With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus...Written by
It was Eddie Murphy's idea for Jiff Ramsey to wear braces, and have his ears stick out, and he insisted on not wearing prosthetics make-up when it came to filming his scenes as Jiff. See more »
When Bowfinger is in the bedroom with Daisy, counting his money, the picture behind the bed changes angle between shots (the first part of the scene was re-shot months after principal photography had finished, to include a shot of the table set for two). See more »
After the last credits roll, Kit's line, "I saved the world! I saved it," can be heard. See more »
DVD "deleted scenes" section contains a much longer version of the "this script, this masterpiece" scene which in a Martin monologue explains why an accountant would write a sci-fi script. His first script, about the exciting world of accounting, was rejected in favor of something that at least has aliens in it. The title is "Star Wars," but that will have to be changed. Another scene features the most avant-garde dry-cleaning place you'll ever see, explaining better the "Kit's dry cleaning" material later on. See more »
Steve Martin and Eddie Murphy team up to bring us this quirky comedy that's short on story but big on laughs. I attended a press screening of Bowfinger, not quite sure what to expect, and although I was amused by the silly antics, I felt as if the film's main goal was to make a statement or two about Hollywood and what it takes to get a movie made. First of all, while Eddie Murphy is in the film quite a bit, this is definitely Steve Martin's movie. I left the film feeling that Eddie was not much more than funny set dressing rather than being a star. Martin plays Bobby Bowfinger, a washed up film director who gets a script from one of his employees that he feels is great movie material. He soon realizes that the only way anyone will pick this film up is if he gets a big name star for the lead. His focus turns to Kit Ramsey, played by Murphy, who happens to be the hottest star in Hollywood. But Martin fails to get Ramsey behind the film, even though in some ways this is just the kind of script Ramsey wants. So Bowfinger decides he'll shoot the film's scenes with Ramsey, even though Ramsey doesn't realize he's in the shot, by having his actors walk up to him in public and say their lines as if they're playing out the scene. This works for a while, but soon Ramsey gets freaked out by all the strange behavior, and hides with his friends at the manipulative Scientology-like center, which is headed by Terance Stamp. In the meantime, Heather Graham's character, a struggling actress, begins to sleep with every member of Bowfinger's crew, including Bowfinger, in an attempt to increase the length of her scenes. With Ramsey in hiding, Bobby casts a look-alike to fill in for his scenes, only this guy, portrayed as the ultimate nerd by Murphy, can barely stand still much less play his scenes. The movie goes from one silly scenario to another without having much direction with the story, all the while keeping the audience amused. But I got the feeling I had seen all this before, with Tim Burton's Ed Wood, and once I reached the end of the film, I knew I had. So in closing, there's nothing really new here, and not a lot of story to analyze, but plenty of laughs. Bowfinger is an amusing and entertaining comedy, but I can't help but feel that it falls short of it's true potential. Not a bad film, but not a great one either.
12 of 23 people found this review helpful.
Was this review helpful to you?
| Report this