A few years ago I read an article at Rialto Report about Andrea True's attempts at getting a wage increase for adult film performers. After watching Round Robin, I can certainly see why. She is in every scene, as even when she is not physically present, she is endlessly talking. Some of the lines I remember, among many, many others: "We weren't bilingual, but we were cunnilingual." "I rode her like a palomino, and she was a real pal-of-mine-o." "I was watching Love of Life, and I was loving life." And the one to truly treasure: "We're playing two for the seesaw and boy is my see saw!" This is not purple prose as much as gangrene gibberish, but Andrea sells it about as well as anyone could. Andrea also repeats "more, more, more," several times in the film...
The pornographic prattling starts when she seduces a young male dancer (credited here as Jim Gregs and Mike Simmons and on IAFD as Frank Wixon - he reminds me a bit of Paul Thomas, in looks, although it's obviously not him), but much of the film is focused on three sex scenes - True with a galpal (Rachel Lee Harris, wearing a wig that steals most of the attention), and prattling on about the sex life of her student/lover and his wife (Cindy West), both real and fantasy. The real scene has West and Gregs taking over their share of the yammering. The fantasy scene is mercifully dialogue-free, but features annoying "with it" beeping sounds, a hangover of the late '60s. The whole atmosphere of this sequence reminds me of the Turn-On episodes that miraculously reappeared in recent months.
The film winds down with a West/True combo, followed by a happy ending (in more ways than one) with True and her no longer quite so dull husband (Ken Stevens), but by this point you mostly feel spent. Still, if you are curious to see a lot of Andrea, need any porn puns, or just want to see a few actors who did not appear in 50 other productions, you might want to watch.