a very good movie with good story and music, the only draw back being that, it is in Black & White, while one expects a 1968 movie to be in Eastman colour. Irrespective of the colour issue, the movie holds a grip on the viewer till the end of the film. It reminds one of some similar movies with one night scenario like Gumnaam, Dulhan ek raat ki, Barsaat ki ek raat etc. There are four memorable songs, one each by Lata, Rafi, Mukesh and Asha Bhonsale, which makes one spell-bound and leaves the Roshan music aura behind them. Roshan seems to be the co-producer, as one sees his wife Ira Roshan's name as Associate producer. Overall one would like to put this movie in a must-see list of movies for story, music and action. Zahida, Sanjeev Kumar and Parikshit Sahani, Ajay Sahani, as he was named then performed very well. .
3 Reviews
Great classic on DVD - should be better known outside India
petrelet5 April 2015
As a US resident, I had never heard of this film (the title means "Strange Night") before I saw the very high user rating it had on IMDb - mainly, I suppose, from Asian viewers. I found the DVD on Netflix and ordered it with an open mind. I was very impressed by it. In this review I want to tell other US residents without a background in Indian cinema studies why they might want to watch it and what to expect. (By the way, please don't believe the blurb which focuses on a man thinking a woman looks like his wife. This happens, but it's by no means the focus of the film.)
This film is not exactly in the realistic style. In its general structure, it is maybe more like a Puccini opera or a work from the classical Greek theatre. My reference to Puccini is not meant to emphasize the musical elements of the film. (There are basically five songs, some of which are sung by the characters with joy and pride while, in counterpoint, we watch fate and malice prepare different outcomes.) Mainly I mean that the dialogue is more central, and the meanings of the sentences more important, than in the modern realistic western film tradition which judges the film on how well the actors reproduce the actions of real people in the situation. The characters speak to get their positions out there, rather than (mainly) to shove the narrative arc of the story down some tricky path. But there is an arc.
At the beginning of the film, the "cold open" as we now call it, we are introduced to Baldev, a warm-hearted guy, working as a watchman in charge of some bungalows, willing to fetch everyone's purchases from the market, even though the bags get mixed up and his friend teases him as a fool for letting himself be used by everyone. Baldev loves Gopa from afar, too bashful to speak to her... it is a warm-hearted, rom-comish scene. At length he proposes and sings of his happiness.
Then the opening titles come - and then we are somewhere else, much later, with a grimmer tone. Baldev is nowhere to be seen. Honestly, I thought for a while that through some convention of Indian cinema the first part was an independent short subject, or maybe an ad for some other movie. But that wasn't correct. Baldev turns up later, in changed circumstances.
We are at a "rest house", or palatial hostel, occupied by the disabled owner; his devoted servant, Ramdas; and his granddaughter, Rama, played by the same actress as Gopa in the earlier segment. The building and its family treasures are to be sold at auction to satisfy the debts owed to cruel and wealthy Mr. Madan. But he announces that he will forgive the debt if Rama will marry him. The grandfather won't have it, but Rama is unwilling to have him turned out...
The exploitation of women by cruel men, and of the poor by the rich, are themes of the rest of the movie. We also told of choices which the poor must make - whether to sacrifice their lives to preserve or rescue others, whether to take revenge, and how to live.
An elderly rich man, Mr. Rai, and his young wife, Prema, arrive for the now-canceled auction. The weather is threatening, and they are invited to stay over. A vagabond artist also seeks shelter from the storm. Later others arrive. We hear more of their lives, and the consequences of the choices they have made, or haven't had. Ultimately a last set of choices gets made.
When the movie was over, I felt lucky and clever at the same time. Lucky, in that the opportunity now exists to see movies made fifty years ago on the other side of the world. Clever, in that I had the good sense to reason that very high ratings on IMDb mean something and might provide the opportunity to enjoy something that I would never have thought of on my own. I would watch this again. The songs are really beautiful, especially against the remembered backdrop of the portions of the movie in which they were sung.
This film is not exactly in the realistic style. In its general structure, it is maybe more like a Puccini opera or a work from the classical Greek theatre. My reference to Puccini is not meant to emphasize the musical elements of the film. (There are basically five songs, some of which are sung by the characters with joy and pride while, in counterpoint, we watch fate and malice prepare different outcomes.) Mainly I mean that the dialogue is more central, and the meanings of the sentences more important, than in the modern realistic western film tradition which judges the film on how well the actors reproduce the actions of real people in the situation. The characters speak to get their positions out there, rather than (mainly) to shove the narrative arc of the story down some tricky path. But there is an arc.
