Last Night (1998)

A group of very different individuals with different ideas of how to face the end come together as the world is expected to end in six hours at the turn of the century.

Director:

Don McKellar

Writer:

Don McKellar

Stars:

Don McKellar, Sandra Oh, Roberta Maxwell

12 wins & 22 nominations.

Cast

Cast overview, first billed only:
Don McKellar	...	Patrick Wheeler
Sandra Oh	...	Sandra
Roberta Maxwell	...	Mrs. Wheeler
Robin Gammell	...	Mr. Wheeler
Sarah Polley	...	Jennifer Wheeler
Trent McMullen	...	Alex
Charmion King	...	Grandmother
Jessica Booker	...	Rose
David Cronenberg	...	Duncan
Tracy Wright	...	Donna
Callum Keith Rennie	...	Craig Zwiller
Karen Glave	...	Lily
Arsinée Khanjian	...	Streetcar Mother
Chandra Michaels	...	Streetcar Daughter (as Chandra Muszka)
Geneviève Bujold	...	Mrs. Carlton

Storyline

It's 18:00 in a somewhat deserted Toronto on the last day before the scheduled end of the world at midnight, the end which has been known now for months. Most people are treating midnight as a matter-of-fact event with little sense of panic. In fact, many are celebrating this last day. Most have very specific wants for this last day and will do whatever they need to to make those wants happen. And some, such as Duncan and Donna with the gas company, are working, ensuring that the masses are served and comfortable during the final hours. The Wheeler family are marking the last day by having a Christmas party, although sullen adult son Patrick, his thoughts in part stemming from being recently widowed, has made it clear he wants to be alone in his own home at the end. Patrick's wants may be in jeopardy when a woman named Sandra - Duncan's wife - lands on his doorstep. Sandra is stranded, trying to make it across town to her own home so that she and Duncan can carry out their own last ...

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Plot Keywords:

watching television | 360 degree well camera shot | midnight | turn of the century | end of the world | 

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Taglines:

It's your last night on earth. Go out in style.

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Genres:

Comedy | Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for sexuality, language and brief violence

Details

Country:

Canada France

Language:

English French

Release Date:

23 October 1998 (Canada)

Also Known As:

A Última Noite

Filming Locations:

Toronto, Ontario, Canada

Box Office

Budget:

$2,000,000 (estimated)

Company Credits

Production Co:

Rhombus Media, Téléfilm Canada, La Sept-Arte

Technical Specs

Runtime:

95 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Don McKellar's feature-length directorial debut

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Goofs

When Craig agrees to lend his car to Sandra and explains what kind of car it is, he tells her it's a 1970 Lime Green Super Bee with dual overhead cams. The Super Bee was never available with an engine using dual overhead camshafts. In 1970 the Plymouth Super Bee was available with three choices of engines. Base engine was the 383 Magnum, then as options there was the 440 "Six Pack" and the famed 426 "Hemi". All of these used the Overhead Valve design or "OHV" design.

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Quotes

Grandmother: It's hard on them. Well, it's hard on the children. Think of those little ones.

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Crazy Credits

Special thanks to the director's exploited friends.

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Connections

Featured in Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004)

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Soundtracks

Last Song
Words and Music by Larry Evoy
Performed by Edward Bear
©1972 Eeyor Music
Reproduced by arrangement with EMI Music Canada

User Reviews

Flawed, but beautiful; on my shortlist

Don McKellar's less pretentious works (here, I exempt the Red Violin, of which I am not particularly fond) always seem to deliver what I need, if not quite what I want. There's always *something* about each work that bugs me a bit; but like the bit of gravel in your hiking boots that makes the trek that little bit more memorable, that little bit more real, I always wonder: would I really have been happier without it?

Last Night -- a subtle, oddly serene film about the world ending, not quite with a bang, not quite with a whimper -- but with a gently rueful, and very human, shrug -- is typical, in this regard. I more than merely like this film -- I believe I'd put it among my top ten favourite works, and I've seen a *lot* of movies -- but as a matter of honesty, I have to warn anyone who hasn't seen it yet, it does have more than a few rough edges.

The acting's a bit uneven, and ranges from borderline painful to actually stunning; I find the occasionally hysterical mother played by Roberta Maxwell painfully cliched. Bujold, on the other hand, you just have to see. Oh is memorable, surprisingly powerful. McMullen I still can't make my mind up about. McKellar is, well, McKellar. I can't help liking the character, even if it does seem a manipulative kinda setup that makes it so.

The script does amble a bit. It's kinda the nature of the story. And McKellar's fondness for clever, throwaway lines sometimes gets the best of him, in my view, both in his own part and in McMullen's.

But these are minor flaws, forgivable (or, as above, perhaps necessary), in an otherwise actually brilliant piece of work.

And overall, the writing, I have to say, is the best I've seen from McKellar yet. This a very delicately balanced script, marvelously restrained. Somehow, McKellar has made a movie in which regret, euphoria, and dread circle each other warily for an hour and a half, without melodrama once rising up out of the mix. There are believable moments of hysteria; they generally punctuate the prevailing current of reflection, resignation, and quiet desperation entirely believably and appropriately.

The ending... I'm not breathing a word about the ending.

Apart from this: it's flawless.

My vote: see it.