After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Mourning his dead child, a haunted Vietnam War veteran attempts to uncover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusions, and perceptions of death.
In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..
The number written in the opening sequence of the film is not Pi beyond the first eight decimals. See more »
Max' ticker displays some stock prices in thirds, but real stock prices only used halves, quarters, eights, sixteenths, and so on. See more »
9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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BENEFACTORS Mr. and Mrs. Fordyce Rallo Family Super-T Wordsound Posse See more »
DVD version includes deleted scenes:
Max being threatened by Farrouhk, Devi's jealous boyfriend;
Max climbing up a pile of discarded computer parts and monitors;
'Pi' is independent filmmaking at its best. Without the constraints of the studio/corporate system, Aronofsky and Gullette created a film that is bizarre, intelligent, and unlike anything that came out of Hollywood in the 1990's. Who would have thought to blend Wall Street, the Kabbalah, computer science, Go, number theory, and the most fascinating number in the universe in a solute of obsessive-compulsive, paranoid genius and then strain through gritty B&W cinematography and hyperkinetic editing? The mixture is definitely not for everybody, but I certainly loved it.
Plus the soundtrack (featuring Orbital, Clint Mansell, Aphex Twin. Gus Gus, Spacetime Continuum, and other techno talents) just flat-out rocks.
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