select either standard or widescreen format, and I watched mine widescreen on a 16:9 HDTV with 5-channel surround system with powered subwoofer. Almost like being in a theater!!
Did you know
- TriviaMary Gibbs was so young that it proved difficult to get her to stand in the recording studio and act her lines. Instead, they simply followed her around with a microphone and cut Boo's lines together from the things she said while she played.
- GoofsWhen Sulley runs into the locker room to shove the toys from Boo's room into a locker, he is seen putting them into locker #193 then slamming the door with both hands. When the camera angle changes, he removes his hands from locker #190 even though his hands never moved from the locker between shots.
- Crazy creditsNo monsters were harmed in the making of this motion picture.
- Alternate versionsIn the International version, the slogan 'We Scare Because We Care' doesn't appear on the TV set. However, Waternoose still says the slogan. Also, many other picture inscriptions (like the title of Waternoose as chairman of Monsters, Inc.) are omitted from the TV advertising and from other ad posters seen later during the film.
- SoundtracksIf I Didn't Have You
Music and Lyrics by Randy Newman
Performed by Billy Crystal and John Goodman
Produced by Randy Newman, Chris Montan, and Frank Wolf
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Monsters, Inc. 3D
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $115,000,000 (estimated)
- Gross US & Canada
- $290,642,256
- Opening weekend US & Canada
- $62,577,067
- Nov 4, 2001
- Gross worldwide
- $579,770,299
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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