7.4/10
93,823
527 user 175 critic

Frequency (2000)

PG-13 | | Crime, Drama, Mystery | 28 April 2000 (USA)
Trailer
2:25 | Trailer

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An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

Director:

Gregory Hoblit

Writer:

Toby Emmerich
Reviews
Popularity
4,198 ( 359)
Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dennis Quaid ... Frank Sullivan
Jim Caviezel ... John Sullivan
Shawn Doyle ... Jack Shepard
Elizabeth Mitchell ... Julia Sullivan
Andre Braugher ... Satch DeLeon
Noah Emmerich ... Gordo Hersch
Melissa Errico ... Samantha Thomas
Daniel Henson Daniel Henson ... Johnny Sullivan (6 Years)
Jordan Bridges ... Graham Gibson
Stephen Joffe ... Gordo Hersch (8 Years)
Jack McCormack Jack McCormack ... Commander Butch O'Connell
Peter MacNeill ... Butch Foster
Michael Cera ... Gordy Jr. (10 Years)
Marin Hinkle ... Sissy Clark
Richard Sali Richard Sali ... Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

Taglines:

What if you could talk to someone you love... who has been dead for 30 years? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

New Line | Official Facebook

Country:

USA

Language:

English

Release Date:

28 April 2000 (USA) See more »

Also Known As:

Prava frekvencija See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend USA:

$9,025,584, 30 April 2000, Wide Release

Gross USA:

$45,010,278

Cumulative Worldwide Gross:

$68,106,245
See more on IMDbPro »

Company Credits

Production Co:

New Line Cinema See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Dennis Quaid received 16 stitches just above his hairline after being injured in the stunt where he slides down the construction funnels during the warehouse fire. He had to remove his helmet as a story element. If not for that, he wouldn't have been injured. See more »

Goofs

When the firefighters attend the warehouse fire, they are wearing lights on their helmets that did not come into use until the 1970s. See more »

Quotes

Frank: I'm not a cop, I'm a firefighter.
See more »

Connections

References Full Metal Jacket (1987) See more »

Soundtracks

Son of a Preacher Man
Written by John Hurley and Ronnie Wilkins
Performed by Dusty Springfield
Courtesy of Atlantic Recording Corp./Universal International Music, B.V.
By Arrangement with Warner Special Products
And under license from Universal Music Enterprises
See more »

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User Reviews

the characters make the difference in surprising "Frequency"
1 May 2000 | by UnclePaulSee all my reviews

Several films have deal with changing the past and the ensuing effects on the future. "Back to the Future", "Timecop", and "The Final Countdown" come immediately to mind. Director Gregory Hoblit (his "Fallen" (1998)and "Primal Fear" (1996) were both excellent) explores that theme again in "Frequency". But writer Toby Emmerich (in his first writing credit), puts a different spin on the theme. In most 'changing the past' films, a character goes back in time. In "Frequency", one main character lives in 1999 while another lives in 1969--and you see the actions in 1969 immediately affecting 1999. Sounds confusing, huh? Well, it is. But it works.

The movie opens with the introduction of the Sullivan family. Frank (Dennis Quaid) is a heroic New York firefighter, and escapes a harrowing situation to return home to his wife and his 6-year-old son John. It's an exciting time in New York, as the 'Miracle Mets' have made the World Series. Frank is a ham radio user, and a strange disturbance in the sky (solar flares, I believe. I never took astronomy) in the sky has really increased the range of his radio. "I'm reaching people I've never reached before", he says. Flash forward to 1999, when young John has grown up into a 36-year-old NY homicide detective (James Caviezel) with relational problems (and possibly a drinking problem as well). We learn his father died several years earlier in a warehouse fire, and it's obvious that John has never really gotten over it. He ends up setting up the old ham radio (did I mention that the solar flares are back?), and contacts a fellow New Yorker named Frank. It certainly won't ruin any big surprise when I tell you that it's his father Frank--in 1969. After recovering from his astonishment and convincing his father who he really is (his knowledge of the 1969 World Series proves quite helpful), they begin a series of nightly conversations. Unfortunately, their conversations change the past--and the future--in very dangerous ways. A serial killer who should only have 3 victims suddenly has more, and John must use his knowledge of the crimes (30 years old to him) to guide his dad in a 1969 pursuit of the killer. And the chase is on. Will they stop the killer? Will the solar flares last long enough for them to finish their plan? Will anyone in 1999 or 1969 believe them?

That lengthy 'plot summary' really didn't ruin any of the suspense--or come close to explaining the whole story. So, it goes without saying that the story is pretty convoluted and involved. But it's not hard to follow, and the movie grabbed me and kept me interested throughout. Granted, you will need to use a serious amount of 'suspension of disbelief'. If you get hung up on "there's no way they could be talking to each other" or "changes in the past wouldn't immediately appear in the future--they would have already happened and would have been there all along", you'll do 2 things: (1) you'll give yourself a headache, and (2) you'll miss out on a very entertaining film. The reason I gave this more stars than last week's "U-571"? I cared about the characters, and I found "Frequency" much more entertaining. Also, the story was quite original--with great use of the Miracle Mets and the 1969 World Series throughout.

Speaking of the characters--Quaid and Caviezel both do great work. Their conversations via radio are very touching and authentic (once you accept the general premise, of course). Although Quaid is a 'movie star', don't let that fool you--he's a very good (and probably underrated) actor. Just watch him as Doc Holliday in "Wyatt Earp" (1994), Remy McSwain in "The Big Easy" (1987), or Gordo Cooper in "The Right Stuff" (1983) if you don't believe me. And Caviezel's a real up-and-comer (1998's "The Thin Red Line"). He does a great job as a grieving son who is reunited (in a way) with his father, but watches his joy dissipate in the face of the mess he's created. He also believably portrays a character who has memories of the way things were, but is now bombarded with 'new' memories of the way things have become. The other characters are definitely secondary, but Elizabeth Mitchell as wife/mom Julia, and Andre Braugher (TV's "Homicide", 1998's "City of Angels", and 1989's "Glory") as Frank's policeman friend Satch are both solid.

This film has some decent action/suspense scenes, and 1999 John's radio conversation with his buddy Gordo (in 1969) is very funny. There have certainly been better action/suspense/serial killer movies (the action scenes weren't amazing, the story has some holes, and I thought the ending was a little cheesy), but the heart of the film is the relationship between Frank and John. I bought into that relationship fully, and that's why I liked this film as much as I did. And that's why I definitely recommend seeing "Frequency".


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