Passport for a Corpse (1962) Poster

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7/10
Bleak, black & white Italian crime thriller
melvelvit-125 January 2008
Warning: Spoilers
Four Italian war buddies attempt a payroll heist but things go wrong and only one, Marco, survives the shoot-out. He manages to escape with some of the money and, confessing to his girlfriend what he's done, asks her to meet him in France in a few days as he tries to cross the mountainous border alone on foot. Along the way he spots a hearse at a checkpoint and trades places with the corpse in its coffin. From then on, suspense mounts...

This bleak, black & white Italian crime thriller plays on the fears of a premature burial and hinges on the relentless bad luck of a returning war veteran/concentration camp survivor who can't catch a break. A flight from justice eventually becomes a fight for survival where even the money becomes secondary; at one point Marco has to burn some of it to stay warm in a frigid morgue. The stark, claustrophobic atmosphere and tortured voice-over narration keep the mood dark but the symbolism is a bit overdone in the form of Destiny (International playgirl Linda Christian), a beautiful, laughing woman who pops up wherever the anti-hero happens to be. The near-surreal ending in snow and wind may be blindingly white but the film's overall nihilism is pure Noir. Pretty good.
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Effective crime thriller with touches of horror.
copycat102512 December 2003
I recently got the chance to watch this one, which is usually packaged as a crime thriller, yet is also quite effective as a horror film. I consider this film one of the two best Gariazzo films I've seen so far, the other one being "La Mano Spietata delle Legge." Alberto Lupo plays a criminal who, with a partner, attacks a van loaded with bank notes. During a shootout with the guards, his partner is killed, and Lupo tries to make it over the French border by hiding in a coffin. Unexpectedly, he ends up being trapped in an icy cold morgue. This film has some powerful moments, and really displays Lupo's acting talents. I never thought Lupo was a very good actor until I saw this film, which showed me that I had been wrong. As well, this is a wonderful debut for director Mario Gariazzo. With an almost non-existent cast, Gariazzo concentrates almost entirely on Lupo's predicament, and we feel his desperation as the tension builds to a climax. The English-language print of this film is supposed to be cut pretty deeply, but the version I saw was the uncut Italian release.
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