Seventy Deadly Pills (1964) Poster

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8/10
Outstanding CFF feature!
JohnHowardReid24 September 2014
Warning: Spoilers
This movie finds ace director Pat Jackson reduced to shooting a Children's Film Foundation feature. Fortunately, as usual, his many friends have rallied around. The cast is one of the most extensive ever in this league with Leslie Dwyer, Harry Fowler, Warren Mitchell (especially delightful as a bullying but not overbright crook) and Ian Fleming (incorrectly given as Flemming in the film's credits) all providing delightful cameos. Jackson has made full use of his extensive documentary know-how to film extensively on natural locations – often very effectively, as in the opening chase with the cameras actually mounted in both the pursued and pursuing cars, plus the overhead shots in the garage, the dingy streets in which the boys roam and live, plus the climax at Battersea Park Fun Fair. The film moves at a smart clip and rates as one of the most well-made of all Children's Film Foundation features.

Although Jackson's script is perhaps just a little too clever and a little too literary to be wholly convincing, (and also it's a bit hard to believe that the children would not gobble up all the sweets straight away), Jackson has drawn some likable (if a little strained) character studies from the children. The film editing with its elaborate cross-cutting is also far more stylish than the average CFF effort, while the photography, music scoring and sound effects are absolutely first-class. Made at Marlebone Studios.
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7/10
Excellent CFF film
malcolmgsw20 July 2021
This is one of the best CFF films. Directed b the experienced Pat Jackson. It contains everything a film of this nature should be. A cast full of existences character actors. Scenes of London when it was rundown and still showing the scars of war. The climax takes place in he long gone Batter sea funfair. With the iconic power station smoking away in the background. I.
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7/10
Another Priceless CFF Memento
nigel_hawkes26 February 2022
This little gem departs from the usual formula of the hero gang being bullied and/or cheated by their rivals.

Here, it's a Race Against Time story with the kids getting possession of "sweets" that are mixed with stolen, poisonous pills.

As with so many of these early (well, at 1964 this is more or less at the end of the golden period) CFF films, the joy-for those around then, and scholars-is seeing post-War London locations with...bomb damage; unsupervised kids all outside; pre-school kids playing on the roadsides, on their own or sometimes under the "care" of their siblings; kids wearing old, conventional clothes, girls in dresses, no American jeans or baseball boots; caves or dens in empty buildings; traffic-free streets; stern but benevolent coppers; a palpable community spirit....

Highly enjoyable and another valuable social document of those times.

(UK's Talking Pictures TV channel has done it again!)
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6/10
Time capsule
mls418229 March 2023
A group of working class kids formed a group they call the Rockets. They use an empty tenement as their clubhouse. They collect and swap junk they find. One day they come across dangerous pills that cane from a doctors car that was stolen by adults.

Since the pills can be confused for candy, a dragnet is put out to try and find out who has them, as well as notifying the public.

If you are expecting an urban Lord of the Flies you will be disappointed. The kids are mostly civil.

This should be quite a treat for young people to see. The kids have no computer games, no internet and for the most part run free and safe throughout the city. Not now.
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5/10
56 OK Minutes
boblipton21 January 2023
A small boy uses some junk he found in an abandoned garage as the entry fee to a kid's gang. There's a stethoscope, an otoscope, and a tin containing candy.... and cyanide pills. The police are aware the pills are out there, but don't know where they are.

It's an offering from Britain's Children's Film Foundation, an organization dedicated to making wholesome films for children, instead of the filth that Disney offered. Unlike some of them, it's not puerile, with a good structure for suspense, and editing that supports it, but there isn't enough material in the script to make it not seem repetitive, with the police being warned that the pills are out there every five minutes. Look out for Ian Fleming -- no, the other one -- as a doctor.
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9/10
CFF never lets me down.
plan998 May 2021
I record these CFF films on Talking Pictures TV every Saturday morning and every one is a blast from the past. 1964 looks like 1864 to anyone under 40 years old but for us oldies it brings back happy memories before technology and over indulgent parents stopped children being children. Great acting from all the cast.
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8/10
Another winner
Leofwine_draca12 May 2021
Warning: Spoilers
SEVENTY DEADLY PILLS is a different kind of Children's Film Foundation movie: a hard-edged thriller with real deathly peril threatening the kids for a change. Usually these films are about rival gangs and games but not so here. The 'manhunt' style plot is well handled and the pre-gentrification London backdrops are wonderfully portrayed, while the structure of the kids' gang is handled in a surprisingly adult and political way. Add in plenty of choice dialogue and the likes of a youthful Sally Thomsett in support, and you have another winner.
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8/10
Russian Roulette in Battersea
richardchatten8 May 2021
A well above average Children's Film Foundation production similar to Bryanston's production 'The Silent Playground' the same year, combining the plot of 'Bang! You're Dead' with 'Hue and Cry's evocation of a long vanished London of milk floats, police call boxes and ample parking space in the days when the chimneys of Battersea power station still belched smoke and dangerous drugs came in glass jars rather than plastic ones with tamper-proof lids.

Imaginatively shot on location by documentary veteran Pat Jackson, it contains the usual gormless pair of crooks (one played by Warren Mitchell) and familiar faces old (including Ian 'Flemming', sic) and new (today's future sex kitten of the seventies being an almost unrecognisable Sally Thomsett).

Rather harder-edged than the usual CFF fare, it's gang of unkempt young roughnecks hang out in a derelict house with peeling wallpaper and watching them tucking into the tin of sweets laced with strychnine has the same morbid fascination as watching a game of Russian Roulette.
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