During China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
In 19th century Qing Dynasty China, a warrior gives his sword, Green Destiny, to his friend to deliver to safe keeping, but it is stolen, and the chase is on to find it. The search leads to the House of Yu where the story takes on a whole different level.Written by
(at around 1h 30 mins) During the fight between Yu Shu Lien and Xiou Long many floor tiles are smashed by Shu Lien. After Shu Lien discards her heavy metal weapon and continues to fight, the tiles appear repaired. See more »
Master Li is here! Master Li is here!
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The opening title appears in Chinese and English. See more »
When aired for the first time on television in Australia (Sunday, 12 September 2004) on their free-to-air international channel SBS, SBS used their own international translators to subtitle the movie from scratch, resulting in quite a few changes reflecting character names (some different spelling, most directly spelt from their Mandarin forms and not changed/altered into more Western forms), and a much closer, 'truer' explanation of events and people than the 'dumbed-down' translation of other DVD releases offer. See more »
A martial arts movie filmed with great visual brio
Chinese martial arts films had found a market in the West during the Kung Fu boom initiated by Bruce Lee in the early 1970s But "Crouching Tiger, Hidden Dragon" represents a new departure, an attempt to produce a sophisticated, big-budget Chinese film that would appeal both to mainstream Western audiences and to audiences in the Far East Through their quest to find the stolen sword of Green Destiny, warriors Yu Shu Lien (Michelle Yeoh) and Li Mu Bai (Chow Yun-Fat) explore themes of love, loyalty and sacrifice
Ang Lee was an astute choice as director The location shooting was on the Chinese mainland and the actors came from Malaysia, Hong Kong and Taiwan, as well as China Instead of the Shaolin school of martial arts favored by Bruce Lee, Ang Lee opted for the more spiritual form of Wudan; brute force is replace by scenes of balletic grace as opponents climb up walls or flit through tree-tops
The widespread success of the film is a firm indication that Chinese culture is making its mark
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