A young Chinese warrior steals a sword from a famed swordsman and then escapes into a world of romantic adventure with a mysterious man in the frontier of the nation.
During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.
To satisfy his nagging parents, a gay landlord and a female tenant agree to a marriage of convenience, but his parents arrive to visit and things get out of hand.
A senior chef lives with his three grown daughters; the middle one finds her future plans affected by unexpected events and the life changes of the other household members.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
During China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
In suburban New Canaan, Connecticut, 1973, middle class families experimenting with casual sex and substance abuse find their lives beyond their control.
In 19th century Qing Dynasty China, a warrior gives his sword, Green Destiny, to his friend to deliver to safe keeping, but it is stolen, and the chase is on to find it. The search leads to the House of Yu where the story takes on a whole different level.Written by
Jwelch5742
The Green Destiny Sword Li Mu Bai carries translates to Green Dark World Sword, a place where the dead go. The "Mu" in Li Mu Bai's name translates to a kind of positive jealousy or longing, as in wanting something but probably never getting it. See more »
Goofs
(at around 1h 30 mins) During the fight between Yu Shu Lien and Xiou Long many floor tiles are smashed by Shu Lien. After Shu Lien discards her heavy metal weapon and continues to fight, the tiles appear repaired. See more »
Quotes
[first lines]
Man:
Master Li is here! Master Li is here!
See more »
Crazy Credits
The opening title appears in Chinese and English. See more »
Alternate Versions
English subtitles on the Region 3 DVD are the same as the original theatrical release, and are not the same as the "dumbed-down" translation on other DVD versions. See more »
Caravan Bells on the Silk Road
Traditional Xinjiang Folk Song
Arranged by Ning Yong
Performed by Bo Liu
Published by China Record Corporation, Shanghai, 1994 See more »
As Ang Lee, I grew up reading wuxia novels in Taiwan. Those novels usually mixed engrossing history, thrilling action, enchanting romance. But when these novels were made into movies or TV series, none of them could match my imagination. It's either because of wrong casting, bad acting, tedious costumes, sloppy storytelling, minimal budget (so everything is shot in studio rather than in the grand Chinese landscapes as they were told in books), fake action... I could go on and on. Now Ang Lee finally made a wuxia film that captures my imagination and fulfills my dream of childhood.
The casting of CTHD is perfect. No disrespect to Jet Li, but Jet Li would not make Li Mu Bai into what he should be: noble, wise but weary. Chow Yun Fat conveys the unspoken feelings of Li Mu Bai in a way I can't imagine anyone else can. But he's known for his acting, Michelle Yeoh was known for her fighting skills. Here in CTHD, she proves herself as an excellent dramatic actress. The secrete longing for Li and the confusion of Li's true feelings were clearly conveyed by her eyes. The scenes between them are heartbreaking. Zhang Zi Yi is a true discovery! What a wonderful talent to steal scenes after scenes from the veterans around her. She ran from looking innocent, haughty, feisty to loving and distraught. She made the complex Jen a real flesh and blood believable human being. Chang Chen made a perfectly sexy and charming bandit.
The scenery and the photography was beyond belief. The majestic landscapes of China match my imagination when I read all the beautiful Chinese poems of the Tang and Sung dynasties. No wonder those poets could come up with those masterpieces. They sure had the best inspiration. Peter Pau not only captured the landscapes and the settings, he also managed to capture the fast-as-lightening action wonderfully. The shot of Jen gliding over water just lodged in my mind. The soundtrack is also excellent. Tan Dun used different instruments to match the different locales. He mixed in Central Asian music in the desert sequence and Chinese flute in the Southern China scenes. Yo-yo Ma's cello in the main theme makes me want to weep everytime I hear it.
The storytelling was also done expertly. As a romantic-at-heart, I love the desert romance between Jen and Lo. It's one of the most charming and believable love stories that I can remember. Most people gave credit of the fighting to Yuen Wo Ping. I'd give kudos to Ang Lee. I've seen Yuen's martial art films before, but they're never done in such an imaginative and artistic way. The artistic vision has to come from Ang Lee.
To sum it up, three cheers for Ang Lee! You not only fulfilled your childhood dream, you fulfilled mine too. It's such a pleasure to finally see a wuxia novel be done right. Thank you! Thank you! Thank you!
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As Ang Lee, I grew up reading wuxia novels in Taiwan. Those novels usually mixed engrossing history, thrilling action, enchanting romance. But when these novels were made into movies or TV series, none of them could match my imagination. It's either because of wrong casting, bad acting, tedious costumes, sloppy storytelling, minimal budget (so everything is shot in studio rather than in the grand Chinese landscapes as they were told in books), fake action... I could go on and on. Now Ang Lee finally made a wuxia film that captures my imagination and fulfills my dream of childhood.
The casting of CTHD is perfect. No disrespect to Jet Li, but Jet Li would not make Li Mu Bai into what he should be: noble, wise but weary. Chow Yun Fat conveys the unspoken feelings of Li Mu Bai in a way I can't imagine anyone else can. But he's known for his acting, Michelle Yeoh was known for her fighting skills. Here in CTHD, she proves herself as an excellent dramatic actress. The secrete longing for Li and the confusion of Li's true feelings were clearly conveyed by her eyes. The scenes between them are heartbreaking. Zhang Zi Yi is a true discovery! What a wonderful talent to steal scenes after scenes from the veterans around her. She ran from looking innocent, haughty, feisty to loving and distraught. She made the complex Jen a real flesh and blood believable human being. Chang Chen made a perfectly sexy and charming bandit.
The scenery and the photography was beyond belief. The majestic landscapes of China match my imagination when I read all the beautiful Chinese poems of the Tang and Sung dynasties. No wonder those poets could come up with those masterpieces. They sure had the best inspiration. Peter Pau not only captured the landscapes and the settings, he also managed to capture the fast-as-lightening action wonderfully. The shot of Jen gliding over water just lodged in my mind. The soundtrack is also excellent. Tan Dun used different instruments to match the different locales. He mixed in Central Asian music in the desert sequence and Chinese flute in the Southern China scenes. Yo-yo Ma's cello in the main theme makes me want to weep everytime I hear it.
The storytelling was also done expertly. As a romantic-at-heart, I love the desert romance between Jen and Lo. It's one of the most charming and believable love stories that I can remember. Most people gave credit of the fighting to Yuen Wo Ping. I'd give kudos to Ang Lee. I've seen Yuen's martial art films before, but they're never done in such an imaginative and artistic way. The artistic vision has to come from Ang Lee.
To sum it up, three cheers for Ang Lee! You not only fulfilled your childhood dream, you fulfilled mine too. It's such a pleasure to finally see a wuxia novel be done right. Thank you! Thank you! Thank you!