7.4/10
159,267
595 user 143 critic

Pi (1998)

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ON DISC
A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

Director:

Darren Aronofsky
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Popularity
3,401 ( 667)
8 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sean Gullette ... Maximillian Cohen
Mark Margolis ... Sol Robeson
Ben Shenkman ... Lenny Meyer
Pamela Hart Pamela Hart ... Marcy Dawson
Stephen Pearlman ... Rabbi Cohen
Samia Shoaib Samia Shoaib ... Devi
Ajay Naidu ... Farrouhk
Kristyn Mae-Anne Lao ... Jenna
Espher Lao Nieves Espher Lao Nieves ... Jenna's Mom
Joanne Gordon Joanne Gordon ... Mrs. Ovadia
Lauren Fox ... Jenny Robeson
Stanley B. Herman ... Moustacheless Man (as Stanley Herman)
Clint Mansell ... Photographer
Tom Tumminello Tom Tumminello ... Ephraim
Henri Falconi ... Kaballah Scholar
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Storyline

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

Plot Summary | Plot Synopsis

Taglines:

faith in chaos See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Live Entertainment

Country:

USA

Language:

English | Hebrew

Release Date:

10 July 1998 (USA) See more »

Also Known As:

3.14159265358 See more »

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Box Office

Budget:

$60,000 (estimated)

Opening Weekend USA:

$31,069, 12 July 1998, Limited Release

Gross USA:

$3,216,970, 29 November 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The film was bought by Artisan Entertainment for $1,000,000. See more »

Goofs

When Lenny Meyer saves Max from the Stock Market people, there is a brief shot of Farroukh swinging the baseball bat at them. This is because originally Farroukh, or at least Faroukh and Lenny together, was supposed to save Max. See more »

Quotes

[first lines]
Maximillian Cohen: 9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
See more »

Crazy Credits

In the original script, the man seen singing on the subway was referred to as the "Moustache Man". But since the part went to the clean-shaven Stanley B. Herman, the final movie credits list him as "Moustacheless Man". See more »

Alternate Versions

The DVD also contains a 2-minute test of the "Snorricam" with Guillete walking on the street and through a market. The "Snorricam" is the camera used in Pi which follows Max from head on, with his orientation always in the center. Also, it contains a small scene with Max playing with Jenna's Slinky. Other extra's inclued a music video and a behind the scenes look. See more »

Connections

Featured in The Rotten Tomatoes Show: Watchmen/Shuttle/12 (2009) See more »

Soundtracks

P.E.T.R.O.L.
(Orbital) ©1996 Internal Records
Written & Produced by Paul Hartnoll and Phil Hartnoll (as P&P Hartnoll)
Performed by Orbital
Appears Courtesy of FFRR by arrangement with Sony/ATV Tunes LLC(ASCAP)/Sony/ATV Music Publishing UK Ltd./PolyGram Film & TV Music
See more »

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User Reviews

It's not so black and white.
22 December 2002 | by Logos_RemovedSee all my reviews

This intriguing film reminded me of David Lynch's Eraserhead somewhat. The soundscape of the movie was very industrial in places and the metaphorical imagery used was reminiscent of the early Lynch film. Unlike Eraserhead however this effort has "student film-maker" written all over it, which is not to detract from the entertainment value of the movie.

The movie's protagonist thinks mathematics can provide the answers to the big questions, but finds out the painful way that it cannot. This is all illustrated quite appropriately within a hallucinatory milieu. Unfortunately is it all a bit too obvious unlike David Lynch who can have machinations within machinations to the point of indecipherability. That criticism aside, the lighting, sound effects and photography were all interesting and combined to provide a claustrophobic feeling and a sense of unrelenting futility.

To sum the piece struck me as the early work of a director who is on the up and up. I am looking forward to seeing some more of his work in the future. I enjoyed this movie despite its flaws and give it a 6/10 score.


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