Earl Bassett, now a washed-up ex-celebrity, is hired by a Mexican oil company to eradicate a Graboid epidemic that's killing more people each day. However, the humans aren't the only one with a new battle plan.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
A businessman sinks $200 million into a special project to help fight Alzheimer's disease. As part of this project, medical biologist Susan McAlester rather naughtily figures out a way to genetically enlarge shark brains, so that disease-battling enzymes can be harvested. However, the shark subjects become super smart and decide they don't much like being cooped up in pens and being stabbed with hypodermics, so they figure a way to break out and make for the open sea...Written by
John Smith <John.Smith7@net.ntl.com>
The filmmakers watched videos of real Makos swimming frame by frame then borrowed equipment and technology that's typically used in 747s and built the sharks as self-contained units. The remote controlled machines had one thousand horsepower engines, weighed eight thousand pounds, and swam on their own without the use of external wires or apparatus, up to thirty miles per hour. They built four and a half sharks: three fifteen-foot Makos, which played the first gen sharks; and one and a half generation-two sharks, which represented that first generations twenty-six-foot-long progeny, the effect was quite realistic: Stellan Skarsgård remarked "The first time I saw one of those animatronic sharks I thought it was a real one." Samuel L. Jackson recalled "when they first brought the animatronic shark into the lab we were all in awe of the size of this machine. It was a real monster. I would walk up to it slowly and touch it, and they said it felt like a real shark. The gills moved and it had a mind of its own sometimes." Renny Harlin recounted "one shark was sitting in McAlester's room, and just as we were getting the computer programming finished, all of a sudden it leapt up and went through the ceiling. All these 2x4s flying away like matchsticks. It gave us an idea of the awesome power of these creatures and how careful we had to be in terms of the cast and crew being close to them, and how the computer program had to have failsafe procedures so nobody got hurt." See more »
Towards the end of the movie when the carter, preacher, and Susan are about to make the long swim to the surface, right after the air tanks deploy, the first close up of Susan waiting for the others clearly shows Susan's head about a foot beneath the surface of the water, when they are supposed to be 60 feet under water. See more »
At the beginning of the film, both the Warner Bros. shield and the Village Roadshow logo are depicted as being underwater. See more »
SPOILER:In US TV versions, several of the death scenes are edited and cut for content. This includes the death of Russel Franklin (Samuel L. Jackson) and Tom "Scoggs" Scoggins (Michael Rapaport). In the original theatrical and DVD versions, their deaths are more gruesome and last a few seconds longer, with the sharks actually tearing and mutilating their bodies. Scoggs body, for instance, is torn apart into several pieces, with blood and gore splattering everywhere. Most American TV versions show the characters being attacked by the sharks and then cut to the scene See more »
I thought Deep Blue Sea was one of the best shark movies created. I was very fascinated by the scientific part of the movie. The basis wasn't just on terror and blood. I think there's a real personal side to it for the lead character. She had watched her father suffer for years, and that drive and desire to prevent the same thing from happening to so many others gave the movie the obsession that it had. I found it refreshing that this movie had a woman obsessed with helping others instead of some risqué character obsessed with sex or violence. However, the other characters were not introduced to well. You never really found out anything about them. There were some suggestive hints about Carter having a background, but it was as if the movie left you hanging, or you got to make up whatever happened yourself.
There were some bad points as well. Firstly, the relationships between the characters weren't consistent. One minute, it would seem that certain characters were just acquaintances or co-workers, and the next, they seemed to be such close friends. Though, I suppose a tragedy like that would have that effect on people. The other fact that gets me every time I watch the movie is how many times Carter falls down! Yes, sometimes it's unavoidable, but then, others, you can tell he randomly jumps and slides away. Every time they try to do anything, Carter is falling down. Also, what gets to me each time I see the movie is when the stretcher hits the window. All the cast members stand there watching. I know that if I were the room and that first chunk of glass had flown from the window, I wouldn't wait and see what happens next--I would have been running for the door long before they did.
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