Michael Colefield is unwillingly thrust into the nightmarish world of vampires when he discovers a secret government organisation operating undercover within the police when his friend Jack...
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While the team tries to identify their prisoner and Jacob hiding Kirsty from Colefield, Rice and Colefield both end up searching for Jacob, but for different reasons. Kirsty makes some revelations of...
While investigating the attack on a woman who appears to have been saved from her attackers by an apparent vampire, Colefield and Angie find out the woman may be pregnant. The pregnancy appears to be...
Inspired by the book "The Skeleton Crew" by Deborah Halber and infused with the personal story of producer Wendy West. The series follows the life of a thirty-year-old woman (Ola Serafin) ... See full summary »
Viet Anh Do,
Investigative reporter Carl Kolchak, who's after his wife's killer, Carl's partners Perri Reed and Jain McManus and their boss Tony Vincenzo investigate strange crimes in L.A. that may or may not have dark supernatural elements to them.
A park ranger and his girlfriend run into a young man in the middle of Death Valley desert. He shoots the ranger, kidnaps the girl and starts playing psycho-sexual games with her. The wounded ranger gets a shotgun and goes after them.
Michael Colefield is unwillingly thrust into the nightmarish world of vampires when he discovers a secret government organisation operating undercover within the police when his friend Jack disappears under suspicious circumstances on the eve of his wedding.Written by
Mark Smith <firstname.lastname@example.org>
Creator Joe Ahearne never intended to write and direct all six episodes. While the producers commissioned scripts from other writers, they ultimately felt that no other writers or directors understood Ahearn's vision as well as he. The result was that Ahearn's time was consumed with the development of the first series, and he was never able to outline a second arc. Ahearn also admits that he believes high-concept series are best kept short, so that they don't run out of steam and have to be re-invented. See more »
The word vampire might encourage the odd yawn from prospective viewers of any fantasy series these days, but fortunately Ultraviolet never uses the word and so we can enjoy it for what it is. My own feeling while watching this excellent series was that it was first and foremost a quality drama series. It has depth, it is thought-provoking, it is gripping and brilliantly conceived. The vampire element, referred to as leeches or Code 5 in the serial, are bound to present-day earth by such topical considerations as biological warfare, AIDS, abortion and other key social issues which, far from being boring or rammed down our throats, serve as a convincing backdrop to what is essentially a battle between authorities and the church, and the parasitic underground of late twentieth century society. The supernatural element, in fact, blends so superbly with the natural that if any viewer were to chance across this series in midstream they would find themselves wondering exactly what they were watching. Six episodes scarcely seems enough to satisfy, but on the other hand, the entire adventure is wrapped up so neatly that, unless some equally clever ideas are forthcoming, this mini-classic should be laid to rest. A high quality cast, scripts and an atmosphere to rival the best of the X Files, all rooted in darkly convincing reality, Ultraviolet is a powerful combination of supernatural thriller and drama with biting social comment. This is so good it hardly seems like fantasy at all. The future of British SF should look to Ultraviolet as its mentor.
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