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5/10
At the derby
TheLittleSongbird24 May 2018
The Terrytoons are oddly interesting, mainly for anybody wanting to see (generally) older cartoons made by lesser known and lower-budget studios. They are a mixed bag in quality, with some better than others, often with outstanding music and with some mild amusement and charm and variable in animation, characterisation and content.

1935, like all the other years for Terrytoons, saw a hit and miss batch, more so than the other years even. Of which 'Southern Horse-pitality' is one of the middling ones ranking it in correlation with the rest of the Terrytoons and one of the middling 1935 cartoons. It is an unexceptional, nothing exactly special cartoon and has the same amount of problems as it has the amount of strengths. 'Southern Horse-pitality' is also watchable, completest sake is the main reason to see it but it's not the only reason.

Best asset is the music, which predictably is incredible. It is so beautifully and cleverly orchestrated and arranged, is great fun to listen to and full of lively energy, doing so well with enhancing the action. The ambitious, elaborate detail in the backgrounds is still great to see and some synchronisation is neat.

A few amusing moments and there is some zest and natural charm. The characters, while not terribly distinctive, are not entirely personality deprived and appeal despite being very typical Terrytoons archetypes.

Outside of the backgrounds however, the animation is primitive at best with a fair bit of crudeness, over-simplicity and choppiness.

Likewise, the story is paper thin and formulaic, once again with nothing new to a very old and melodramatic premise. Gags aren't enough, they are not very organised (fairly scattershot), and there is not much especially memorable about them. The cartoon tends to veer towards being too cute and a lot of it is pretty predictable. Some choppiness too.

Altogether, watchable. 5/10 Bethany Cox
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5/10
The Wolf at the Door
boblipton9 February 2015
The Old Colonel is playing checkers with his daughter hen the wolf shows up with the deed, demanding her hand and other parts. Can the jockey boyfriend win the Kentucky Derby and save the day, or might something different and interesting happen?

If there were two people keeping the melodrama alive in the 1930s, it was Tod Slaughter in England, who starred in cheap movie versions of the classic mellers and who would continue to barnstorm in the roles until his death in 1956; and Paul Terry in the US, who did cartoon versions for the small children with plenty of gags. Unfortunately, the plots were limited and any attempt to exaggerate the performances merely resulted in accuracy. Adding in villains in capes and silk hats who rode penny-farthing cycles only served to make adults snicker.
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