At the beginning of the film, the "cold open" as we now call it, we are introduced to Baldev, a warm-hearted guy, working as a watchman in charge of some bungalows, willing to fetch everyone's purchases from the market, even though the bags get mixed up and his friend teases him as a fool for letting himself be used by everyone. Baldev loves Gopa from afar, too bashful to speak to her... it is a warm-hearted, rom-comish scene. At length he proposes and sings of his happiness.
Then the opening titles come - and then we are somewhere else, much later, with a grimmer tone. Baldev is nowhere to be seen. Honestly, I thought for a while that through some convention of Indian cinema the first part was an independent short subject, or maybe an ad for some other movie. But that wasn't correct. Baldev turns up later, in changed circumstances.
We are at a "rest house", or palatial hostel, occupied by the disabled owner; his devoted servant, Ramdas; and his granddaughter, Rama, played by the same actress as Gopa in the earlier segment. The building and its family treasures are to be sold at auction to satisfy the debts owed to cruel and wealthy Mr. Madan. But he announces that he will forgive the debt if Rama will marry him. The grandfather won't have it, but Rama is unwilling to have him turned out...
The exploitation of women by cruel men, and of the poor by the rich, are themes of the rest of the movie. We also told of choices which the poor must make - whether to sacrifice their lives to preserve or rescue others, whether to take revenge, and how to live.
An elderly rich man, Mr. Rai, and his young wife, Prema, arrive for the now-canceled auction. The weather is threatening, and they are invited to stay over. A vagabond artist also seeks shelter from the storm. Later others arrive. We hear more of their lives, and the consequences of the choices they have made, or haven't had. Ultimately a last set of choices gets made.
When the movie was over, I felt lucky and clever at the same time. Lucky, in that the opportunity now exists to see movies made fifty years ago on the other side of the world. Clever, in that I had the good sense to reason that very high ratings on IMDb mean something and might provide the opportunity to enjoy something that I would never have thought of on my own. I would watch this again. The songs are really beautiful, especially against the remembered backdrop of the portions of the movie in which they were sung.
A classic...amazing songs, great storyline and performances
cseabhi24 May 2021
Warning: Spoilers
Rama(Zaheeda) wants to save her grandfather's mansion and decided to marry Madanlal(Tarun Bose) who is much elder for her and is a corrupt person, who decides to sell some artifacts to wealthy buyers. The sale is disturbed by entry of Awara(Parikshit Sahni) who is a painter and four bandits including Baldev Singh(Sanjeev Kumar).
The movie is filmed in black and white mode, although Eastman color was in practice that time. I guess I liked the black and white tone of the movie, it gave movie a certain depth and feel.
How Baldev Singh(Sanjeev Kumar) turn into bandit and how he connects with the painter Awara and Rama(Zaheeda) who looks exactly like his wife who was brutually murdered.
The story somewhere revolves around how men dominates women and even in the movie we can find some comment regarding this issue.
Songs are the soul of movie and in some way it complements the story.
Asit Sen who has directed some really wonderful cinema is totally in command of this movie.
It's gripping, it connects with you. You can feel the pain of Baldev singh and the surprise package was the character of Awara(Parikshiit Sahni) who leaves an imapct on you while watching.
All in all this is a fabolous cinema.
The movie is filmed in black and white mode, although Eastman color was in practice that time. I guess I liked the black and white tone of the movie, it gave movie a certain depth and feel.
How Baldev Singh(Sanjeev Kumar) turn into bandit and how he connects with the painter Awara and Rama(Zaheeda) who looks exactly like his wife who was brutually murdered.
The story somewhere revolves around how men dominates women and even in the movie we can find some comment regarding this issue.
Songs are the soul of movie and in some way it complements the story.
Asit Sen who has directed some really wonderful cinema is totally in command of this movie.
It's gripping, it connects with you. You can feel the pain of Baldev singh and the surprise package was the character of Awara(Parikshiit Sahni) who leaves an imapct on you while watching.
All in all this is a fabolous cinema.
See also
Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews
