A WW2 documentary on the P-47 Thunderbolt fighter/bomber pilots in missions (Operation Strangle) from their base in Corsica to Northern Italy in 1944, destroying railroads, bridges, trains, vehicles and hard targets.
In this installment of the "Why We Fight" propaganda series, we learn about the country of China and its people. With a brief history of the country, we also learn of why the Japanese wanted to conquer it and felt confident about succeeding. Finally, the history of the war in that theatre is illustrated and shows the stiff determination of the Chinese who use all their resources to oppose Japanese aggression to the end.Written by
Kenneth Chisholm <firstname.lastname@example.org>
This documentary is the sixth film in Frank Capra's seven-film 'Why We Fight' documentary film series. See more »
The film mentions the "Tanaka Memorial" several times as being a document mapping out the proposed Japanese conquest of China, and eventually the United States (the document itself does not mention conquest beyond China). When this film was produced the Tanaka Memorial was accepted as factual, however there is no evidence it was produced by the Japanese. It was first published in 1929 in China, and is generally accepted as a well written anti-Japanese hoax. See more »
But what kind of people are the Chinese? Well, in four thousand years of continuous history, China has never fought a war of aggression. They're *that* kind of people.
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An excellent history of China and its relationship with the U.S. during the early 20th Century.
This is not a propaganda film; it is an un-propaganda film, as in the "un-cola." If you want to see what propaganda looks like, just turn on Fox "News." "Why We Fight" is pretty straightforward about it's purpose: It is an explanation of how America and its allies got into World War II, and why we need to win it. But the Battle of China is more than that; it is a history of China, a portrait of its people, a description of its geography, as well as a detailed account of the actions of Japan, China and the Allies in the war, up to that point.
It is mostly a statement of facts,aside from the occasional remark about the war as being one of civilization vs. barbarism, or something like that, which is a fairly objective assessment of Imperial Japan and Nazi Germany, and the behavior of their soldiers. As with his populist movies, Capra builds up feeling through his presentation of people and events, rather than hitting you over the head with moralizing.
Most of all, the movie is factual and accurate, as far as it can be, given that the war was in progress, and we did not have access to information historians now have. We would now say that the film is too kind to Chiang Kai-Shek, who Gen. Stilwell and President Truman had little respect for; but what do you expect in the midst of the war? On the other hand, it is quite sympathetic to the guerrilla fighters, who I assume were affiliated with Mao.
I daresay that most viewers would learn quite a bit about history by watching this, whether they are Americans or Chinese. I don't think the Chinese are aware of the support they received from America, who was their ally even before Pearl Harbor. Our support for China in the 1930s may have played a role in prodding Japan to attack us at Pearl Harbor.
The film is also interesting because of the historical footage showing China, its people, cities and farmers, before the war. You look at it and get a sense of its diversity of people, and that it was making a deliberate, well thought out effort toward modernization early in the 20th century. If the war and Maoist Communism hadn't intervened, China would have modernized, perhaps earlier. And in the portrait of China of earlier times, you get a sense of the character still alive in China today, of a reasonable, hard-working, progressive people.
To fully appreciate the style of this film, one must be familiar with Frank Capra's feature films, such as Meet John Doe, Mr. Smith Goes to Washington and It's a Wonderful Life. Capra has always had a great love of the little people, the average Joe, and you see that respect in his portrayal of the Chinese people. He also has great admiration for American values, and you get the sense of the compatibility of Chinese values, not, perhaps coincidentally, because of the purpose of this film. But you see that respect for China also in a film he made 12 years before, The Bitter Tea of General Yen, so I believe it is sincere.
Why We Fight was made to be shown to the American and allied military, as well as in movie theaters back home, and in Britain.It was the idea of the great but modest General George Marshall. If I were a soldier watching this during World War II, I would come away knowing a lot more about China. I would also understand the strategy and battles to that point, and be in a better position to grasp any future orders.
The remarkable thing about World War II is how much it resists efforts to encapsulate it in one hour packages or series. There is always more to the story. In China's case, there was the role its people played in helping the downed fliers of Jimmy Doolittle's raid over Tokyo in 1942, who had to land or crash their planes in China because it was impossible to return to their aircraft carriers.
This film is still relevant today because of the limited and somewhat distorted view China and the U.S. have of each other and the history of their relationship.
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