Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega (Antonio Banderas) and his wife, Elena (Catherine Zeta-Jones), to take action.
A high-adrenaline tale of young climber Peter Garrett, who must launch a treacherous and extraordinary rescue effort up K2, the world's second highest peak. Confronting both his own limitations and the awesome power of nature's uncontrollable elements, Peter risks his life to save his sister, Annie, and her summit team in a race against time. The team is trapped in an icy grave at 26,000 feet - a death zone above the vertical limit of endurance where the human body cannot survive for long. Every second counts as Peter enlists the help of a crew of fellow climbers, including eccentric, reclusive mountain man Montgomery Wick, to ascend the chilling might of the world's most feared peak to save her.Written by
Sujit R. Varma
The script was originally meant to be a sequel to Cliffhanger (1993). See more »
While in the cave discussing water shortage, water is seen dripping in the background. See more »
Can you climb?
Peter wants to know if I can climb!
Worst I ever seen. Couldn't climb a ladder.
You're that good, huh?
Yes... But it was a very tall ladder.
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It's not the painfully thin story line, predictable plot or shallow stereotypical characters featured in this movie. It's not even the constant stream of amazingly improbable events, which give you the feeling the director hopelessly underestimated the reasoning abilities of his audience.
What left me disappointed and even a bit annoyed after seeing "Vertical Limit" is the absolute and total failure of this movie to capture any of the real thrill, excitement and hardship involved in scaling the world's second highest mountain.
Books like Jon Krakauers' "Into thin Air" and movies like David Breashears' "Everest" prove that you don't need helicopter rotor blades threatening to dismember climbers or unstable nitroglycerine that explodes if exposed to sunlight to create an exciting story. When Martin Campbell decided to deny the audience any sense of the real technical, physical and emotional challenges of climbing K2, and therefore had to resort to action-movie style heroes, villains and explosions, he left behind a movie too unconvincing, for me to enjoy.
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