Never Open That Door (1952)
No abras nunca esa puerta (original title)Reference View | Change View
- 1h 25min
- Mystery, Thriller
- 23 May 1952 (Argentina)
- Movie
Two separate episodes that have in common the door which separates good from evil. In the first segment, "Alguien al teléfono", Ángel Magaña tries to avenge the death of his sister, a girl who commits suicide over gambling debts. In the...
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Cast
| Ángel Magaña | ... |
Raúl Valdez (episodio 'Alguien al teléfono')
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| Renée Dumas | ... |
Luisa Valdez (episodio 'Alguien al teléfono')
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Nicolás Fregues | ... |
Prestamista (episodio 'Alguien al teléfono')
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Diana de Córdoba | ... |
Nelly (episodio 'Alguien al teléfono')
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| Roberto Escalada | ... |
Daniel (episodio 'El pájaro cantor vuelve al hogar')
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Ilde Pirovano | ... |
Rosa (episodio 'El pájaro cantor vuelve al hogar')
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| Norma Giménez | ... |
María (episodio 'El pájaro cantor vuelve al hogar')
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Luis Otero | ... |
Juan (episodio 'El pájaro cantor vuelve al hogar')
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Pedro Fiorito | ... |
(episodio 'Alguien al teléfono')
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Orestes Soriani | ... |
Gerente de banco (episodio 'Alguien al teléfono')
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Percival Murray | ... |
Policía (episodio 'Alguien al teléfono')
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Rosa Martín | ... |
(episodio 'Alguien al teléfono')
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Arnoldo Chamot | ... |
Camarero (episodio 'Alguien al teléfono')
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Luis Mora | ... |
(episodio 'Alguien al teléfono')
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Rafael Diserio | ... |
(episodio 'El pájaro cantor vuelve al hogar')
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Alberto Quiles | ... |
(episodio 'El pájaro cantor vuelve al hogar')
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Carlos D'Agostino | ... |
Relator radial (episodio 'El pájaro cantor vuelve al hogar')
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Directed by
| Carlos Hugo Christensen | ||
Written by
| Alejandro Casona | ... | () |
| Cornell Woolrich | ... | (stories Somebody on the Phone and Hummingbird Comes Home) (as William Irish) |
Music by
| Julián Bautista | ||
Cinematography by
| Pablo Tabernero | ||
Editing by
| José Gallego | ||
Production Design by
| Gori Muñoz | ||
Set Decoration by
| Manuel Villar | ||
Costume Design by
| Jean Barth | ||
Makeup Department
| Blanca Benítez | ... | makeup artist |
| Blanca Olavego | ... | makeup artist |
Production Management
| Julio Ferrando | ... | production manager |
| Ángel Zavalia | ... | production manager |
Second Unit Director or Assistant Director
| Jorge Briand | ... | assistant director |
| José Arturo Pimentel | ... | assistant director |
| Gilberto Sierra | ... | assistant director |
Sound Department
| Juan M. Arechavala | ... | sound |
| Miguel Babuini | ... | assistant |
| Víctor Bobadilla | ... | sound recordist / sound |
Camera and Electrical Department
| Alberto Doná | ... | gaffer |
| Carmelo Lobótrico | ... | camera operator |
| Marcelo Pais | ... | assistant camera |
Additional Crew
| Horacio Guevara | ... | production assistant |
Production Companies
Distributors
- Estudios San Miguel (1952) (Argentina) (theatrical)
Special Effects
Other Companies
Storyline
| Plot Summary |
Two separate episodes that have in common the door which separates good from evil. In the first segment, "Alguien al teléfono", Ángel Magaña tries to avenge the death of his sister, a girl who commits suicide over gambling debts. In the second, "El pájaro cantor vuelve al hogar", Roberto Escalada is a former inmate who whistles when commits crimes, and returns home where he is expected by his blind mother, who believes he has regenerated. Written by Anonymous |
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Did You Know?
| Trivia | This film is an Argentine adaptation of two short stories by American crime and suspense fiction writer Cornell Woolrich, who is credited under frequent pen name William Irish. Unlike most omnibus films, it does not feature a frame story. See more » |
| Movie Connections | Follows If I Should Die Before I Wake (1952). See more » |