Café de Paris (1938) Poster

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7/10
New Year's whirlwind
didierfort25 October 2013
How many directors had this film? It has been told --by Georges Lacombe himself-- that Yves Mirande never put a toe on the set. And we see Robert Vernay as technical adviser and writer too...

Anyhow, it's good, and most of the time very good.

The story is set as a classical whodunit in a closed room: it's New Year's eve, in a very posh and trendy café (Le Café de Paris, set in the 11th "arrondissement" of the French capital city). Big names are gathering there, and "poules de luxe" and other wannabees too, attracted by the light, the glamor and the perspective to make useful connexions.

One Lambert (Jacques Grétillat), press tycoon and feared black-mailer, is especially sought after. He arrives, short before midnight, his mistress with him. Many people around have already told all the evil they wished him, and among them some corrupted industrialists, an ambassador, journalists, a man who has been refused Lambert's daughter (Pierre Brasseur), an aristocratic go-between (Maurice Escandé)... and Lambert's own wife (Véra Korène), who is in the Café de Paris with her lover (Jules Berry) who doesn't know she is Lambert's wife.

Midnight, the light goes off (to permit each and everyone to kiss his/her partner)... and when the lights are on again, the horrified attendance discovers that Lambert has been stabbed to death.

Fortunately, there is a police superintendent (Jacques Baumer) already in the place.

One victim, one (and then three) inquirer... but so many possible murderers...

It's a treat. Many subplots are going on, all supported by brilliant and funny dialogs, among which the regular phone calls of a journalist (Carette) to his redaction, giving step by step the progress of the inquiry in an emphatic tone.

Most of the (very numerous) cast is at his best. Above all of them, Jules Berry, rather restrained here, hence more efficient than ever, and the rare and subtle Véra Korène, acting with a 'natural' rarely seen in those times.

Special mentions for Pierre Brasseur, Jacques Baumer, Carette, and Simone Berriau who is astonishing and excellent.

To me, it's the best of the movies signed by Yves Mirande. Try to catch it!

Didier_Fort at hotmail.com
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8/10
entertaining thriller Agatha Christie would have been proud to call her own
myriamlenys25 February 2021
Warning: Spoilers
A thriller on a nicely classical theme : a man both hated and courted gets murdered under remarkable circumstances and the police is confronted with a rich abundance of suspects and motives.

Set in a world of party animals, social climbers, power brokers, celebrities and concubines, "Café de Paris" boasts both a fine thriller plot and a convincing atmosphere. The tone is distinctly satirical, with the so-called "elite" of society doing what it does best, which happens to be pampering, indulging and promoting itself. This is a crowd so deeply venal, corrupt and self-serving that it lacks even the basic solidarity of a wolf group : here, the various members are more than willing to turn upon each other.

A number of the jokes and ideas are quite funny, such as the newspaperman both participating in and commenting on the events while they happen.

There's an important life lesson to be learned from this movie : if you want to commit adultery in a discreet fashion, don't meet up with your lover in a wildly fashionable café full of eagle-eyed gossips.
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7/10
Why didn't they do it chez Maxim's?
ulicknormanowen19 April 2021
An user wrote that Mirande never set a toe in the studio and it's quite possible :his collaborator Georges Lacombe had a certain flair for film noir and his filmography includes several successful works in this field :"le dernier des six" ,"la lumière d'en face" and his best effort "le pays sans étoiles" ;besides ,both men co-directed another whodunit "derrière la façade "strictly based on the same pattern as "café de Paris" :the owner of an apartment building is slain ,and all the tenants are suspects.

In an enclosed place ,a luxury club called "Café de Paris ", the revelers have a good time on New Years' Eve ,but a hateful blackmailer is around here and many people have a reason to do away with him; at midnight,the lights go off ,and they break into ,not "auld lang syne" ,but into German Xmas (?) carol "mon beau sapin" (="O Tannenbaum "= "O Christmas tree); when the lights are on again, the nasty blackmailer has been stabbed and he's only got a few minutes to live .

The whodunit riddle doesn't begin to touch Agatha Christie's skill: proof positive,it's a journalist who names the culprit before the superintendent! But the atmosphere of the place,with the stooge promising to all his guests "the best table in the place" , the revelers oozing hatred ,contempt ,complacency, and hypocrisy , matters more than the trite investigation; many scathing lines,and some humor as the journalist dictates the latest news,"episode-by-episode."
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Bonne nouvelle
writers_reign29 January 2018
Warning: Spoilers
For someone like me, English born and bred but hopelessly addicted to French movies, this is, in many ways, the pick of the crop, the modest, unassuming 'domestic' fodder, not meant for the festival circuits, not laden with 'international' stars - Gabin, Chevalier, Signoret, Fernandel - as familiar in Nantucket as Nantes, not 'signed' by Cocteau, Renoir, Clair, or swollen with 'significance' but just a jolly good solidly constructed piece of entertainment with reliable names in front - Jules Berry. Julian Carette, Pierre Brasseur - and behind - Yves Mirande, Georges Lacombe - the camera. A heady combination of thriller and satire, shot partly on location in the real Cafe de Paris on Rue Oktoberkampf, reeking sophistication; what more could a French film buff ask.
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