With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based television cop show, while tracking down the manufacturer and distributor of an illegally made semi-automatic firearm.
Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus...Written by
After the last credits roll, Kit's line, "I saved the world! I saved it," can be heard. See more »
DVD "deleted scenes" section contains a much longer version of the "this script, this masterpiece" scene which in a Martin monologue explains why an accountant would write a sci-fi script. His first script, about the exciting world of accounting, was rejected in favor of something that at least has aliens in it. The title is "Star Wars," but that will have to be changed. Another scene features the most avant-garde dry-cleaning place you'll ever see, explaining better the "Kit's dry cleaning" material later on. See more »
Steve Martin was funny, then he wasn't. Now he is again
Steve Martin, the funniest man alive in the 80s, lost his way in the 90s with the likes of "Leap Of Faith" and "A Simple Twist Of Fate". Now, after sterling work in David Mamet's "The Spanish Prisoner", Martin's return to writing and acting in straight-up comedy is surprisingly, reassuringly good. "Bowfinger" is a movie about movies, with all the potential for in-jokery and self-indulgence that brings, but for the most part dispenses with the clever-clever, isn't-Hollywood-shallow stuff to deliver laughs.
Martin's Bobby Bowfinger, a struggling producer desperate for a hit before he reaches the 'unemployable' age of 50, hits on the idea of putting action star Kit Ramsey (Eddie Murphy) in his new sci-fi film "Chubby Rain" without the star knowing anything about it. Consequently, Bowfinger's inept crew follows Ramsey around in increasingly crazy and surreal fashion, utilising everything from 'Will Work For Food' signs made of foil to cranes mounted on trucks to get the shot they need. When Bowfinger stumbles across a Kit double (Murphy again) who will do anything the director asks including fetch the coffee, he starts to think all his birthdays have come at once. Meanwhile, the neurotic Ramsey, never that stable to begin with, begins to lose it altogether as he becomes convinced that sex-crazed pod people are stalking him.
It's a simple plot and, while the script throws a few barbs at Hollywood, it's played mainly for big laughs - and gets them. Heather Graham is spot-on as the ingenue literally just off the bus from Ohio who is prepared to sleep with anyone to get longer scenes, and Jamie Kennedy is all laconic wit as Bowfinger's long-suffering assistant. Really, though, it's Martin and Murphy's show. The original wild and crazy guy shows he hasn't lost all his manic energy in the title role, nor his wit with the sharp script. Surprisingly enough, though, the standout performance is Murphy's; he is brilliant as both the paranoid, highly-strung Kit and his dumb-but-sweet double Jiff. This might even be a career-best.
It's simple, lightweight and throwaway of course, but comedies that try to SAY something, even if they're good, often just don't make you laugh that much. Bowfinger will.
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